Orde's bank account, in spite of his laughing assertion to Newmark, contained some eleven hundred dollars. After a brief but comprehensive tour of inspection over all the works then forward, he drew a hundred of this and announced to Newmark that business would take him away for about two weeks.
"I have some private affairs to attend to before settling down to business for keeps," he told Newmark vaguely.
At Redding, whither he went to pack his little sole-leather trunk, he told Grandma Orde the same thing. She said nothing at the time, but later, when Grandpa Orde's slender figure had departed, very courteous, very erect, very dignified, with its old linen duster flapping around it, she came and stood by the man leaning over the trunk.
"Speak to her, Jack," said she quietly. "She cares for you."
Orde looked up in astonishment, but he did not pretend to deny the implied accusation as to his destination.
"Why, mother!" he cried. "She's only seen me three or four times! It's absurd--yet."
"I know," nodded Grandma Orde, wisely. "I know. But you mark my words; she cares for you."
She said nothing more, but stood looking while Orde folded and laid away, his head bent low in thought. Then she placed her hand for an instant on his shoulder and went away. The Ordes were not a demonstrative people.
The journey to New York was at that time very long and disagreeable, but Orde bore it with his accustomed stoicism. He had visited the metropolis before, so it was not unfamiliar to him. He was very glad, however, to get away from the dust and monotony of the railroad train. The September twilight was just falling. Through its dusk the street lamps were popping into illumination as the lamp-lighter made his rapid way. Orde boarded a horse-car and jingled away down Fourth Avenue. He was pleased at having arrived, and stretched his legs and filled his lungs twice with so evident an enjoyment that several people smiled.
His comfort was soon disturbed, however, by an influx of people boarding the car at Twenty-third Street. The seats were immediately filled, and late comers found themselves obliged to stand in the aisle. Among these were several women. The men nearest buried themselves in the papers after the almost universal metropolitan custom. Two or three arose to offer their seats, among them Orde. When, however, the latter had turned to indicate to one of the women the vacated seat, he discovered it occupied by a chubby and flashily dressed youth of the sort common enough in the vicinity of Fourteenth Street; impudent of eye, cynical of demeanour, and slightly contemptuous of everything unaccustomed. He had slipped in back of Orde when that young man arose, whether under the impression that Orde was about to get off the car or from sheer impudence, it would be impossible to say.
Orde stared at him, a little astonished.
"I intended that seat for this lady," said Orde, touching him on the shoulder.
The youth looked up coolly.
"You don't come that!" said he.
Orde wasted no time in discussion, which no doubt saved the necessity of a more serious disturbance. He reached over suddenly, seized the youth by the collar, braced his knee against the seat, and heaved the interloper so rapidly to his feet that he all but plunged forward among the passengers sitting opposite.
"Your seat, madam," said Orde.
The woman, frightened, unwilling to become the participant of a scene of any sort, stood looking here and there. Orde, comprehending her embarrassment, twisted his antagonist about, and, before he could recover his equilibrium sufficiently to offer resistance, propelled him rapidly to the open door, the passengers hastily making way for them.
"Now, my friend," said Orde, releasing his hold on the other's collar, "don't do such things any more. They aren't nice."
Trivial as the incident was, it served to draw Orde to the particular notice of an elderly man leaning against the rear rail. He was a very well-groomed man, dressed in garments whose fit was evidently the product of the highest art, well buttoned up, well brushed, well cared for in every way. In his buttonhole he wore a pink carnation, and in his gloved hand he carried a straight, gold-headed cane. A silk hat covered his head, from beneath which showed a slightly empurpled countenance, with bushy white eyebrows, a white moustache, and a pair of rather bloodshot, but kindly, blue eyes. In spite of his somewhat pudgy rotundity, he carried himself quite erect, in a manner that bespoke the retired military man.
"You have courage, sir," said this gentleman, inclining his bead gravely to Orde.
The young man laughed in his good-humoured fashion.
"Not much courage required to root out that kind of a skunk," said he cheerfully.
"I refer to the courage of your convictions. The young men of this generation seem to prefer to avoid public disturbances. That breed is quite capable of making a row, calling the police, raising the deuce, and all that."
"What of it?" said Orde.
The elderly gentleman puffed out his cheeks.
"You are from the West, are you not?" he stated, rather than asked.
"We call it the East out there," said Orde. "It's Michigan."
"I should call that pretty far west," said the old gentleman.
Nothing more was said. After a block or two Orde descended on his way to a small hotel just off Broadway. The old gentleman saluted. Orde nodded good-humouredly. In his private soul he was a little amused at the old boy. To his view a man and clothes carried to their last refinement were contradictory terms.
Orde ate, dressed, and set out afoot in search of Miss Bishop's address. He arrived in front of the house a little past eight o'clock, and, after a moment's hesitation, mounted the steps and rang the bell.
The door swung silently back to frame an impassive man-servant dressed in livery. To Orde's inquiry he stated that Miss Bishop had gone out to the theatre. The young man left his name and a message of regret. At this the footman, with an irony so subtle as to be quite lost on Orde, demanded a card. Orde scribbled a line in his note-book, tore it out, folded it, and left it. In it he stated his regret, his short residence in the city, and desired an early opportunity to call. Then he departed down the brownstone steps, totally unconscious of the contempt he had inspired in the heart of the liveried man behind him.
He retired early and arose early, as had become his habit. When he descended to the office the night clerk, who had not yet been relieved, handed him a note delivered the night before. Orde ripped it open eagerly.
"MY DEAR MR. ORDE:
"I was so sorry to miss you that evening because of a stupid play. Come around as early as you can to-morrow morning. I shall expect you.
"Sincerely yours,
"CARROLL BISHOP."
Orde glanced at the clock, which pointed to seven. He breakfasted, read the morning paper, finally started leisurely in the direction of West Ninth Street. He walked slowly, so as to consume more time, then at University Place was seized with a panic, and hurried rapidly to his destination. The door was answered by the same man who had opened the night before, but now, in some indefinable way, his calm, while flawless externally, seemed to have lifted to a mere surface, as though he might hastily have assumed his coat. To Orde's inquiry he stated with great brevity that Miss Bishop was not yet visible, and prepared to close the door.
"You are mistaken," said Orde, with equal brevity, and stepped inside. "I have an engagement with Miss Bishop. Tell her Mr. Orde is here."
The man departed in some doubt, leaving Orde standing in the gloomy hall. That young man, however, quite cheerfully parted the heavy curtains leading into a parlour, and sat down in a spindle-legged chair. At his entrance, a maid disappeared out another door, carrying with her the implements of dusting and brushing.
Orde looked around the room with some curiosity. It was long, narrow, and very high. Tall windows admitted light at one end. The illumination was, however, modified greatly by hangings of lace covering all the windows, supplemented by heavy draperies drawn back to either side. The embrasure was occupied by a small table, over which seemed to flutter a beautiful marble Psyche. A rubber plant, then as now the mark of the city and suburban dweller, sent aloft its spare, shiny leaves alongside a closed square piano. The lack of ornaments atop the latter bespoke the musician. Through the filtered gloom of the demi-light Orde surveyed with interest the excellent reproductions of the Old World masterpieces framed on the walls--"Madonnas" by Raphael, Murillo, and Perugino, the "Mona Lisa," and Botticelli's "Spring"--the three oil portraits occupying the large spaces; the spindle-legged chairs and tables, the tea service in the corner, the tall bronze lamp by the piano, the neat little grate-hearth, with its mantel of marble; the ormolu clock, all the decorous and decorated gentility which marked the irreproachable correctness of whoever had furnished the apartment. Dark and heavy hangings depended in front of a double door leading into another room beyond. Equally dark and heavy hangings had closed behind Orde as he entered. An absolute and shrouded stillness seemed to settle down upon him. The ormolu clock ticked steadily. Muffled sounds came at long intervals from behind the portieres. Orde began to feel oppressed and subdued.
For quite three quarters of an hour he waited without hearing any other indications of life than the muffled sounds just remarked upon. Occasionally he shifted his position, but cautiously, as though he feared to awaken some one. The three oil portraits stared at him with all the reserved aloofness of their painted eyes. He began to doubt whether the man had announced him at all.
Then, breaking the stillness with almost startling abruptness, he heard a clear, high voice saying something at the top of the stairs outside. A rhythmical SWISH of skirts, punctuated by the light PAT-PAT of a girl tripping downstairs, brought him to his feet. A moment later the curtains parted and she entered, holding out her hand.
"Oh, I did keep you waiting such a long time!" she cried.
He stood holding her hand, suddenly unable to say a word, looking at her hungrily. A flood of emotion, of which he had had no prevision, swelled up within him to fill his throat. An almost irresistible impulse all but controlled him to crush her to him, to kiss her lips and her throat, to lose his fingers in the soft, shadowy fineness of her hair. The crest of the wave passed almost immediately, but it left him shaken. A faint colour deepened under the transparence of her skin; her fathomless black eyes widened ever so little; she released her hand.
"It was good of you to come so promptly," said she. "I'm so anxious to hear all about the dear people at Redding."
She settled gracefully in one of the little chairs. Orde sat down, once more master of himself, but still inclined to devour her with his gaze. She was dressed in a morning gown, all laces and ribbons and long, flowing lines. Her hair was done low on the back of her head and on the nape of her neck. The blood ebbed and flowed beneath her clear skin. A faint fragrance of cleanliness diffused itself about her--the cool, sweet fragrance of daintiness. They entered busily into conversation. Her attitudes were no longer relaxed and languidly graceful as in the easy chairs under the lamplight. She sat forward, her hands crossed on her lap, a fire smouldering deep beneath the cool surface lights of her eyes.
The sounds in the next room increased in volume, as though several people must have entered that ap............