Rob had a for it, but he managed to live down his first winter in London, and May-day saw him prosperous and to be able to go into restaurants and shout out 'Waiter.' After that nothing frightened him but barmaids.  
For a time his chief struggle had been with his appetite, which tortured him when he went out in the afternoons. He wanted to dine out of a paper bag, but his legs were reluctant to carry him past a grill-room. At last a compromise was agreed upon. If he got a proof over night, he dined in state next day; if it was only his manuscript that was returned to him, he thought of dining later in the week. For a long time his appetite had the worse of it. It was then that he became so great an authority on penny buns. His striking appearance always brought the saleswomen to him , and sometimes he blushed, and often he glared, as he gave his order. When they smiled he changed his shop.
 
There was one terrible month when he wrote from morning to night and did not make sixpence. He lived by selling his books, half a dozen at a time. Even on the last day of that black month he did not despair. When he wound up his watch at nights before going hungry to bed, he never remembered that it could be . The very idea of entering a pawnshop never struck him. Many a time when his rejected articles came back he shook his fist in imagination at all the editors in London, and saw himself twisting their necks one by one. To think of a different death for each of them exercised his imagination and calmed his passion, and he wondered whether the murder of an editor was an indictable offence. When he did not have ten shillings, 'I will get on' cried Rob to himself. 'I'm not going to be starved out of a big town like this. I'll make my mark yet. Yes,' he roared, while the at the other side of the door quaked to hear him, 'I will get on; I'm not going to be beaten.' He was waving his arms fiercely, when the housekeeper knocked. 'Come in,' said Rob, into his chair. Before company he seemed to be without passion, but they should have seen him when he was alone. One night he dreamt that he saw all the editors in London being conveyed (in a row) to the hospital on stretchers. A gratified smile lit up his face as he slept, and his arm, going out suddenly to tip one of the stretchers over, hit against a chair. Rob jumped out of bed and kicked the chair round the room. By and by, when his articles were occasionally used, he told his proofs that the editors were capital fellows.
 
The only acquaintances he made were with journalists who came to his to see Rorrison, who was now in India. They seemed just as pleased to see Rob, and a few of them, who largely of their connection with literature, borrowed five shillings from him. To his disappointment Noble Simms did not call, though he sometimes sent up notes to Rob suggesting likely articles, and the proper papers to which to send them. 'I would gladly say "Use my name,"' Simms wrote, 'but it is the glory of that names are nothing and good stuff everything. I assure you that on the Press it is the men who have it in them that succeed, and the best of them become the editors.' He advised Rob to go to the annual supper given by a philanthropic body to discharged criminals and write an account of the ; and told him that when anything happened in London he should at once do an article (in the British Museum) on the times the same thing had happened before. 'Don't neglect eclipses,' he said, 'nor heavy scoring at cricket matches any more than what look like signs of the times, and always try to be first in the field.' He recommended Rob to gather statistics of all kinds, from the number of grandchildren the crowned heads of Europe had to the jockeys who had ridden the Derby winner more than once, and suggested the collecting of about , which everybody would want to read if his celebrities chanced to die, as they must do some day; and he assured him that there was a public who liked to be told every year what the poets had said about May. Rob was advised never to let a historic house disappear from London without compiling an article about its associations, and to be ready to run after the fire brigade. He was told that an article on flagstone artists could be made interesting. 'But always be sure of your facts,' Simms said. 'Write your articles over again and again, avoid fine writing as much as dishonest writing, and never spoil a leaderette by drawing it out into a leader. By and by you may be able to choose the kind of subject that interests yourself, but at present put your best work into what experienced editors believe interests the general public.'
 
Rob found these suggestions valuable, and often thought, as he passed Simms's door, of going in to thank him, but he had an uncomfortable feeling that Simms did not want him. Of course Rob was wrong. Simms had feared at first to saddle himself with a man who might prove , and besides, he generally liked those persons best whom he saw least frequently.
 
For the great part of the spring Simms was out of town; but one day after his return he met Rob on the stair, and took him into his chambers. The had been originally furnished with newspaper articles; Simms, in his younger days, when he wanted a new chair or an etching having written an article to pay for it, and then pasted the article on the back. He had paid a series on wild birds for his piano, and at one time leaderettes had even been found in the inside of his hats. Odd books and magazines lay about his table, but they would not in all have filled a library shelf; and there were no newspapers visible. The blank wall opposite the fireplace showed in dust that a large picture had recently hung there. It was an oil-painting which a month earlier had given way in the cord and fallen behind the piano, where Simms was letting it lie.
 
'I wonder,' said Rob, who had heard from many quarters of Simms's reputation, 'that you are content to put your best work into newspapers.'
 
'Ah,' answered Simms, 'I was ambitious once, but, as I told you, the grand book was a failure. Nowadays I gratify myself with the reflection that I am not stupid enough ever to be a great man.'
 
'I wish you would begin something really big,' said Rob earnestly.
 
'I feel safer,' replied Simms, 'finishing something really little.'
 
He turned the talk to Rob's affairs as if his own wearied him, and, after hesitating, offered to 'place' a political article by Rob with the editor of the Morning Wire.
 
'I don't say he'll use it, though,' he added.
 
This was so much the work Rob hungered for that he could have run upstairs and begun it at once.
 
'Why, you surely don't work on Saturday nights?' said his host, who was putting on an overcoat.
 
'Yes,' said Rob, 'there is nothing else to do. I know no one well enough to go to him. Of course I do nothing on the Sab—I mean on Sundays.'
 
'No? Then how do you pass your Sundays?'
 
'I go to church, and take a long walk, or read.'
 
'And you never break this principle—when a capital idea for an article strikes you on Sunday evening, for instance?'
 
'Well,' said Rob, 'when that happens I wait until twelve o'clock strikes, and then begin.'
 
Perceiving nothing curious in this, Rob did not look up to see Simms's mouth .
 
'On those occasions,' asked Simms, 'when you are waiting for twelve o'clock, does the evening not seem to pass very slowly?'
 
Then Rob blushed.
 
'At all events, come with me to-night,' said Simms, 'to my club. I am going now to the Wigwam, and we may meet men there worth your knowing.'
 
The Wigwam is one of the best known literary clubs in London, and as they to it in a hansom, the driver of which was the broken son of a peer, Rob remarked that its fame had even travelled to his saw-mill.
 
'It has such a name,' said Simms in reply, 'that I feel sorry for any one who is taken to it for the first time. The best way to admire the Wigwam is not to go to it.'
 
'I always thought it was considered the pleasantest club in London,' Rob said.
 
'So it is,' said Simms, who was a member of half a dozen; 'most of the others are only meant for sitting in on padded chairs and calling out "sh-sh" when any other body speaks.'
 
At the Wigwam there is a special dinner every Saturday evening, but it was over before Simms and Rob arrived, and the members were crowding into the room where great poets have sat beating time with churchwardens, while great artists or coming Cabinet ministers sang songs that were not of the drawing-room. A popular novelist, on whom Rob gazed with a that did not spread to his companion's face, was in the chair when they entered, and the room was full of literary men, actors, and artists, of whom, though many were , many were also . Here was an actor who had separated from his wife because her notices were better than his; and another gentleman of the same profession took Rob aside to say that he was the greatest tragedian on earth if he could only get a chance. Rob did not know what to reply when the cartoonist sitting next him, whom he had looked up to for half a dozen years, told him, by way of opening a conversation, that he had just pawned his watch. They seemed so pleased with poverty that they made as much of a little of it as they could, and the wisest conclusion Rob came to that night was not to take them too seriously. It was, however, a novel world to find oneself in all of a sudden, one in which everybody was a wit at his own expense. Even Simms, who always upheld the Press when any outsider ran it down, sang with applause some verses whose point lay in their being directed against himself. They began—
 
When clever pressmen write this way,
'As Mr. J. A. Froude would say,'
Is it because they think he would,
And have they read a line of Froude?
Or is it only that they fear
The comment they have made is queer,
And that they either must it,
Or say it's Mr. Froude who says it?
Every one abandoned himself to the humour of the evening, and as song followed song, or was wedged between entertainments of other kinds, the room filled with smoke until it resembled London in a fog.
 
By and by a sallow-faced man mounted a table to show the company how to perform a remarkable trick with three hats. He got his hats from the company, and having looked at them thoughtfully for some minutes, said that he had forgotten the way.
 
'That,' said Simms, mentioning a well-known journalist, 'is K——. He can never work unless his pockets are empty, and he would not be looking so doleful at present if he was not pretty well off. He goes from room to room in the house he in, according to the state of his finances, and when you call on him you have to ask at the door which floor he is on to-day. One week you find him in the drawing-room, the next in the garret.'
 
A and brighter man followed the hat entertainment with a song, which he said was considered by some of his friends a recitation.
 
'There was a time,' said Simms, who was held a terrible person by those who took him , 'when that was the saddest man I knew. He was so sad that the doctors feared he would die of it. It all came of his writing for Punch.'
 
'How did they treat him?' Rob asked.
 
'Oh, they quite gave him up, and he was wasting away visibly, when a second-rate journal appointed him its London correspondent, and saved his life.'
 
'Then he was sad,' asked Rob, 'because he was out of work?'
 
'On the contrary,' said Simms gravely, 'he was always one of the successful men, but he could not laugh.'
 
'And he laughed when he became a London correspondent?'
 
'Yes; that restored his sense of humour. But listen to this song; he is a countryman of yours who sings it.'
 
A man, who looked as if he had been cut out of a block, and who at the end of each verse thrust his pipe back into his mouth, sang in a broad accent, that made Rob want to go nearer him, some verses about an old university—
 
'Take off the stranger's hat!'—The shout
We raised in fifty-nine
my ears, with careless ,
And now the hat is mine.
It seems a day since I was here,
A student slim and ,
And see, the boys around me cheer,
'The ancient-looking party!'
Rough ............