La Teuse stood at the foot of the ladder and watched him. And Desiree urged that he must not fill up all the windows, or else the sparrows would no longer be able to get through. To please her, the priest left a pane or two in each window unfilled. Then, having completed these repairs, he was seized with the ambition of decorating the church, without summoning to his aid either mason or carpenter or painter. He would do it all himself. This sort of handiwork would amuse him, he said, and help to bring back his strength. Uncle Pascal encouraged him every time he called at the parsonage, assuring him that such exercise and fatigue were better than all the drugs in the world. And so Abbe Mouret began to stop up the holes in the walls with plaster, to drive fresh nails into the disjoined altars, and to crush and mix paints, in order that he might put a new coating on the pulpit and confessional-box. It was quite an event in the district, and folks talked of it for a couple of leagues round. Peasants would come and stand gazing, with their hands behind their backs, at his reverence's work. The Abbe himself, with a blue apron tied round his waist, and his hands all soiled with his labour, became absorbed in it, and used it as an excuse for no longer going out. He spent his days in the midst of his repairs, and was more tranquil than he had been before; almost cheerful, indeed, as he forgot the outer world, the trees and the sunshine and the warm breezes, which had formerly disturbed him so much.

 

'Monsieur le Cure is free to do as he pleases, since the parish hasn't got to find the money,' said old Bambousse, who came round every evening to see how the work was progressing.

 

Abbe Mouret spent all his savings on it. Some of his decorations, indeed, were so awkward that they would have excited many people's smiles. The replastering of the stonework soon tired him: so he contented himself with patching up the church walls all round to a height of some six feet from the ground. La Teuse mixed the plaster. When she talked of repairing the parsonage as well, for she was continually fearing that it would topple down on their heads, he told her that he did not think he could manage it, that a regular workman would be necessary; a reply which led to a terrible quarrel between them. La Teuse said it was quite ridiculous to go on ornamenting the church, where nobody slept, while their bedrooms were in such a crazy condition, for she was quite sure they would all be found, one morning, crushed to death by the fallen ceilings.

 

'I shall end by bringing my bed here, and placing it behind the altar,' she grumbled. 'I feel quite terrified sometimes at night.'

 

However, when the plaster was all used up, she said no more about repairing the parsonage. The painting which the priest executed quite delighted her. It was the chief charm of the improvements. The Abbe, who had repaired the woodwork everywhere with bits of boards, took particular pleasure in spreading his big brush, dipped in bright yellow paint, over all this woodwork. The gentle, up-and-down motion of the brush lulled him, left him thoughtless for hours whilst he gazed on the oily streaks of paint. When everything was quite yellow, the pulpit, the confessional-box, the altar rails, even the clock-case itself, he ventured to try his hand at imitation marble work by way of touching up the high altar. Then, growing bolder, he painted it all over. Glistening with white and yellow and blue, it was pronounced superb. People who had not been to mass for fifty years streamed into the church to see it.

 

And now the paint was dry. All that remained for Abbe Mouret to do was to edge the panels with brown beading. So, that afternoon, he set to work at it, wishing to get it done by evening; for on the following day, as he had reminded La Teuse, there would be high mass. She was there ready to arrange the altar. She had already placed on the credence the candlesticks and the silver cross, the porcelain vases filled with artificial roses, and the laced cl............