Not the least of the trials which Robert Cairn experienced during the time that he and his father were warring with their supernaturally equipped opponent was that of preserving silence upon this matter which loomed so large in his mind, and which already had changed the course of his life.  
Sometimes he met men who knew Ferrara, but who knew him only as a man about town of somewhat evil reputation. Yet even to these he dared not confide what he knew of the true Ferrara; undoubtedly they would have deemed him mad had he spoken of the knowledge and of the deeds of this uncanny, this fiendish being. How would they have listened to him had he sought to tell them of the den of spiders in Port Said; of the bats of Méydûm; of the secret incense and of how it was made; of the numberless murders and atrocities, wrought by means not human, which stood to the account of this adopted son of the late Sir Michael Ferrara?
 
So, excepting his father, he had no confidant; for above all it was necessary to keep the truth from Myra Duquesne—from Myra around whom his world circled, but who yet thought of the dreadful being who wielded the sorcery of forgotten ages, as a brother. Whilst Myra lay ill—not yet recovered from the ghastly attack made upon her life by the man whom she trusted—whilst, having plentiful evidence of his presence in London, Dr. Cairn and himself vainly sought for Antony Ferrara; whilst any night might bring some unholy visitant to his rooms, obedient to the will of this modern wizard; whilst these fears, anxieties, doubts, and surmises danced, impish, through his brain, it was all but impossible to pursue with success, his vocation of journalism. Yet for many reasons it was necessary that he should do so, and so he was
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employed upon a series of articles which were the outcome of his recent visit to Egypt—his editor having given him that work as being less exacting than that which properly falls to the lot of the Fleet Street copy-hunter.
 
He left his rooms about three o'clock in the afternoon, in order to seek, in the British Museum library, a reference which he lacked. The day was an exceedingly warm one, and he derived some little satisfaction from the fact that, at his present work, he was not called upon to endue the armour of respectability. Pipe in mouth, he made his way across the Strand towards Bloomsbury.
 
As he walked up the steps, crossed the hall-way, and passed in beneath the dome of the reading-room, he wondered if, amid those mountains of erudition surrounding him, there was any wisdom so strange, and so awful, as that of Antony Ferrara.
 
He soon found the information for which he was looking, and having copied it into his notebook, he left the reading-room. Then, as he was recrossing the hall near the foot of the principal staircase, he paused. He found himself possessed by a sudden desire to visit the Egyptian Rooms, upstairs. He had several times inspected the exhibits in those apartments, but never since his return from the land to whose ancient civilisation they bore witness.
 
Cairn was not pressed for time in these days, therefore he turned and passed slowly up the stairs.
 
There were but few visitors to the grove of mummies that afternoon. When he entered the first room he found a small group of tourists passing idly from case to case; but on entering the second, he saw that he had the apartment to himself. He remembered that his father had mentioned on one occasion that there was a ring in this room which had belonged to the Witch-Queen. Robert Cairn wondered in which of the cases it was exhibited, and by what means he should be enabled to recognise it.
 
Bending over a case containing scarabs and other amulets, many set in rings, he began to read the inscriptions upon the little tickets placed beneath some of them; but none answered to the description, neither the
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ticketed nor the unticketed. A second case he examined with like results. But on passing to a third, in an angle near the door, his gaze immediately lighted upon a gold ring set with a strange green stone, engraved in a peculiar way. It bore no ticket, yet as Robert Cairn eagerly bent over it, he knew, beyond the possibility of doubt, that this was the ring of the Witch-Queen.
 
Where had he seen it, or its duplicate?
 
With his eyes fixed upon the gleaming stone, he sought to remember. That he had seen this ring before, or one exactly like it, he knew, but strangely enough he was unable to determine where and upon what occasion. So, his hands resting upon the case, he leant, peering down at the singular gem. And as he stood thus, frowning in the effort of recollection, a dull white hand, having long tapered fingers, glided across the glass until it rested directly beneath his eyes. Upon one of the slim fingers was an exact replica of the ring in the case!
 
Robert Cairn leapt back with a stifled exclamation.
 
Antony Ferrara stood before him!
 
"The Museum ring is a copy, dear Cairn," came the huskily musical, hateful voice; "the one upon my finger is the real one."
 
Cairn realised in his own person, the literal meaning of the overworked phrase, "frozen with amazement." Before him stood the most dangerous man in Europe; a man who had done murder and worse; a man only in name, a demon in nature. His long black eyes half-closed, his perfectly chiselled ivory face expressionless, and his blood-red lips parted in a mirthless smile, Antony Ferrara watched Cairn—Cairn whom he had sought to murder by means of hellish art.
 
Despite the heat of the day, he wore a heavy overcoat, lined with white fox fur. In his right hand—for his left still rested upon the case—he held a soft hat. With an easy nonchalance, he stood regarding the man who had sworn to kill him, and the latter made no move, uttered no word. Stark amazement held him inert.
 
"I knew that you were in the Museum, Cairn," Ferrara continued, still having his
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basilisk eyes fixed upon the other from beneath the drooping lids, "and I called to you to join me here."
 
Still Cairn did not move, did not speak.
 
"You have acted very harshly towards me in the past, dear Cairn; but because my philosophy consists in an admirable blending of that practised in Sybaris with that advocated by the excellent Zeno; because whilst I am prepared to make my home in a Diogenes' tub, I, nevertheless, can enjoy the fragrance of a rose, the flavour of a peach—"
 
The husky voice seemed to be hypnotising Cairn; it was a siren's voice, thralling him.
 
"Because," continued Ferrara evenly, "in common with all humanity I am compoun............