Jenny Amenaide Brecourt was born in Paris in the year 1837. Her father was a printer, her mother sold vegetables. The parents neglected the child, but a lady of title took pity on her, and when she was five years old adopted her. Even as a little girl she was haughty and imperious. At the age of eight she refused to play with another child on the ground of her companion's social inferiority. "The daughter of a Baroness," she said, "cannot play with the daughter of a wine-merchant." When she was eleven years old, her parents took her away from her protectress and sent her into the streets to sell gingerbread—a dangerous experience for a child of tender years. After six years of street life, Amenaide sought out her benefactress and begged her to take her back. The Baroness consented, and found her employment in a silk manufactory. One day the girl, now eighteen years old, attended the wedding of one of her companions in the factory. She returned home after the ceremony thoughtful.  
She said that she wanted to get married. The Baroness did not take her statement seriously, and on the grocer calling one day, said in jest to Amenaide, "You want a husband, there's one."
 
But Amenaide was in earnest. She accepted the suggestion and, to the Baroness' surprise, insisted on taking the grocer as her husband. Reluctantly the good lady gave her consent, and in 1855 Amenaide Brecourt became the wife of the grocer Gras.
 
A union, so hasty and ill-considered, was not likely to be of long duration. With the help of the worthy Baroness the newly married couple started a grocery business. But Amenaide was too economical for her husband and mother-in-law. Quarrels ensued, recriminations. In a spirit of unamiable prophecy husband and wife foretold each other's future. "You will die in a hospital," said the wife. "You will land your carcase in prison," retorted the husband. In both instances they were correct in their anticipations. One day the husband disappeared. For a short time Amenaide returned to her long-suffering protectress, and then she too disappeared.
 
When she is heard of again, Amenaide Brecourt has become Jeanne de la Cour. Jeanne de la Cour is a courtesan. She has tried commerce, acting, literature, journalism, and failed at them all. Henceforth men are to make her fortune for her. Such charms as she may possess, such allurements as she can offer, she is ready to employ without heart or feeling to accomplish her end. Without real passion, she has an almost abnormal, erotic sensibility, which serves in its stead. She cares only for one person, her sister. To her Jeanne de la Cour unfolded her philosophy of life. While pretending to love men, she is going to make them suffer. They are to be her playthings, she knows how to snare them: "All is dust and lies. So much the worse for the men who get in my way. Men are mere stepping-stones to me. As soon as they begin to fail or are played out, I put them scornfully aside. Society is a vast chess-board, men the pawns, some white, some black; I move them as I please, and break them when they bore me."
 
The early years of Jeanne de la Cour's career as a Phryne were hardly more successful than her attempts at literature, acting and journalism. True to her philosophy, she had driven one lover, a German, to suicide, and brought another to his death by over-doses of cantharides. On learning of the death of the first, she reflected patriotically, "One German the less in Paris!" That of the second elicited the matter-of-fact comment, "It was bound to happen; he had no moderation." A third admirer, who died in a hospital, was dismissed as "a fool who, in spite of all, still respects women." But, in ruining her lovers, she had ruined her own health. In 1865 she was compelled to enter a private asylum. There she is described as "dark in complexion, with dark expressive eyes, very pale, and of a nervous temperament, agreeable, and pretty." She was suffering at the time of her admission from hysterical seizures, accompanied by insane exaltation, convulsions and loss of speech. In speaking of her humble parents she said, "I don't know such people"; her manner was bombastic, and she was fond of posing as a fine lady.
 
After a few months Jeanne de la Cour was discharged from the asylum as cured, and on the advice of her doctors went to Vittel.
 
There she assumed the rank of Baroness and recommenced her career, but this time in a more reasonable and businesslike manner. Her comments, written to her sister, on her fellow guests at the hotel are caustic. She mocks at some respectable married women who are trying to convert her to Catholicism. To others who refuse her recognition, she makes herself so mischievous and objectionable that in self-defence they are frightened into acknowledging her. Admirers among men she has many, ex-ministers, prefects. It was at Vittel that occurred the incident of the wounded pigeon. There had been some pigeon-shooting. One of the wounded birds flew into the room of the Baroness de la Cour. She took pity on it, tended it, taught it not to be afraid of her and to stay in her room. So touching was her conduct considered by some of those who heard it, that she was nicknamed "the Charmer." But she is well aware, she writes to her sister, that with the true ingratitude of the male, the pigeon will leave her as soon as it needs her help no longer.
 
However, for the moment, "disfigured as it is, beautiful or ugly," she loves it. "Don't forget," she writes, "that a woman who is practical and foreseeing, she too enjoys her pigeon shooting, but the birds are her lovers."
 
Shortly after she left Vittel an event occurred which afforded Jeanne de la Cour the prospect of acquiring that settled position in life which, "practical and foreseeing," she now regarded as indispensable to her future welfare. Her husband, Gras, died, as she had foretold, in the Charity Hospital. The widow was free. If she could bring down her bird, it was now in her power to make it hers for life. Henceforth all her efforts were directed to that end. She was reaching her fortieth year, her hair was turning grey, her charms were waning. Poverty, degradation, a miserable old age, a return to the wretched surroundings of her childhood, such she knew to be the fate of many of her kind. There was nothing to be hoped for from the generosity of men. Her lovers were leaving her. Blackmail, speculation on the Bourse, even the desperate expedient of a supposititious child, all these she tried as means of acquiring a competence. But fortune was shy of the widow. There was need for dispatch. The time was drawing near when it might be man's unkind privilege to put her scornfully aside as a thing spent and done with. She must bring down her bird, and that quickly. It was at this critical point in the widow's career, in the year 1873, that she met at a public ball for the first time Georges de Saint Pierre.(16)
 
     (16) For obvious reasons I have suppressed the real name of the widow's
lover.
 
Georges de Saint Pierre was twenty years of age when he made the acquaintance of the Widow Gras. He had lost his mother at an early age, and since then lived with relatives in the country. He was a young man of independent means, idle, of a simple, confiding and affectionate disposition. Four months after his first meeting with the widow they met again. The end of the year 1873 saw the commencement of an intimacy, which to all appearances was characterised by a more lasting and sincere affection than is usually associated with unions of this kind. There can be no doubt that during the three years the Widow Gras was the mistress of Georges de Saint Pierre, she had succeeded in subjugating entirely the senses and the affection of her young lover. In spite of the twenty years between them, Georges de Saint Pierre idolised his middle-aged mistress. She was astute enough to play not only the lover, but the mother to this motherless youth. After three years of intimacy he writes to her: "It is enough for me that you love me, because I don't weary you, and I, I love you with all my heart. I cannot bear to leave you. We will live happily together. You will always love me truly, and as for me, my loving care will ever protect you. I don't know what would become of me if I did not feel that your love watched over me." The confidence of Georges in the widow was absolute. When, in 1876, he spent six months in Egypt, he made her free of his rooms in Paris, she was at liberty to go there when she liked; he trusted her entirely, idolised her. Whatever her faults, he was blind to them. "Your form," he writes, "is ever before my eyes; I wish I could enshrine your pure heart in gold and crystal."
 
The widow's conquest, to all appearances, was complete. But Georges was very young. He had a family anxious for his future; they knew of his liaison; they would be hopeful, no doubt, of one day breaking it off and of marrying him to some desirable young person. From the widow's poi............