A WEEK has rolled into the past since the event at the Keno den.
Madame Montford, pale, thoughtful, and abstracted, sits musing in her parlor. "Between this hope and fear-this remorse of conscience, this struggle to overcome the suspicions of society, I have no peace. I am weary of this slandering-this unforgiving world. And yet it is my own conscience that refuses to forgive me. Go where I will I see the cold finger of scorn pointed at me: I read in every countenance, 'Madame Montford, you have wronged some one-your guilty conscience betrays you!' I have sought to atone for my error-to render justice to one my heart tells me I have wronged, yet I cannot shake off the dread burden; and there seems rest for me only in the grave. Ah! there it is. The one error of my life, and the means used to conceal it, may have brought misery upon more heads than one." She lays her hand upon her heart, and shakes her head sorrowfully. "Yes! something like a death-knell rings in my ears-'more than one have you sent, unhappy, to the grave.' Rejected by the one I fancy my own; my very touch scorned; my motives misconstrued-all, perhaps, by-a doubt yet hangs between us-an abandoned stranger. Duty to my conscience has driven me to acts that have betrayed me to society. I cannot shake my guilt from me even for a day; and now society coldly cancels all my claims to its attentions. If I could believe her dead; if I but knew this girl was not the object of all my heart's unrest, then the wearying doubt would be buried, and my heart might find peace in some remote corner of the earth. Well, well-perhaps I am wasting all this torture on an unworthy object. I should have thought of this sooner, for now foul slander is upon every tongue, and my misery is made thrice painful by my old flatterers. I will make one more effort, then if I fail of getting a certain clue to her, I will remove to some foreign country, shake off these haunting dreams, and be no longer a victim to my own thoughts." Somewhat relieved, Madame is roused from her reverie by a gentle tap at the door. "I have waited your coming, and am glad to see you;" she says, extending her hand, as a servant, in response to her command, ushers into her presence no less a person than Tom Swiggs. "I have sent for you," she resumes, motioning him gracefully to a chair, in which she begs he will be seated, "because I feel I can confide in you--"
"Anything in my power is at your service, Madame," modestly interposes Tom, regaining confidence.
"I entrusted something of much importance to me, to Mr. Snivel--"
"We call him the Hon. Mr. Snivel now, since he has got to be a great politician," interrupts Tom.
"And he not only betrayed my confidence," pursues Madame Montford, "but retains the amount I paid him, and forgets to render the promised service. You, I am told, can render me a service--"
"As for Mr. Snivel," pursues Tom, hastily, "he has of late had his hands full, getting a poor but good-natured fellow, by the name of George Mullholland, into trouble. His friend, Judge Sleepyhorn, and he, have for some time had a plot on hand to crush this poor fellow. A few nights ago Snivel drove him mad at a gambling den, and in his desperation he robbed a man of his pocket-book. He shared the money with a poor woman he rescued at the den, and that is the way it was discovered that he was the criminal. He is a poor, thoughtless man, and he has been goaded on from one thing to another, until he was driven to commit this act. First, his wife was got away from him--" Tom pauses and blushes, as Madame Montford says: "His wife was got away from him?"
"Yes, Madame," returns Tom, with an expression of sincerity. "The Judge got her away from him; and this morning he was arraigned before that same Judge for examination, and Mr. Snivel was a principal witness, and there was enough found against him to commit him for trial at the Sessions." Discovering that this information is exciting her emotions, Tom pauses, and contemplates her with steady gaze. She desires he will be her guide to the Poor-House, and there assist her in searching for Mag Munday, whom, report says, is confined in a cell. Tom having expressed his readiness to serve her, they are soon on their way to that establishment.
A low, squatty building, with a red, moss-covered roof, two lean chimneys peeping out, the windows blockaded with dirt, and situated in one of the by-lanes of the city, is our Poor-House, standing half hid behind a crabbed old wall, and looking very like a much-neglected Quaker church in vegetation. We boast much of our institutions, and this being a sample of them, we hold it in great reverence. You may say that nothing so forcibly illustrates a state of society as the character of its institutions for the care of those unfortunate beings whom a capricious nature has deprived of their reason. We agree with you. We see our Poor-House crumbling to the ground with decay, yet imagine it, or affect to imagine it, a very grand edifice, in every way suited to the wants of such rough ends of humanity as are found in it. Like Satan, we are brilliant believers in ourselves, not bad sophists, and singularly clever in finding apologies for all great crimes.
At the door of the Poor-House stands a dilapidated hearse, to which an old gray horse is attached. A number of buzzards have gathered about him, turn their heads suspiciously now and then, and seem meditating a descent upon his bones at no very distant day. Madame casts a glance at the hearse, and the poor old horse, and the cawing buzzards, then follows Tom, timidly, to the door. He has rung the bell, and soon there stands before them, in the damp doorway, a fussy old man, with a very broad, red face, and a very blunt nose, and two very dull, gray eyes, which he fortifies with a pair of massive-framed spectacles, that have a passion for getting upon the tip-end of his broad blunt nose.
"There, you want to see somebody! Always somebody wanted to be seen, when we have dead folks to get rid of," mutters the old man, querulously, then looking inquiringly at the visitors. Tom says they would like to go over the premises. "Yes-know you would. Ain't so dull but I can see what folks want when they look in here." The old man, his countenance wearing an expression of stupidity, runs his dingy fingers over the crown of his bald head, and seems questioning within himself whether to admit them. "I'm not in a very good humor to-day," he rather growls than speaks, "but you can come in--I'm of a good family-and I'll call Glentworthy. I'm old-I can't get about much. We'll all get old." The building seems in a very bad temper generally.
Mr. Glentworthy is called. Mr. Glentworthy, with a profane expletive, pops his head out at the top of the stairs, and inquires who wants him. The visitors have advanced into a little, narrow passage, lumbered with all sorts of rubbish, and swarming with flies. Mr. Saddlerock (for this is the old man's name) seems in a declining mood, the building seems in a declining mood, Mr. Glentworthy seems in a declining mood-everything you look at seems in a declining mood. "As if I hadn't enough to do, gettin' off this dead cribber!" interpolates Mr. Glentworthy, withdrawing his wicked face, and taking himself back into a room on the left.
"He's not so bad a man, only it doesn't come out at first;" pursues Mr. Saddlerock, continuing to rub his head, and to fuss round on his toes. His mind, Madame Montford verily believes stuck in a fog. "We must wait a bit," says the old man, his face seeming to elongate. "You can look about-there's not much to be seen, and what there is-well, it's not the finest." Mr. Saddlerock shuffles his feet, and then shuffles himself into a small side room. Through the building there breathes a warm, sickly atmosphere; the effect has left its marks upon the sad, waning countenances of its unfortunate inmates.
Tom and Madame Montford set out to explore the establishment. They enter room after room, find them small, dark, and filthy beyond description. Some are crowded with half-naked, flabby females, whose careworn faces, and well-starved aspect, tells a sorrowful tale of the chivalry. An abundant supply of profane works, in yellow and red covers, would indeed seem to have been substituted for food, which, to the shame of our commissioners, be it said, is a scarce article here. Cooped up in another little room, after the fashion of wild beasts in a cage, are seven poor idiots, whose forlorn condition, sad, dull countenances, as they sit round a table, staring vacantly at one another, like mummies in contemplation, form a wild but singularly touching picture. Each countenance pales before the seeming study of its opponent, until, enraptured and amazed, they break out into a wild, hysterical laugh. And thus, poisoned, starved, and left to die, does time with these poor mortals fleet on.
The visitors ascend to the second story. A shuffling of feet in a room at the top of the stairs excites their curiosity. Mr. Glentworthy's voice grates harshly on the ear, in language we cannot insert in this history. "Our high families never look into low places-chance if the commissioner has looked in here for years," says Tom, observing Madame Montford protect her inhaling organs with her perfumed cambric. "There is a principle of economy carried out-and a very nice principle, too, in getting these poor out of the world as quick as possible." Tom pushes open a door, and, heavens! what a sigh............