JESSICA WITH THE MANY LAST NAMES LIVED in a three-story apartment the size of Hoboken. The sprawling living area was highlighted by a window wall that afforded a panoramic view of the East River.

On a clear day, Eve calculated, you could stand at the clear wall and see clear to Rikers.

The lady had furnished the place to suit herself, mixing the very old with the ultra-new, with the result an eclectic and surprisingly appealing style. Eve and Peabody sat on the thick cushions of a sofa done in murderous red while their hostess poured tea from a white pot scattered with pink rosebuds into distressingly delicate cups.

The tea and a plate of paper-thin cookies had been brought in by a smartly dressed woman with the build of a toothpick.

“We have met a time or two,” Jessica began.

“Yes, I remember.” Now that she had the face, Eve did remember. The woman was a trim and carefully turned-out eighty-something with short, softly waved hair of deep gold around a sharp-featured face. Her mouth, long and animated, was painted petal pink, and her eyes—thickly lashed—a deep river green.

“You wear Leonardo.”

“Only if he washes up first.”

Jessica giggled, an appealing sound of eternal youth. “One of my granddaughters is mad for his designs. Won’t wear anyone else. He suits her, as he does you. I believe people should always choose what suits them.”

When she passed Eve the tea, Eve had to resist commenting that coffee in a good, sturdy mug suited her.

“We appreciate you giving us your time, Ms. Charters.”

“Jessica, please.” She offered Peabody a cup and a flashing smile. “Indulge me just one moment. Could I ask, when the two of you interrogate—oh, wait, the term’s ‘interview’ these days—when you interview a suspect, do you ever rough them up?”

“We don’t have to,” Peabody told her. “The lieutenant scares confessions out of them.”

The giggle rang again. “What I wouldn’t give to watch that! I just love police dramas. I’m always trying to imagine myself the culprit, and how I’d stand up under interviews. I desperately wanted to kill my third husband, you see.”

“It’s a good impulse to resist,” Eve commented.

“Yes.” Jessica smiled her flower petal smile. “It would’ve been satisfying, but messy. Then again, divorce is rarely much tidier. Now, I’m wasting your time. How can I help you?”

“Stewart E. Pierpont.”

Jessica’s eyebrows quirked. “Yes, yes, I know that name. Has he done something murderous?”

“We’re very interested in speaking to him. We’re having a little trouble locating him.”

Though mild confusion was evident on Jessica’s face, her tone remained absolutely pleasant. “His address would be on file. I’ll have Lyle look it up for you.”

“The address he’s listed doesn’t jibe. Unless they’re taking tenants at the Royal Opera House or Carnegie Hall.”

“Really?” Jessica drew out the word, and now came a quick and avid light to her eyes. “Well, well, well. I should have known.”

“How and what should you have known?”

“A very odd duck, Mr. Pierpont. He’s attended a few galas and events over the years. Not particularly sociable and not at all philanthropic. I could never wheedle donations out of him, and I am the world record holder for wheedling.”

“Galas and events are by invitation, aren’t they?”

“Of course. It’s important to—Ah! I see. How did he receive invitations if his address is not his address? Give me one moment.”

She rose, crossed the polished tiles, the thick Turkish rug, and went out of the room.

“I like her.” Peabody helped herself to a cookie. “She kind of reminds me of my grandmother. Not the way she looks, or lives,” Peabody continued with a glance around the room. “But she’s got that snap to her. Not just that she knows what’s what, but like she’s always known.

“Hey, these cookies are mag. And so thin you can practically see through them.” She took another. “See-through food can’t have many calories. Eat one, or I’m going to feel like an oinker.”

Absently, Eve took a cookie. “He doesn’t donate to the Met. Goes to a function now and then, but doesn’t lay out any real bucks. Tickets cost, events cost, but he’s getting something out of those. There’s the control again. If you donate, you can’t direct, not precisely, where your scratch is going.”

She looked over as Jessica returned.

“The mystery’s solved, but remains mysterious. Lyle reports that our Mr. Pierpont requested all tickets, all correspondence, invitations, begging letters, and so on, be held for him at the box office.”

“Is that usual?” Eve asked.

“It’s not.” Jessica sat, picked up her tea. “In fact, it’s very unusual. But we try to accommodate our patrons, even those we have to squeeze funds out of.”

“When was the last time you saw or spoke with him?”

“Let me see. Oh, yes, he attended our winter gala. Second Saturday in December. I remember I tried, again, to convince him to join the Guild. It’s a hefty membership fee, but has lovely benefits. He’s the type who enjoys the opera, who knows and appreciates it, but isn’t interested in funding. Tight-fisted. I’ve seen him come or go to performances over time. Always on foot. Doesn’t even spring for a car. And always alone.”

“Did he ever speak to you at all about his personal life?”

“Let me think.” Crossing her legs, she swung one foot back and forth. “Drawing on the personal is an essential tool of the wheedle. A longtime widower, travels a great deal. He claims to have attended performances in all the great opera houses of the world. Prefers Italian operas. Oh!”

She held up a finger, closed her eyes just a moment as if to pull together a thought. “I remember, some years ago, pumping him a bit—as he’d had a couple of glasses of wine, I thought I might slide that membership fee out of him. I had him discussing whether true appreciation for art and music is inherent or learned. He told me he’d learned his appreciation from his mother when he was a boy. I said that was, arguably, inherent. But no, he said, though she had been the only mother he’d known, she had been his father’s second wife. She had been a soprano.”

“A performer.”

“I asked him just that. What did he say? It was a bit odd. She had been, but circumstances had denied her, and time had run out. I’m sure that’s what he said. I asked him what had happened, but he excused himself and abruptly walked away.”

“Would Lyle know when Pierpont last picked up anything from the box office?”

“He would, and I asked him, anticipating you. Just last week.”

“How does he pay?”

“Cash, Lyle tells me. Always, and yes, that’s unusual. But we don’t quibble about eccentricities. He always wears black-tie to the theater, which is also a bit eccentric, I suppose. So do his guests.”

“You said he’s always alone.”

“Yes. I meant whenever he gives his performance ticket to a guest.” An obliging hostess, she lifted the pot to pour more tea into Peabody’s cup. “I’ve occasionally seen other men in his box. In fact, there was a guest in his seat at the opening of Rigoletto last week.”

“Can you describe him?”

“Ah, black and white. That’s how I thought of him, actually. Black-tie—very formal—white hair, white skin. I remember wondering if he might be a relation of Mr. Pierpont. There was a resemblance, or it seemed to me there was. I didn’t see him before or after the performance, or at intermission. Or I didn’t notice.”

“Can you dig up the names of those who have been in the same box with Pierpont?”

“There never is anyone when Pierpont or one of his guests attend.” Jessica smiled as she held out the plate of cookies. “That’s rather odd, isn’t it?”

B uys up the other tickets in the box,” Eve said when they were in the car. “Doesn’t want anyone else nearby, disturbing him, or getting too close.”

“We’ll stake out the opera.” Peabody pulled out her book to key in some notes. “Maybe he’ll need another fix.”

“Yeah, we’ll set that up. His stepmother. That’s who the women represent. That’s whose picture he carries in his wallet. Idealizes and demonizes her at the same time.”

“You sound like Mira.”

“It’s what plays. He kills her, again and again—probably re-creating her actual death. Then he washes her, lays her on white linen. Her time ran out, so he sees that time runs out for the ones he picks to represent her. That’s the core of it, with the cross in the Urbans. She clocked out in the Urbans, and I’m betting on the date he’s used for his fake wife in the Pierpont data.”

“The wife thing—the wedding band. His stepmother, but also his fantasy woman,” Peabody theorized. “His bride. He doesn’t rape her, that would shatter the fantasy. Not sexual, but romantic. Pathologically romantic.”

“Now who’s Mira? We start searching for women of her description who died on or about the date in the Pierpont data.”

“A lot of deaths weren’t recorded during the Urbans.”

“Hers will be.” Eve whipped the wheel to change lanes and shoehorn herself into a minute opening in the clog of traffic. “He’d have seen to it. It would’ve been here in New York. New York’s the beginning and the end for him. We find her, and she’ll lead us to him.”

Eve heard the internal clock in her head ticking, ticking, ticking away the time. And thought of Ariel Greenfeld.

S he didn’t know it was possible to experience such pain, to survive it. Even when he stopped—she’d thought he would never stop—her body burned and bled.

She’d wept and she’d screamed. In some part of Ariel’s mind, she’d understood he’d enjoyed that. He’d been entertained by her helpless shrieks, wild sobs, and desperate struggles.

She lay now, shivering in shock while voices twined through the air in a language she didn’t understand. Italian? she wondered, fighting to focus, to stay conscious. It was probably Italian. He’d played music while he’d hurt her, and her screams had cut through the voices then as his nasty little knives had cut through her flesh.

Ariel imagined using them on him. She’d never been violent. In fact, she’d been a pitiful failure in the basic defense classes she’d taken with a couple friends. Weakfeld, they’d called her, she remembered. And they’d all laughed because they’d never believed, not really, that any of them would ever have to use the punches and kicks they’d tried to learn.

She was a baker, that’s all. She liked to cook and create cakes and cookies and pastries that made people smile. She was a good person, wasn’t she? She couldn’t remember ever hurting anyone.

Maybe she’d toked a little Zoner in her teens, and that was wrong. Technically. But she hadn’t caused anyone any harm.

But she found the idea of causing him harm dulled the pain. When she imagined herself breaking free, grabbing one of the knives and just plunging it into his soft belly, she didn’t feel so cold.

She didn’t want to die this way, this horrible way. Someone would come, she told herself. She had to hold on, had to survive until someone came and saved her.

But when he came back, everything inside her cringed. Tears flooded her throat and her eyes so that even her whimpers were drowned.

“That was a nice break, wasn’t it?” he said in that hideously pleasant voice. “But we have to get back to work. Now then, let’s see. What’s it to be?”

“Mr. Gaines?” Don’t scream, she ordered herself. Don’t beg. He likes that.

“Yes, my dear?”

“Why did you pick me?”

“You have a pleasing face and lovely hair. Good muscle tone in your arms and legs.” He picked up a small torch. She had to bite back a moan as he turned it on with a low hiss, narrowed the flame to a pinpoint.

“Is that all? I mean, did I do anything?”

“Do?” he said absently.

“Did I do something to upset you, or make you mad at me?”

“Not at all.” He turned, smiled kindly as the narrow flame hissed.

“It’s just, Mr. Gaines, I know you’re going to hurt me. I can’t stop you. But can you tell me why? I just want to understand why you’re going to hurt me.”

“Isn’t this interesting?” He cocked his head and studied her. “She ask............