I HAVE, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find their path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea, the story as it comes. And, when one discusses an affair—a long, sad affair—one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
At any rate, I think I have brought my story up to the date of Maisie Maidan's death. I mean that I have explained everything that went before it from the several points of view that were necessary—from Leonora's, from Edward's and, to some extent, from my own. You have the facts for the trouble of finding them; you have the points of view as far as I could ascertain or put them. Let me imagine myself back, then, at the day of Maisie's death—or rather at the moment of Florence's dissertation on the Protest, up in the old Castle of the town of M——. Let us consider Leonora's point of view with regard to Florence; Edward's, of course, I cannot give you, for Edward naturally never spoke of his affair with my wife. (I may, in what follows, be a little hard on Florence; but you must remember that I have been writing away at this story now for six months and reflecting longer and longer upon these affairs.)
And the longer I think about them the more certain I become that Florence was a contaminating influence—she depressed and deteriorated poor Edward; she deteriorated, hopelessly, the miserable Leonora. There is no doubt that she caused Leonora's character to deteriorate. If there was a fine point about Leonora it was that she was proud and that she was silent. But that pride and that silence broke when she made that extraordinary outburst, in the shadowy room that contained the Protest, and in the little terrace looking over the river. I don't mean to say that she was doing a wrong thing. She was certainly doing right in trying to warn me that Florence was making eyes at her husband. But, if she did the right thing, she was doing it in the wrong way. Perhaps she should have reflected longer; she should have spoken, if she wanted to speak, only after reflection. Or it would have been better if she had acted—if, for instance, she had so chaperoned Florence that private communication between her and Edward became impossible. She should have gone eavesdropping; she should have watched outside bedroom doors. It is odious; but that is the way the job is done. She should have taken Edward away the moment Maisie was dead. No, she acted wrongly....
And yet, poor thing, is it for me to condemn her—and what did it matter in the end? If it had not been Florence, it would have been some other... Still, it might have been a better woman than my wife. For Florence was vulgar; Florence was a common flirt who would not, at the last, lacher prise; and Florence was an unstoppable talker. You could not stop her; nothing would stop her. Edward and Leonora were at least proud and reserved people. Pride and reserve are not the only things in life; perhaps they are not even the best things. But if they happen to be your particular virtues you will go all to pieces if you let them go. And Leonora let them go. She let them go before poor Edward did even. Consider her position when she burst out over the Luther-Protest.... Consider her agonies....
You are to remember that the main passion of her life was to get Edward back; she had never, till that moment, despaired of getting him back. That may seem ignoble; but you have also to remember that her getting him back represented to her not only a victory for herself. It would, as it appeared to her, have been a victory for all wives and a victory for her Church. That was how it presented itself to her. These things are a little inscrutable. I don't know why the getting back of Edward should have represented to her a victory for all wives, for Society and for her Church. Or, maybe, I have a glimmering of it.
She saw life as a perpetual sex-battle between husbands who desire to be unfaithful to their wives, and wives who desire to recapture their husbands in the end. That was her sad and modest view of matrimony. Man, for her, was a sort of brute who must have his divagations, his moments of excess, his nights out, his, let us say, rutting seasons. She had read few novels, so that the idea of a pure and constant love succeeding the sound of wedding bells had never been very much presented to her. She went, numbed and terrified, to the Mother Superior of her childhood's convent with the tale of Edward's infidelities with the Spanish dancer, and all that the old nun, who appeared to her to be infinitely wise, mystic and reverend, had done had been to shake her head sadly and to say:
"Men are like that. By the blessing of God it will all come right in the end."
That was what was put before her by her spiritual advisers as her programme in life. Or, at any rate, that was how their teachings came through to her—that was the lesson she told me she had learned of them. I don't know exactly what they taught her. The lot of women was patience and patience and again patience—ad majorem Dei gloriam—until upon the appointed day, if God saw fit, she should have her reward. If then, in the end, she should have succeeded in getting Edward back she would have kept her man within the limits that are all that wifehood has to expect. She was even taught that such excesses in men are natural, excusable—as if they had been children.
And the great thing was that there should be no scandal before the congregation. So she had clung to the idea of getting Edward back with a fierce passion that was like an agony. She had looked the other way; she had occupied herself solely with one idea. That was the idea of having Edward appear, when she did get him back, wealthy, glorious as it were, on account of his lands, and upright. She would show, in fact, that in an unfaithful world one Catholic woman had succeeded in retaining the fidelity of her husband. And she thought she had come near her desires.
Her plan with regard to Maisie had appeared to be working admirably. Edward had seemed to be cooling off towards the girl. He did not hunger to pass every minute of the time at Nauheim beside the child's recumbent form; he went out to polo matches; he played auction bridge in the evenings; he was cheerful and bright. She was certain that he was not trying to seduce that poor child; she was beginning to think that he had never tried to do so. He seemed in fact to be dropping back into what he had been for Maisie in the beginning—a kind, attentive, superior officer in the regiment, paying gallant attentions to a bride. They were as open in their little flirtations as the dayspring from on high. And Maisie had not appeared to fret when he went off on excursions with us; she had to lie down for so many hours on her bed every afternoon, and she had not appeared to crave for the attentions of Edward at those times.
And Edward was beginning to make little advances to Leonora. Once or twice, in private—for he often did it before people—he had said: "How nice you look!" or "What a pretty dress!" She had gone with Florence to Frankfurt, where they dress as well as in Paris, and had got herself a gown or two. She could afford it, and Florence was an excellent adviser as to dress. She seemed to have got hold of the clue to the riddle.
Yes, Leonora seemed to have got hold of the clue to the riddle. She imagined herself to have been in the wrong to some extent in the past. She should not have kept Edward on such a tight rein with regard to money. She thought she was on the right tack in letting him—as she had done only with fear and irresolution—have again the control of his income. He came even a step towards her and acknowledged, spontaneously, that she had been right in husbanding, for all those years, their resources. He said to her one day:
"You've done right, old girl. There's nothing I like so much as to have a little to chuck away. And I can do it, thanks to you."
That was really, she said, the happiest moment of her life. And he, seeming to realize it, had ventured to pat her on the shoulder. He had, ostensibly, come in to borrow a safety-pin of her.
And the occasion of her boxing Maisie's ears, had, after it was over, riveted in her mind the idea that there was no intrigue between Edward and Mrs Maidan. She imagined that, from henceforward, all that she had to do was to keep him well supplied with money and his mind amused with pretty girls. She was convinced that he was coming back to her. For that month she no longer repelled his timid advances that never went very far. For he certainly made timid advances. He patted her on the shoulder; he whispered into her ear little jokes about the odd figures that they saw up at the Casino. It was not much to make a little joke—but the whispering of it was a precious intimacy....
And then—smash—it all went. It went to pieces at the moment when Florence laid her hand upon Edward's wrist, as it lay on the glass sheltering the manuscript of the Protest, up in the high tower with the shutters where the sunlight here and there streamed in. Or, rather, it went when she noticed the look in Edward's eyes as he gazed back into Florence's. She knew that look.
She had known—since the first moment of their meeting, since the moment of our all sitting down to dinner together—that Florence was making eyes at Edward. But she had seen so many women make eyes at Edward—hundreds and hundreds of women, in railway trains, in hotels, aboard liners, at street corners. And she had arrived at thinking that Edward took little stock in women that made eyes at him. She had formed what was, at that time, a fairly correct estimate of the methods of, the reasons for, Edward's loves. She was certain that hitherto they had consisted of the short passion for the Dolciquita, the real sort of love for Mrs Basil, and what ............