WE come now to another stage of this history. Six months have glided into the past since the events recorded in the foregoing chapter. The political world of Charleston is resolved to remain in the Union a few months longer. It is a pleasant evening in early May. The western sky is golden with the setting sun, and the heavens are filled with battlements of refulgent clouds, now softening away into night. Yonder to the East, reposes a dark grove. A gentle breeze fans through its foliage, the leaves laugh and whisper, the perfumes of flowers are diffusing through the air birds make melodious with their songs, the trilling stream mingles its murmurs, and nature would seem gathering her beauties into one enchanting harmony. In the foreground of the grove, and looking as if it borrowed solitude of the deep foliage, in which it is half buried, rises a pretty villa, wherein may be seen, surrounded by luxuries the common herd might well envy, the fair, the beautiful siren, Anna Bonard. In the dingy little back parlor of the old antiquary, grim poverty looking in through every crevasse, sits the artless and pure-minded Maria McArthur. How different are the thoughts, the hopes, the emotions of these two women. Comfort would seem smiling on the one, while destitution threatens the other. To the eye that looks only upon the surface, how deceptive is the picture. The one with every wish gratified, an expression of sorrow shadowing her countenance, and that freshness and sweetness for which she was distinguished passing away, contemplates herself a submissive captive, at the mercy of one for whom she has no love, whose gold she cannot inherit, and whose roof she must some day leave for the street. The other feels poverty grasping at her, but is proud in the possession of her virtue; and though trouble would seem tracing its lines upon her features, her heart remains untouched by remorse;--she is strong in the consciousness that when all else is gone, her virtue will remain her beacon light to happiness. Anna, in the loss of that virtue, sees herself shut out from that very world that points her to the yawning chasm of her future; she feels how like a slave in the hands of one whose heart is as cold as his smiles are false, she is. Maria owes the world no hate, nor are her thougnts disturbed by such contemplations. Anna, with embittered and remorseful feelings-with dark and terrible passions agitating her bosom, looks back over her eventful life, to a period when even her own history is shut to her, only to find the tortures of her soul heightened. Maria looks back upon a life of fond attachment to her father, to her humble efforts to serve others, and to know that she has borne with Christian fortitude those ills which are incident to humble life. With her, an emotion of joy repays the contemplation. To Anna, the future is hung in dark forebodings. She recalls to mind the interview with Madame Montford, but that only tends to deepen the storm of anguish the contemplation of her parentage naturally gives rise to. With Maria, the present hangs dark and the future brightens. She thinks of the absent one she loves-of how she can best serve her aged father, and how she can make their little home cheerful until the return of Tom Swiggs, who is gone abroad. It must be here disclosed that the old man had joined their hands, and invoked a blessing on their heads, ere Tom took his departure. Maria looks forward to the day of his retu............