A SLIGHT CHANGE IN THE PICTURE
THE two lone revellers remain at the pier-table; moody and hectic. Mr. Snivel drops into a sound sleep, his head resting on the marble. Weak-minded, jealous, contentious-with all the attendants natural to one who leads an unsettled life, sits George Mullholland, his elbow resting on the table, and his head poised thoughtfully in his hand. "I will have revenge-sweet revenge; yes, I will have revenge to-night!" he mutters, and sets his teeth firmly.
In Anna's chamber all is hushed into stillness. The silvery moonbeams play softly through the half-closed windows, lighting up and giving an air of enchantment to the scene. Curtains hang, mist-like, from massive cornices in gilt. Satin drapery, mysteriously underlaid with lace, and floating in bewitching chasteness over a fairy-like bed, makes more voluptuous that ravishing form calmly sleeping-half revealed among the snowy sheets, and forming a picture before which fancy soars, passion unbends itself, and sentiment is led away captive. With such exquisite forms strange nature excites our love;--that love that like a little stream meanders capriciously through our feelings, refreshing life, purifying our thoughts, exciting our ambition, and modulating our actions. That love, too, like a quick-sand, too often proves a destroyer to the weak-minded.
Costly chairs, of various styles, carved in black walnut, stand around the chamber: lounges covered with chastely-designed tapestry are seen half concealed by the gorgeous window curtains. The foot falls upon a soft, Turkey carpet; the ceiling-in French white, and gilt mouldings-is set off with two Cupids in a circle, frescoed by a skilled hand. On a lounge, concealed in an alcove masked by curtains pending from the hands of a fairy in bronze, and nearly opposite Anna's bed, the old Judge sleeps in his judicial dignity. To-day he sentenced three rogues to the whipping-post, and two wretched negroes-one for raising his hand to a white man-to the gallows.
Calmly Anna continues to sleep, the lights in the girandoles shedding a mysterious paleness over the scene. To the eye that scans only the exterior of life, how dazzling! Like a refulgent cloud swelling golden in the evening sky, how soon it passes away into darkness and disappointment! Suddenly there appears, like a vision in the chamber, the stately figure of a female. Advancing slowly to the bed-side, for a minute she stands contemplating the sleeping beauty before her. A dark, languishing eye, an aquiline nose, beautifully-cut mouth, and a finely-oval face, is revealed by the shadow in which she stands. "How willingly," she mutters, raising the jewelled fingers of her right hand to her lips, as her eyes become liquid with emotion, and her every action betokens one whose very soul is goaded with remorse, "would I exchange all these worldly pleasures for one single day in peace of mind." She lays aside her mantle, and keeps her eyes fixed upon the object before her. A finely-rounded shoulder and exactly-developed bust is set off with a light satin boddice or corsage, cut low, opening shawl-fashion at the breast, and relieved with a stomacher of fine Brussels lace. Down the edges are rows of small, unpolished pearls, running into points. A skirt of orange-colored brocade, trimmed with tulle, and surrounded with three flounces, falls, cloud-like, from her girdle, which is set with cameos and unpolished pearls. With her left hand she raises slightly her skirts, revealing the embroidered gimps of a white taffeta underskirt, flashing in the moonlight. Small, unpolished pearls ornament the bands of her short sleeves; on her fingers are rings, set with diamonds and costly emeralds; and her wrists are clasped with bracelets of diamonds, shedding a modest lustre over her marble-like arms.
"Can this be my child? Has this crime that so like a demon haunts me-that curses me even in my dreams, driven her, perhaps against her will, to seek this life of shame?" She takes the sleeper's hand gently in her own, as the tears gush down her cheeks.
The sleeper startles, half raises herself from her pillow, parts her black, silky hair, that lays upon her gently-swelling bosom, and throws it carelessly down her shoulders, wildly setting her great black orbs on the strange figure before her. "Hush, hush!" says the speaker, "I am a friend. One who seeks you for a good purpose. Give me your confidence-do not betray me! I need not tell you by what means I gained access to you."
A glow of sadness flashes across Anna's countenance. With a look of suspicion she scans the mysterious figure from head to foot. "It is the Judge's wife!" she says within herself. "Some one has betrayed me to her; and, as is too often the case, she seeks revenge of the less guilty party." But the figure before her is in full dress, and one seeking revenge would have disguised herself. "Why, and who is it, that seeks me in this mysterious manner?" whispers Anna, holding her delicate hand in the shadow, over her eyes. "I seek you in the hope of finding something to relieve my troubled spirit. I am a mother who has wronged her child-I have no peace of mind-my heart is lacerated--"
"Are you, then, my mother?" inerrupts Anna, with a look of scorn.
"That I would answer if I could. You have occupied my thoughts day and night. I have traced your history up to a certain period. ("What I know of my own, I would fain not contemplate," interrupts Anna.) Beyond that, all is darkness. And yet there are circumstances that go far to prove you the child I seek. Last night I dreamed I saw a gate leading to a dungeon, that into the dungeon I was impelled against my will. While there I was haunted with the figure of a woman of the name of Mag Munday-a maniac, and in chains! My heart bled at the sight, for she, I thought, was the woman in whose charge I left the child I seek. I spoke-I asked her what had become of the child! She pointed with her finger, told me to go seek you here, and vanished as I awoke. I spent the day in unrest, went to the ball to-night, but found no pleasure in its gay circle. Goaded in my conscience, I left the ball-room, and with the aid of a confidant am here."
"I recognize-yes, my lady, I recognize you! You think me your abandoned child, and yet you are too much the slave of society to seek me as a mother ought to do. I am the supposed victim of your crime; you are the favored and flattered ornament of society. Our likenesses have been compared many times:-I am glad we have met. Go, woman, go! I would not, outcast as I am, deign to acknowledge the mother who could enjoy the luxuries of life and see her child a wretch."
"Woman! do not upbraid me. Spare, oh! spare my troubled heart this last pang," (she grasps convulsively at Anna's hand, then shrinks back in fright.) "Tell me! oh, tell me!" she pursues, the tears coursing down her cheeks--
Anna Bonard interrupts by saying, peremptorily, she has nothing to tell one so guilty. To be thus rebuked by an abandoned woman, notwithstanding she might be her own child, wounded her feelings deeply. It was like poison drying up her very blood. Tormented with the thought of her error, (for she evidently labored under the smart of an error in early life,) her very existence now seemed a burden to her. Gloomy and motionless she stood, as if hesitating how best to make her escape.
"Woman! I will not betray your coming here. But you cannot give me back my virtue; you cannot restore me untainted to the world-the world never forgives a fallen woman. Her own sex will be first to lacerate her heart with her shame." These words were spoken with such biting sarcasm, that the Judge, whose nap the loudness of Anna's voice had disturbed, protruded his flushed face and snowy locks from out the curtains of the alcove. "The gay Madame Montford, as I am a Christian," he exclaims in the eagerness of the moment, and the strange figure vanishes out of the door.
"A fashionable, but very mysterious sort of person," pursues the Judge, confusedly. "Ah! ha,--her case, like many others, is the want of a clear conscience. Snivel has it in hand. A great knave, but a capital lawyer, that Snivel--"
The Judge is interrupted in his remarks by the entrance of Mr. Snivel, who, with hectic face, and flushed ............
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