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CHAPTER X GHOST OR MORTAL?
 On entering the house I found my uncle looking over a packet of letters that his valet had just brought from Rivoli. Daphne was cutting open the envelopes with a paper knife. No one would have thought from her quiet demeanour that she had just been the recipient of a passionate love appeal.  
"How well women can conceal these things," I thought, dropping despondently into a chair.
 
"Oh, papa, here is an envelope with a seal as big as a florin. Who is it from?" Daphne's curiosity gave her no time to observe the niceties of grammar. "Do read it."
 
My uncle settled his glasses on his nose and examined the letter.
 
"It is from an old schoolfellow, Hugh Wyville," he said. "He has just succeeded to the baronetcy and is now Sir Hugh Wyville, and master of a splendid property in Cornwall. Silverdale Abbey is the name of his place. He wants us to spend Christmas with him. It's a little early for the invitation, but I suppose he wants to forestall all other invitations. He says—it is shocking writing; he ought to get a Secretary—he says he will take a great interest in my slaughter. What the deuce does he mean? Slaughter? Oh, I see—daughter. That's you, Daphne."
 
"Much obliged to him, I'm sure, papa."
 
[Pg 144]
 
"He is now in Paris buying pictures. Says his gallery alone is worth a visit to Cornwall, and he is adding to it still. Well, what shall we say to the invitation, Daphne? Shall we accept it?"
 
"What do you say, Frank?" she said.
 
"I say, yes," I answered. "Christmas at an old abbey ought to be delightful."
 
"Then that is settled," my uncle said. "I'll write to him to-day." And being a man of his word, he wrote.
 
"There are to be all sorts of sports at Rivoli this afternoon," he announced at luncheon—"archery, musical contests, dances, and I don't know what else. Would you like to see them, Daphne, or are you too tired?"
 
She pleaded that she was, but would not hear of our remaining at home on her account, and as my uncle seemed to expect my company, I set off with him to the town, conscious that I was a little unchivalrous to Daphne in doing so.
 
On our way through the valley I paused to admire a cottage of firwood perched on a crag overhanging the road.
 
"That is the house in which Angelo said his old nurse lives," said my uncle, looking at it with interest. "Let us give a call."
 
"What for?" I asked, surprised.
 
"Well, I am curious to know what his explanation of that affair in the cathedral is, and he might refer to it; indeed, I don't see how he can avoid doing so."
 
We ascended some steps roughly cut out of the solid rock, and entering a porch over which a vine clambered, we tapped gently at the door. It was opened by the old woman who had offered her good services to Daphne in the cathedral. The moment she[Pg 145] saw us her face assumed a hard expression, and contrary to the hospitable spirit usual in the district did not invite us inside but kept us standing at the door.
 
"What do you want?" she demanded curtly.
 
"We want to see Mr. Vasari, if he is at home," my uncle answered civilly. "We are friends of his. Perhaps you have heard him speak of Mr. Leslie. I am Mr. Leslie."
 
"Angelo is not here. He has left for England."
 
"What? Without saying good-bye to us?"
 
"He left by the diligence two hours ago."
 
"So soon? Do you know why?"
 
"Why?" she flashed out. "Ask this boy here!" and she turned to me with a lowering brow. "But for you he would have won the love of the English lady. But for you he would have been saved from—from—"
 
"From what?" I said eagerly, too eagerly I suppose, for she shook her head as if she took a pleasure in withholding the information she was about to give.
 
"I will tell you nothing," she said. "He can live without your pity. Go! After all, she is a Protestant, and all Protestants go to hell. Father Ignatius says so."
 
"That is our ultimate destination, I believe," said my uncle with a sigh, due rather to vexation at finding himself unable to get the information he wanted than to proper regret at his future doom. "We are a wicked lot."
 
"Can you tell us why Father Ignatius refused Angelo the Mass?" I asked. "That looks as if the good Father were not any too confident about him."
 
Her eyes blazed at the suggestion.
 
"I will tell you nothing," she said again, and closed her lips tightly as if she feared that her thoughts might assume material shape and make their escape[Pg 146] against her will, if her mouth were ever so little open.
 
"We shall gain nothing by staying here," my uncle remarked. "Madame, I wish you a very good day," with which words he led the way down to the road again, and we resumed our journey to the town, wondering what it was from which the artist might have been saved, and how Daphne's love could have saved him from it.
 
"We may see your aged friend from Dover to-day, if we keep our eyes open," my uncle said presently. "The sports are sure to draw all the people out of doors."
 
"We may see Paolo too," I replied. "It is strange that he did not turn up last night as he promised, and strange that he wasn't at Mass this morning; at least if he was I did not see him."
 
"Not at all strange, if Father Ignatius has ordered him to avoid us."
 
"Why should he do that?" I asked in surprise.
 
"You remember Paolo breaking off from us suddenly, because, as he said, some deacon was watching him?"
 
"I do—Serafino he called him."
 
"That's the name. Well, it's not at all improbable that this Serafino told Ignatius that, immediately after his retirement to the sacristy with the old man, certain strangers began to question Paolo, giving him money. Thereupon Ignatius sends for Paolo. 'Paolo,' he demands ex cathedra, 'what did these strangers say to you?' perhaps threatening to dismiss him from his post, or, still more, threatening the poor fellow with excommunication, if he should refuse to disclose his knowledge. Paolo blurts out the truth, and lets the padre know that we are deeply interested in learning what the old man's confession was about. Whereupon[Pg 147] the reverend Father, not at all desirous of our becoming cognisant of statements given under the seal of the confessional, delivers judgment: 'Paolo you have done very wrong. Give up those silver coins to your holy mother the Church; and as a penance recite to me next holy-day the 119th Psalm, and remember to keep out of the way till these strangers have left Rivoli.' I may be wrong, but it's my opinion that something of this sort has taken place."
 
We were soon within the streets of Rivoli. All the inhabitants seemed to have turned out of their homes, and by the merriment of their talk and the brightness of their gala dresses were contributing to the gaiety of the scene.
 
The centre of attraction was the market-place, where picturesquely-clad hunters and shepherds were displaying their skill with the rifle to admiring and applauding crowds. These sons of William Tell did not receive from us the attention that their feats deserved, for our eyes were continually wandering from them to scan the faces of the spectators. Paolo, however, and the nameless old man from Dover were not to be seen.
 
From the sweet singing-contests in the cathedral we wandered to the meadows outside the town, where youths and flower-crowned maidens danced, wreathing and twining in pretty figures on the greensward, and thence back again to the town, peeping in each tavern, resonant with jollity and song, and odorous with the fragrance of the fir-cones that strewed the floor. But we could not find Paolo or the mysterious old man.
 
Tired at length of prosecuting a search that seemed to promise no success, we turned our attention to the innocent diversions, which were protracted till the moon, rising above the shining snows of the mountain-tops, [Pg 148]projected the shadow of the cathedral belfry across the market-place. The white light silvered the quaint gables, was reflected from the diamond panes of many a casement, and, mingling with the glare of the torches carried by some of the crowd, produced a picturesque and romantic effect.
 
The sweet carillon of the cathedral bells, pealing forth the quarters, warned the people that midnight was drawing nigh, and gradually the throng began to disperse. Imitating their example my uncle and I directed our footsteps homewards. Groups of peasants and shepherds passed us on the way, some singing gaily, others winding with their horns the melodious "Ranz des Vaches."
 
As we turned to quit the road for the mountain-path, the cathedral bell chimed the first stroke of midnight.
 
"Twelve o'clock!" exclaimed my uncle in a deep, tragic voice. "Now is the time when elves and fairies trip it on the greensward, and spirits rise from yon haunted well. Come, let us sit by it for a time and enjoy the ghostly revels. It is an affront to Nature to sleep on such a night as this."
 
Slowly the silver tongue from the belfry continued to toll forth the chimes with a solemn little interval between each. As the twelfth stroke died gently away, a peculiar sound, muffled by the distance, was wafted to my ears, seeming to my quickened fancy like the cry of a woman. Whence the sound proceeded I could not tell. It might have come from the north; it might have come from the south.
 
"Did you hear it?" I said.
 
"Hear what?"
 
"A sound like a woman's scream."
 
We both listened for a few moments, but the sound, whatever it was, was not repeated.
 
[Pg 149]
 
"Your fancy," my uncle remarked with a smile. "In such a place as this you will hear many ghostly cries, if you give your imagination rein. But don't let us turn in just yet. I've some good news for you."
 
Wondering a good deal what the news would be, I followed him to the fountain. He found a seat on a mossy boulder close to the stone-work of the well, and leaning back against the trunk of a tree, proceeded to light a fresh cigar, as an indispensable aid to reflection.
 
The moon was now at its zenith, riding through a veil of light fleecy clouds. Around us at the distance of a furlong towered an amphitheatre of rocks, and the jagged edges of this cliff sharply defined against the deep violet sky exhibited crags of fantastic shape like the towers and pinnacles of some genie's castle. It required but small aid from fancy to believe that the blast of a horn startling the midnight air would summon to these crags beings as wild and unearthly as ever crowded the haunted Brocken on a Walpurgis-night. No more appropriate scene could be imagined for the revelry of demons and witches.
 
The solemn hour and the wild legends connected with the spring contributed to invest the place with an atmosphere of mystery. The trees whispered secrets to each other: the waters rippled with a cold and ghostly sparkle. In the distance foaming waterfalls standing out in relief against a background of dark rocks glimmered like waving white-robed spirits with a never-ceasing murmur. The air seemed alive with the mystic "tongues that syllable men's names on sands, and shores, and desert wildernesses."
 
Who that has visited a scene of deep beauty by moonlight has not felt an awe stealing over him, as if some unseen presence were by? Such a presence[Pg 150] seemed to be floating around us, whispering that we were on haunted ground. Was it the far-off murmur of a cascade or the faint voice of some one calling for help that was wafted to our ears?
 
So firm was my belief that the sound was of human origin that I appealed to my uncle, who had been strangely silent.
 
"Did you not hear a distant cry, as of some one in pain?"
 
"I thought so, but it must be fancy. Let us listen again."
 
We were silent for a time, but there was no repetition of the sound.
 
"Some shepherds calling one another," he said, resuming his cigar with a laugh. "We are becoming influenced by the superstitions of the place."
 
He seemed to have forgotten the communication he had promised to make, so I reverted to it.
 
"You were going to tell me a piece of news, I think?"
 
"Ah! so I was. (If you wouldn't mind turning your head from me, Frank; your eyes seem to have an unearthly gleam by this light. Thank you!) Well, here is my news. Daphne had a proposal to-day. You can guess from whom."
 
"Is that your news? Then it is no news at all. I know it already."
 
"The deuce you do! How did you learn it?"
 
"I was present during the whole interview." I gave him an account of how I came to play the spy, adding: "How did you learn it?"
 
"She told me directly after parting from him. Poor Daphne! she was quite upset over it—crying, in fact."
 
"She might have spared her tears," I grumbled. "His love was not so disinterested that she need weep.[Pg 151] My candid opinion is that the fellow is so mad over his art that it governs even his choice of a wife, and he selects Daphne because he thinks her figure will serve as a model for some of his pictures." And I detailed to my uncle those utterances of the artist that seemed to bear out my opinion.
 
"A na?ve avowal, certainly. His mode of lovemaking was a fine example of 'How not to do it.' And so," he continued, after a brief interval, "Daphne still hopes and dreams that George will return. Absurd! I thought she had given up that idea long ago. However, let him return. He shall never have Daphne—never!"
 
He said that last word in a decidedly emphatic manner, and scarcely had he said it when a startled expression crossed his face, the cigar dropped from his lips, and he looked nervously round in all directions.
 
"My dear uncle, what is the matter?" said I, amused at his alarm.
 
"Didn't you hear a laugh?"
 
"A laugh? No! Why, you are becoming nervous!"
 
Never before had I seen my uncle looking so startled as he was at that moment. The one point of his character on which he prided himself was his disbelief in the supernatural. To see him trembling at a mere sound was a surprise to me. I had yet to learn that extremes meet. Have there not lived philosophers who, denying the existence of ghosts, have nevertheless been so apprehensive of meeting them as never to enter a dark room without a light? My uncle's philosophy savoured very much of this character.
 
"Bah!" he exclaimed, picking up his cigar from the grass after listening intently. "You are right. I am[Pg 152] becoming nervous. Well, I was on the point of saying——"
 
"That you will never allow George to marry Daphne. Why?"
 
"Why? Can you ask? Is not the reason obvious? A man who could desert her on her wedding-day, sending a cold note to the effect that she must never see him more, forfeits her by that very act. Good God! I become mad when I think of his conduct. Remember Daphne's thin, wasted figure and wan, wistful look last spring. She might have died. Grief has killed people before to-day. He must have known how much her heart would be wrung by his conduct, and yet—never a word of explanation from him. No. If he were to return this very night, he should never have her—never!"
 
"I have often wondered why he took his departure so hurriedly."
 
"His reason must have been a very bad one if it could not be stated by letter even to his nearest relatives," replied my uncle, speaking in a very bitter tone, for naturally he could not be expected to think well of the man who had deserted his daughter, even though that man were his own nephew. "His flight was accompanied by very suspicious circumstances, you must admit, seeming to point to complicity with, if not to the actual perpetration of crime. He will never return, rest assured of that; and I told Daphne to abandon the idea."
 
"What was her answer?"
 
"Tears. 'Look around you,' I said. 'You will soon find a worthier lover. Frank loves you, and you know it.' And I launched out into your praises, for between ourselves, Frank, there is no one to whom I would more willingly give Daphne than yourself."
 
[Pg 153]
 
I suppose I ought to have thanked my uncle for thus championing my cause, but I preferred Daphne's love to turn towards me without being directed by paternal authority, so I merely said:
 
"What did she say?"
 
"She said that she could not so soon forget George, but that if he had not returned by a twelvemonth from the day he left—"
 
"That is, next Christmas Day?"
 
"Just so; next Christmas Day. If h............
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