They came into May, the joyous, exciting, stimulating May of New York, with its laughing promise of adventure. To Tom Whitelaw that sense of adventure was in the happy sunlight, in the blue sky, in the scudding clouds, in winds that were warm and yet with the tang of salt and ice in them, in the flowers in the Park, in the gay dresses in the Avenue, in the tall young men already beginning to look summery, in the shop windows with their flowers, fruit, jewels, porcelains, and brocades, in the opulent crush of vehicles, and in his own heart most of all. Never before had he known such ecstasy of life. It was more than vigor of limb or the strong coursing of the blood. It was youth and love and expectation, with their call to the daring, the reckless, and the new.
They reached a Saturday. Business was taking Whitelaw to Boston. Tom went with him to the station, to carry his brief-case, to hand him his ticket, to check his bags, and perform the other small services of a clerk for the man of importance.
"I shall come back on Wednesday," the banker explained to him, before entering the train. "On Thursday I shall not be at the office. It's a day on which I never leave my wife. Though I often have to go abroad and leave her behind, I always manage it so that we may have that particular day together. I shall see you then on Friday."
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He saw him, however, on Thursday, since Mr. Phips willed it so. At least, it was Mr. Phips who willed it, as far as Tom ever knew. About three on that day he came to Tom with a brief-case stuffed with documents.
"The Chief may want to run his eyes over these before he comes to the office to-morrow. Ask for himself. Don't leave them with anybody else."
To the best of Tom's belief there was no staging of what happened next beyond that which was set by Phips's intuitions.
By the time he rang at the house in Fifth Avenue it was a little after four. Admitted to the big dim hall, he heard a hum of voices coming from the sitting room. In Dadd's manner there was some constraint.
"Will you step in here, sir, and I'll tell the master that you've come?"
The library was on the same side of the house as the dining room, but it got the afternoon sun. The sun woke its colors to a burnished softness in which red and blue and green and gold melted into each other lovingly. A still, well-ordered room, little used by anyone, it gave the impression of a place of rest for ancient beauty and high thought. Rich and reposeful, there was nothing in it that was not a masterpiece, but a masterpiece which there was no one but some chance visitor to care anything about. In the four who made up the Whitelaw family there were too many aching human cares for knowledge or art to comfort.
Tom's eyes studied absently the profile of a woman on an easel. She might have been a Botticelli; he
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 didn't know. She only reminded him of Hildred—neatly piled dark hair, long slanting eyes, a small snub nose, and lips deliciously moqueur. The colors she wore were also Hildred's, subdued and yet ardent, umber round the shoulders, with a chain of emeralds that almost sparkled in the westering light.
Whitelaw entered with his quick and eager tread, his quick and eager seizing of the young man's hand. Again the left hand rested on his shoulder; again there was the deep and earnest searching of the eyes, as if a lost secret had not yet been found; again there was the little weary push.
"Come."
Taking the brief-case into his own hands, he left Tom nothing to do but follow him. Diagonally crossing the hall, Tom noticed that the hum of voices had died down. Without knowing why he nerved himself for a test.
The test came at once. Whitelaw, having preceded him into the room, had carried his brief-case to a table, and at once went to work on the contents. Perhaps he did this purposely, to throw Tom on his own resources. In any case, it was on his own resources that he felt himself thrown the instant he appeared on the threshold. He judged from the face of anguish and protest which Mrs. Whitelaw turned on him that he was not expected. Dimly he perceived that Tad and Lily were in the room, and some one else whom as yet he hadn't time to see. All his powers were focused on the meeting of the woman who was not his mother, and didn't want him there.
He thought quickly. He would be on the safest
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 side. He had come there as a clerk; as a clerk shown in among the family he would conduct himself. He bowed to Mrs. Whitelaw, who let him take her hand, though that too seemed to suffer at his touch; he bowed to Lily; he nodded respectfully to Tad. He turned to salute distantly the other person in the room, and found her coming towards him.
He knew her free swinging motion before he had time to see her face.
"Oh, Tom!"
"Why, Hildred!"
Her manner was the protecting one he had often seen in other years, when she thought he might be hurt, or be ignorant of small usages. She was subtle, tactful, and ready, all at once.
"Come over here." She drew him to a seat on a sofa, beside herself. "Mrs. Whitelaw won't mind, will you, Mrs. Whitelaw? You know, Tom and I are the greatest friends—have been for years."
He forgot everyone else who was present in the joy and surprise of seeing her. "When did you come? Why didn't you let me know?"
"I didn't know myself till late last night, did I, Mrs. Whitelaw? Mrs. Whitelaw only wired to invite me after Mr. Whitelaw came back from Boston. Of course I wasn't going to miss a chance like that. I don't see New York oftener than once in two years or so. Then there was the chance of seeing you. I was ready in an hour. I took the ten o'clock train this morning, and have just this minute arrived."
Only when these first few bits of information had been given and received did Tom feel the return of his
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 embarrassment. He was in a room where three of the five others were troubled by his presence. He wasn't there of his own free will, and since he was a clerk he couldn't leave till he was dismissed. He would not have known what to do if Hildred hadn't kept a small conversation going, drawing into it first one and then another, till presently all were discussing the weather or something of equal importance. In spite of her emotion Mrs. Whitelaw did her best to sustain her rôle of hostess, Tad and Lily speaking only when they were spoken to. At a given minute Tad got up, sauntering toward the door.
He was stopped by his father. "Don't go, Tad. Tea will be here in a minute." The voice grew pleading. "Stay with us to-day."
Lighting a cigarette, Tad sank back into his chair, doing it rather sulkily. Whitelaw continued to draw papers from the brief-case, arranging them before him on the table.
When Dadd appeared with the tea-tray Tom made a push for escape. "If you've nothing else for me to do, sir...."
Whitelaw merely glanced up at him. "Wait a minute. Sit down again."
Tom went back to his seat beside Hildred, where he watched Mrs. Whitelaw as she poured the tea. It was the first time he had seen her in indoor dress, all lace and soft lavender, her pearls twisted once around her neck and descending to her waist, a great jewel on her breast. It was the first time, too, that he had seen her hair, which was fair and crinkly, like his own. Except for a slight portliness, she was
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 too young to seem like the mother of Lily and Tad, while she was still less like his. That she should be his mother, this woman who had never known anything but what love and money could enrich her with, was too incongruous with everything else in life to call for so much as denial.
And as for the hundredth time he was saying this to himself Whitelaw spoke. He spoke without looking up from his papers except to take a sip of tea from the cup on the table beside him. He spoke casually, too, as if broaching something not of much importance.
"Now that we're all here I think that perhaps it's as good a time as any to go over the matter we've talked about separately—and settle it."
There was no one in the room who didn't know what he meant. Tad smoked listlessly; Lily set down her cup and lighted a cigarette; Mrs. Whitelaw's jeweled fingers played among the tea-things, as if she must find something for her hands to do or shriek aloud. Tom's heart seemed turned to stone, to have no power of emotion. Hildred was the only one who said anything.
"Hadn't I better go, Mr. Whitelaw? I haven't been up to my room yet."
"No, Hildred. I'd rather that you stayed, if you don't mind. It's the reason we've asked you to come."
He looked at no one. His face was a little white, though he was master of himself.
"This is the tenth of May. It's twenty-three years ago to-day since we lost our little boy. I want to ask
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 the family, now that we're all together, what they think of the chances of our having found him again."
Though he knew it was an anniversary in the family, it was Tom's first recollection of the date. In as far as it was his birthday, birthdays had been meaningless to him, except as he remembered that they had come and gone, and made him a year older.
"Personally," Whitelaw went on, "I've fought this off so long that I can't do it any longer. It will be five years this summer since I first saw him, at Dublin, New Hampshire, and was struck with his looks and his name, as well as with the little I learned of his history."
"Why didn't you do something about it then," Tad put in, peevishly, "if you were going to do anything at all?"
"You're quite right, Tad. It's what I should have done. I was dissuaded by the rest of you. I must confess, too, that I was afraid to take it up myself. We'd followed so many clues that led to nothing! But perhaps it's just as well, as it's given me time to make all the investigation that, it seems to me, has been possible."
Apart from the motion of Tad's and Lily's hands as they put their cigarettes to their lips, everyone sat motionless and tense. Even Mrs. Whitelaw tamed her feverish activity to a more feverish stillness. Hildred put her hand lightly on Tom's sleeve to remind him that she was there, but the power of feeling anything had gone out of him. While Whitelaw told his facts he listened as if the case had nothing to do with himself.
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His agents, so the banker said, had probably unearthed every detail in the story that was now to be known.
On August 5, 1895, Thomas Coburn had been married in The Bronx, to Lucy Speight. Coburn was a carpenter who had fallen from a roof in the following October, and had died a few days later of his injuries. Their child, Grace Coburn, had been born in The Bronx on March 5, 1896, and had died on April 21, 1897. After that all trace of the mother had been lost, though a woman who killed herself by poisoning in the Female House of Detention in the suburb of New Rotterdam, after having been arrested for shop-lifting, on December 24, 1904, might be considered as the same person. This woman had been known to such neighbors as could remember her as Mrs. Lucy Coburn, though at the time of her arrest she had claimed to be the widow of Theodore Whitelaw, after having married Thomas Coburn as her first husband. The wardress who had talked to her on taking her to a cell recalled that she had been incoherent and contradictory in all her statements about herself, her husband, and her child.
As a matter of fact, the early history of Lucy Speight had been traced. She was the daughter of a laboring man at Chatham, in the neighborhood of Albany. Her mental inheritance had been poor. Her father had been the victim of drink, her mother had died insane. One of her sisters had died insane, and a brother had been put at an early age in a home for the feeble-minded. A brother and two sisters still lived either at Chatham or at Pittsfield. He had in his
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 hand photographs of all the living members of the family, and copies of photographs of those deceased, including two of Lucy Speight as she was as a young girl.
He turned toward Tom. "Would you like to look at them?"
The power of emotion came back to him with a rush. He remembered his mother, vividly in two or three attitudes or incidents, but otherwise faintly. A flush that stained his cheek with the same dark red which dissipation stamped on Tad's made the brothers look more than ever alike as he crossed the room to take the pictures from his father's hand.
There were a dozen or fourteen of them, all of poor rustic boys and girls, or men and women, feebleness in the cast of their faces, the hang of their lips, the vacancy of their eyes. Standing to sort them out, he put aside quickly the two of Lucy Speight. One of them must have dated from 1894, or thereabouts, because of the big sleeves; the other, with skin-tight shoulders, was that of a girl perhaps in 1889. In their faded simper there was almost nothing of the wild dark prettiness with which he saw her in memory, and yet he could recreate it.
He stood and gazed long, all eyes fixed on............