Except for a passing glimpse in Dublin, Tom never saw Lily Whitelaw till in December he met her at the ball at which Hildred Ansley came out. As to going to this ball he had his usual fit of funk, but Hildred had insisted.
"But, Tom, you must. You're the one I care most about."
"I shouldn't know what to do."
"I'll see to that. You'll only have to do what I tell you."
"And I haven't got an evening coat with tails."
"Well, get one. If you look as well in it as you do in your dinner-jacket outfit—and you'd better have a white waistcoat, a silk hat, and a pair of white gloves. What'll happen to you when you get there you can leave to me. Now that I know you look so well, and dance so well, you'll give me no trouble at all."
Her kindness humbled him. He felt the necessity of taking it as kindness and nothing more. Knowing too that he must school his own emotions to a sense of gratitude, he imagined that he so schooled them.
With the five hundred dollars he had earned through the summer added to what remained of Honey's legacy, he had enough for his current year at Harvard, with a margin over. The tailed evening coat, the white waistcoat, the silk hat, the gloves, he looked upon as an investment. He went to the ball.
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It was given at the Shawmut, the new hotel with a specialty in this sort of entertainment. The ballroom had been specially designed so as to afford a spectacle. A circular cup, surrounded by a pillared gallery for chaperons and couples preferring to "sit out," you descended into it by one of four broad shallow staircases, whence the coup d'oeil was superb.
By being more or less passive, he got through the evening better than he had expected. Knowing scarcely anyone, he fell back on his formula.
"I mustn't be conscious of it. I must take not knowing anyone for granted, as I should if I were in a crowd at a theater, or the lobby of this hotel. If I feel like a stray cat I shall look like a stray cat. If I feel at ease I shall look at ease."
In this he was supported by the knowledge of wearing the right thing. Even Guy, whom he had met for a minute in the cloakroom, had been surprised into a compliment.
"Gee whiz! Who do you think you are? The old lady's been afraid you'd look like an outsider. Now she'll be struck silly. Lot of girls here that you'll put their eye out."
When he had shaken hands Hildred found a minute in which to whisper, "Tom, you're the Greek god you read about in novels. Don't feel shy. All you need do is to stand around and be ornamental. Your rôle is the romantic unknown." She returned after the next bout of "receiving." "You and I will have the supper dance. I've insisted on that, and mother's given in. Don't get too far out of reach, so that I can put my hand on you when I want you."
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He danced a little, chiefly with girls whom no one else would dance with and to whom some member of the Ansley family introduced him. When not dancing he returned to the gallery, where he leaned against a convenient pillar and looked on. It was what he best liked doing. Liking it, he did it well. He could hear people ask who he was. He could hear some Harvard fellow answer that he was the Whitelaw Baby. Once he heard a lady say, as she passed behind his back, "Well, he does look like the Whitelaws, doesn't he?"
The New York papers had recalled the Whitelaw baby to the public mind in connection with the ball given a few weeks earlier to "bring out" Lily Whitelaw. Once in so often the whole story was rehearsed, making the younger Whitelaws sick of it, and their parents suffer again. The fact that Tad and Lily Whitelaw were there that night gave piquancy to the presence of the romantic stranger. His stature, his good looks, his natural dignity, together with the mystery as to who he was, made him in a measure the figure of the evening.
From where he stood by his pillar in the gallery he recognized Lily in the swirl below, a slim, sinuous creature in shimmering green. All her motions were serpentine. She might have been Salome; she might also have been a shop girl, self-conscious and eager to be noticed. Whatever was outrageous in the dances of that autumn she did for the benefit of her elders.
When she turned toward him he could see that she had an insolent kind of beauty. It was a dark, spoiled beauty that seemed lowering because of her heavy
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 Whitelaw eyebrows, and possibly a little tragic. In thought he could hear Hildred singing, as she had sung when he stayed with them at Dublin in the spring, "Is she kind as she is fair? For beauty lives by kindness." Lily's beauty would not. It was an imperious beauty, willful and inconsiderate.
He saw Hildred dancing too. She danced as if dancing were an incident and not an occupation. She had left more important things to do it; she would go back to more important things again. While she was at it she took it gayly, gracefully, as all in the evening's work, but as something of no consequence. She was in tissue of gold like an oriental princess, a gold gleam in her oriental eyes. An ermine stole as a protection against draughts was sometimes thrown over her shoulders, but more often across her arm.
He noticed the poise of her head. No other head in the world could have been so nobly held, so superbly independent. Its character was in its simplicity. Fashion did not exist for it. The glossy dark hair was brushed back from forehead and temples into a knot which made neatness a distinction. Distinction was the chief beauty in the profile, with its rounded chin, its firm, small, well-curved lips, and a nose deliciously snub. Decision, freedom, unconsciousness of self, were betrayed in all her attitudes and movements. Merely to watch her roused in him a dull, aching jealousy for Lily. He surprised himself by regretting that Lily hadn't been like this.
Imperious, willful, and inconsiderate Lily seemed to him again as she drank champagne and smoked cigarettes at supper. The party at her table, which
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 was near the one at which he sat............