To the best of the boy's knowledge the man who had adopted him was never seen again; but it took some time to assume the fact that he was dead. Visitors to New York often dived below the surface, to come up again a week or ten days later. Their experience in these absences they were not always eager to discuss.
"Why, I've knowed 'em to stay away that long as yer'd swear they'd been kidnapped," Mr. Honeybun informed the boy. "He's on a little time; that's all. Nothink but nat'rel to a man of his age—and a widower—livin' in the country—when he gits a bit of freedom in the city."
"Yes, but what'll he do for money?"
There was this point of view, to be sure. Mr. Goodsir suggested that Quidmore had had more money still, that he had only left this sum to cover Tom's expenses while he was away.
"And listen, son," he continued, kindly, "that's a terr'ble big wad for a boy like you to wear on his person. Why, there's guys that free-quents this very house that'd rob and murder you for half as much, and never drop a tear. Now here I am, an old trusty man, accustomed to handle funds, and not sneak nothin' for myself. If I could be of any use to you in takin' charge of it like...."
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"Me and you'll talk this over, later," Mr. Honeybun intervened, tactfully. "The kid don't need no one to take care of his cash when his father may skin home again before to-night. Let's wait a bit. If he's goin' to trust anybody it'll be us, his next of kin in this 'ere 'ouse, of course. That'd be so, kiddy, wouldn't it?"
Tom replied that it would be so, giving them to understand that he counted on their good offices. For the present he was keeping himself in the non-committal attitude natural to suspense.
"You see," he explained, looking from one to another, with his engaging candor, "I can't do anything but just wait and see if he's coming back again, at any rate, not for a spell."
The worthies going to their work, the interview ended. At least, Mr. Goodsir went to his work, though within a few minutes Mr. Honeybun was back in Tom's room again.
"Say, kid; don't you let them three hundred bucks out'n yer own 'and. I can't stop now; but when I blow in to eat at noon I'll tell yer what I'd do with 'em, if you was me. Keep 'em buttoned up in yer inside pocket; and don't 'ang round in this old hut any more'n you can help till I come back and git you. Yer never knows who's on the same floor with yer; but out in the street yer'll be safe."
Out in the street he kept to the more populous thoroughfares, coasting the line of docks especially. He liked them. On the façades of the low buildings he could read names which distilled romance into syllables—New Orleans, Savannah, Galveston, Texas,
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 Arizona, Oklahoma. He had always been fond of geography. It opened up the world. It told of countries and cities he would one day visit, and which in the meantime he could dream about. Over the low roofs of the dock buildings he could see the tops of funnels. Here and there was the long black flank of a steamer at its pier. There were flags flying from one masthead or another, while exotic seafaring types slipped in and out amid the crush of vehicles, or dodged the freight train aimlessly shunting up and down. The movement and color, the rumble of deep sound, the confused world-wide purpose of it all, the knowledge that he himself was so insignificant a figure that no robber or murderer would suspect that he had all that money buttoned against his breast, dulled his mind to his desolation.
He tried to keep moving so as to make it seem to a suspicious populace that he was an errand boy; but now and then the sense of his loneliness smote him to a standstill. He would wonder where he was going, and what he was going for, as he wondered the same thing about the steamer on the Hudson. Like her, he seemed to be afloat. She, of course, had her destination; but he had nothing in the world to tie up to. He seemed to have heard of a ship that was always sailing—sailing—sailing—sailing—with never a port to have come out of, and never a port in view,
The Church of the Sea!
He read the words on the corner of a big white building where Jane Street flows toward the docks. He read them again. He read them because he liked
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 their suggestions—immensity, solitude, danger perhaps, and God!
 
"THAT'S A TERR'BLE BIG WAD FOR A BOY LIKE YOU TO WEAR"
It was queer to think of God being out there, where there were only waves and ships and sailors, but chiefly waves and a few seabirds. It recalled the religion of crippled Bertie Tollivant, the cynic. To the instructed like himself, God was in the churches that had steeples and pews and strawberry sociables, or in the parlors where they held family prayers. They told you that He was everywhere; but that only meant that you couldn't do wrong, you couldn't swear, or smoke a cigarette, or upset some householder's ash-barrels, without His spotting you. Tom Quidmore did not believe that Mr. and Mrs. Tollivant would have sanctioned this Church of the Sea, where God was as free as wind, and over you like the sky, and beyond any human power to monopolize or give away. It made Him too close at hand, too easy to find, and probably much too tender toward sailors, who were often drunk, and homeless little boys. He turned away from the Church of the Sea, secretly envying Bertie Tollivant his graceless creed, but not daring to question the wisdom of adult men and women.
By the steps of the chop saloon he waited for Mr. Honeybun, who came swinging along, a strong and supple figure, a little after the whistle blew at twelve. To the boy's imagination, now that he had been informed as to his friend's status, he looked like what had been defined to him as a socialist. That is, he had the sort of sinuosity that could slip through half-open windows, or wriggle in at coal-holes, or glide
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 noiselessly up and down staircases. It was ridiculous to say it of one so bony and powerful, but the spring of his step was spiritlike.
"Good for you, lad, to be waitin'! We'll go right along and do it, and then it'll be off our minds."
What "it" was to be, Tom had no idea. But then he had no suspicions. In spite of his hard childhood, it did not occur to him that grown-up men would do him wrong. He had no fear of Mr. Honeybun, and no mistrust, not any more than a baby in arms has fear or mistrust of its nurse.
"And there's another thing," Mr. Honeybun brought up, as they went along. "It don't seem to me no good for a husky boy like you to be just doin' nothink, even while he's waitin' for his pop. I'd git a job, if you was me."
The boy said that he would gladly have a job, but didn't know how to get one.
"I've got one for yer if yer'll take it. Work not too 'ard, and' ll bring you in a dollar and a 'alf a day."
But "it" was the matter in hand, and presently its nature became evident. At the corner of Fourteenth Street and Eighth Avenue Mr. Honeybun pointed across to a handsome white-stone building, whose very solidity inspired confidence. Tom could read for himself that it was a savings bank.
"Now what I'd do if it was my wad is this. I'd put three hundred and twenty-five of it in that there bank, which'd leave yer more'n twenty-five for yer eddication. But yer principal, no one won't be able
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 to touch it but yerself, and twice a year yer'll be gettin' yer interest piled up on top of it."
Tom's heart leaped. He had long meditated on savings banks. They had been part of his queer vision. To become "something big" he would have to begin by opening some such account as this. With Mr. Honeybun's proposal he felt as if he had suddenly grown taller by some inches, and older by some years.
"You'll come over with me, won't you?"
Mr. Honeybun demurred. "Well, yer see, kid, I'm a pretty remarkable character in this neighborhood. There's lots knows Honey Lem; and if they was to see me go in with you they might think as yer hadn't come by your dough quite hon—I mean, accordin' to yer conscience—or they might be bad enough to suppose as there was a put-up job between us. When I puts a few dollars into my own savings bank—I'm a savin' bird, I am—I goes right over to Brooklyn, where there ain't no wicked mind to suspeck me. So go in by yerself, and say yer wants to open a account. If anyone asks yer, tell him just how the money come to yer, and I don't believe as yer'll run no chanst of no one not believin' yer."
So it was done. Tom came out of the building with his bank book buttoned into his breast pocket, and a conscious enhancement of life.
"And now," Mr. Honeybun suggested, "we'll make tracks for Pappa's and eat."
The "check," like the meal, was light, and Mr. Honeybun paid it. Tom protested, since he had
[Pg 162]
 money of his own, but his host took the situation gracefully.
"Lord love yer, kid, ain't I yer next o' kin, as long as yer guv'nor's away? Who sh'd buy yer a lunch if it wasn't me?"
Childhood is naturally receptive. As Romulus and Remus took their food from a wolf when there was no one else to give it them, so Tom Quidmore found it not amazing to be nourished, first by a murderer, and then by a thief. It became amazing, a few years later, on looking back on it; but for the moment murderer and thief were not the terms in which he thought of those who had been kind to him.
Not that he didn't try. He tried that very afternoon. When his next o' kin had gone back to his job of lifting and heaving in the Gansevoort Market, he returned to the empty room. It was his first return to it alone. When he had gone up from his breakfast in the chop saloon both Goodsir and Honeybun had accompanied him. Now the emptiness was awesome, and a little sinister.
He had slept there the previous night, slept fitfully that is, waking every half hour to listen for the shuffling footstep. He heard other footsteps, dragging, thumping, staggering, but they always passed on to the story above, whence would come a few minutes later the sound of heavy boots thrown on the floor. Now and then there were curses, or male voices raised in a wrangle, or a few bars of a drunken song. During the earlier nights he had slept through these signals of Pappa's hospitality, or if he had waked, he knew that a............