Those who knew her best were troubled and surprised by the craving for excitement which now took possession of her, the avidity with which she gratified it, regardless of time, health, and money. All day she hurried here and there, driving, shopping, sight-seeing, or entertaining guests at home. Night brought no cessation of her dissipation, for when balls, masquerades, and concerts failed, there still remained the theatre. This soon became both a refuge and a solace, for believing it to be less harmful than other excitements, her father indulged her new whim. But, had she known it, this was the most dangerous pastime she could have chosen. Calling for no exertion of her own, it left her free to passively receive a stimulant to her unhappy love in watching its mimic semblance through all phases of tragic suffering and sorrow, for she would see no comedies, and Shakespeare's tragedies became her study.

 

This lasted for a time, then the reaction came. A black melancholy fell upon her, and energy deserted soul and body. She found it a weariness to get up in the morning and weariness to lie down at night. She no longer cared even to seem cheerful, owned that she was spiritless, hoped she should be ill, and did not care if she died to-morrow. When this dark mood seemed about to become chronic she began to mend, for youth is wonderfully recuperative, and the deepest wounds soon heal even against the sufferer's will. A quiet apathy replaced the gloom, and she let the tide drift her where it would, hoping nothing, expecting nothing, asking nothing but that she need not suffer any more.

 

She lived fast; all processes with her were rapid; and the secret experience of that winter taught her many things. She believed it had only taught her to forget, for now the outcast love lay very still, and no longer beat despairingly against the door of her heart, demanding to be taken in from the cold. She fancied that neglect had killed it, and that its grave was green with many tears. Alas for Sylvia! how could she know that it had only sobbed itself to sleep, and would wake beautiful and strong at the first sound of its master's voice.

 

Mark became eventful. In his fitful fashion he had painted a picture of the Golden Wedding, from sketches taken at the time. Moor had suggested and bespoken it, that the young artist might have a motive for finishing it, because, though he excelled in scenes of that description, he thought them beneath him, and tempted by more ambitious designs, neglected his true branch of the art. In April it was finished, and at his father's request Mark reluctantly sent it with his Clytemnestra to the annual exhibition. One morning at breakfast Mr. Yule suddenly laughed out behind his paper, and with a face of unmixed satisfaction passed it to his son, pointing to a long critique upon the Exhibition. Mark prepared himself to receive with becoming modesty the praises lavished upon his great work, but was stricken with amazement to find Clytemnestra disposed of in a single sentence, and the Golden Wedding lauded in a long enthusiastic paragraph.

 

"What the deuce does the man mean!" he ejaculated, staring at his father.

 

"He means that the work which warms the heart is greater than that which freezes the blood, I suspect. Moor knew what you could do and has made you do it, sure that if you worked for fame unconsciously you should achieve it. This is a success that I can appreciate, and I congratulate you heartily, my son."

 

"Thank you, sir. But upon my word I don't understand it, and if this wasn't written by the best Art critic in the country I should feel inclined to say the writer was a fool. Why that little thing was a daub compared to the other."

 

He got no farther in his protest against this unexpected freak of fortune, for Sylvia seized the paper and read the paragraph aloud with such happy emphasis amid Prue's outcries and his father's applause, that Mark began to feel that he really had done something praiseworthy, and that the "daub" was not so despicable after all.

 

"I'm going to look at it from this new point of sight," was his sole comment as he went away.

 

Three hours afterward he appeared to Sylvia as she sat sewing alone, and startled her with the mysterious announcement.

 

"I've done it!"

 

"Done what? Have you burnt poor Clytemnestra?"

 

"Hang Clytemnestra! I'll begin at the beginning and prepare you for the grand finale. I went to the Exhibition, and stared at Father Blake and his family for an hour. Decided that wasn't bad, though I still admire the other more. Then people began to come and crowd up, so that I slipped away for I couldn't stand the compliments. Dahlmann, Scott, and all the rest of my tribe were there, and, as true as my name is Mark Yule, every man of them ignored the Greek party and congratulated me upon the success of that confounded Golden Wedding."

 

"My dearest boy, I am so proud! so glad! What is the matter? Have you been bitten by a tarantula?"

 

She might well ask, for Mark was dancing all over the carpet in a most extraordinary style, and only stopped long enough to throw a little case into Sylvia's lap, asking as a whole faceful of smiles broke loose--

 

"What does that mean?"

 

She opened it, and a suspicious circlet of diamonds appeared, at sight of which she clapped her hands, and cried out--

 

"You're going to ask Jessie to wear it!"

 

"I have! I have!" sung Mark, dancing more wildly than ever. Sylvia chased him into a corner and held him there, almost as much excited as he, while she demanded a full explanation, which he gave her, laughing like a boy, and blushing like a girl.

 

"You have no business to ask, but of course I'm dying to tell you. I went from that Painter's Purgatory as we call it, to Mr. Hope's, and asked for Miss Jessie. My angel came down; I told her of my success, and she smiled as never a woman did ............