In the green-room of one of the great London theatres—David Garrick's, perhaps—the stage company and their friends were waiting the call-boy and the rising of the curtain.

As strange boards as any—as broad contrasts. Here a king, with his crown cast down; there a beggar, with his wallet laid aside. But kings and beggars are not affording the glaring discrepancies of Hogarth's "Olympus in a Barn," but suggesting and preserving the distinctions far below the buskins, the breastplate, the sandals, the symars. Here are heroes, with the heroism only skin deep; and peers, like their Graces of Bolton and Wharton, with less of the lofty, self-denying graces and the ancient chivalry, than the most grovelling of ploughmen.

Among the crowd, Lady Betty is biding her time, very nonchalant, and a little solitary in her state. Ladies who are independent, exclusive, and inflexible, however admired and respected, are generally left to enjoy their own opinions unmolested and at their leisure, whether behind the stage curtain or elsewhere.

Just then a country gentleman, whose murrey coat has a certain country cut, while his complexion breathes of hay-fields and hedge sides, is introduced, gazes round, and steps up to her. Mistress Betty cries out, "La!"—an [Page 87]exclamation not a whit vulgar in her day—"the Justice!" And she holds forth both her hands. "How are dear Mistress Prissy and Mistress Fiddy? Have you come up to town for any time, sir? I wish prosperity to your business."

He has not held such kind, unaffected, friendly hands since they parted; he has only once before held a hand that could have led a Jaffier to confess his conspiracy—that could have clung to a crushed man, and striven to raise him when calamity, like a whirlwind, cast him down.

The squire is sensibly moved, and Mistress Betty vindicates her womanliness by jumping at a conclusion and settling in her own mind that his brain is addled with this great London—its politicians, its mohawks, its beggars in Axe Lane, its rich tradesmen in Cranbourne Alley, its people of quality, fashion, and taste in their villas at Twickenham.

He asks if she is on in Belvidera, and when he hears that it is another actress's benefit, and that she has only consented to appear in a secondary part in a comedy of Sir John's, who is now a great castle-builder, he does not trouble himself to enter a box; at which she is half flattered, half perplexed. He waits, hot and excited, until her short service is over. He will not call upon her at her lodgings, because, in his delicacy, he has so keen a remembrance of her exposed position.

In the corner behind the curtain, bounded by the refreshment table, and filled with the prompter's monotonous drawl,—far, far from his barley ripe for the mowing, his boxwood peacocks, his greyhaired Hal and his buxom [Page 88]milkmaids; far from old madam, the pedantic, formal vicar, young madam, brisk, hot, and genial, and his old charmers Prissy and Fiddy,—the squire told his tale of true ............