A Sylvan Scene.
Perhaps no river on all the North American continent is marked with interest more romantic than that which attaches to the Rio Grande of Mexico. On its banks has been enacted many a tragic scene—many an episode of Indian and border war—from the day when the companions of Cortez first unfurled Spain’s pabellon till the Lone Star flag of Texas, and later still the banner of the Stars and Stripes, became mirrored on its waves.
Heading in the far-famed “parks” of the Rocky Mountains, under the name of Rio Bravo del Norté, it runs in a due southerly direction between the two main ranges of the Mexican “Sierre Madre;” then, breaking through the Eastern Cordillera, it bends abruptly, continuing on in a south-easterly course till it espouses ocean in the great Mexican Gulf.
Only its lower portion is known as the “Rio Grande;” above it is the “Bravo del Norté.”
The Pecos is its principal tributary, which, after running through several degrees of latitude parallel to the main stream, at length unites with it below the great bend.
In many respects the Pecos is itself a peculiar river. For many hundred miles it courses through a wilderness rarely traversed by man, more rarely by men claiming to be civilised. Its banks are only trodden by the savage, and by him but when going to or returning from a raid. For this turbid stream is a true river of the desert, having on its left side the sterile tract of the Llano Estacado, on its right dry table plains that lead up to the Sierras, forming the “divide” between its waters and those of the Bravo del Norte.
On the side of the Staked Plain the Pecos receives but few affluents, and these of insignificant character. From the Sierras, however, several streams run into it through channels deeply cut into the plain, their beds being often hundreds of feet below its level. While the plateau above is often arid and treeless, the bottom lands of these tributaries show a rich luxuriant vegetation, here and there expanding into park-like meadows, with groves and copses interspersed.
On the edge of one of these affluents, known as the Arroyo Alamo (Anglice “Cottonwood Creek”), two tents are seen standing—one a square marquee, the other a “single pole,” of the ordinary conical shape.
Near by a half score of soldiers are grouped around a bivouac fire, some broiling bits of meat on sapling spits, others smoking corn-husk cigarettes, all gaily chatting. One is some fifty paces apart, under a spreading tree, keeping guard over two prisoners, who, with legs lashed and hands pinioned, lie prostrate upon the ground.
As the soldiers are in the uniform of Mexican lancers, it is needless to say they belong to the troop of Colonel Uraga. Superfluous to add that the two prisoners under the tree are Don Valerian Miranda and the doctor.
Uraga himself is not visible, nor his adjutant, Roblez. They are inside the conical hut, the square one being occupied by Adela and her maid.
After crossing the Pecos, Uraga separated his troop into two parties. For some time he has sent the main body, under command of his alferez, direct to Albuquerque, himself and the adjutant turning north with the captives and a few files as escort and guard. Having kept along the bank of the Pecos till reaching the Alamo, he turned up the creek, and is now en bivouac in its bottom, some ten miles above the confluence of the streams.
A pretty spot has he selected for the site of his encampment. A verdant mead, dotted with groves of leafy alamo trees, that reflect their shadows upon crystal runlets silently coursing beneath, suddenly flashing into the open light like a band of silver lace as it bisects a glade green with gramma grass. A landscape not all woodland or meadow, but having also a mountain aspect, for the basaltic cliffs that on both sides bound the valley bottom rise hundreds of feet high, standing scarce two hundred yards apart, grimly frowning at each other, like giant warriors about to begin battle, while the tall stems of the pitahaya projecting above might be likened to poised spears.
It is a scene at once soft and sublime—an Eden of angels beset by a serried phalanx of fiends; below, sweetly smiling; above, darkly frowning and weirdly picturesque. A wilderness, with all its charms, uninhabited; no house in sight; no domestic hearth or chimney towering over it; no smoke, save that curling aloft from the fire lately kindled in the soldiers’ camp. Beasts and birds are its only habitual denizens; its groves the chosen perching place of sweet songsters; its openings the range of the prong-horn antelope and black-tailed deer; while soaring above, or seated on prominent points of the precipice, may be seen the caracara, the buzzard, and bald-headed eagle.
Uraga has pitched his tents in an open glade of about ten acres in superficial extent, and nearly circular in shape, lying within the embrace of an umbrageous wood, the trees being mostly cotton woods of large dimensions. Through its midst the streamlet meanders above, issuing out of the timber, and below again entering it.
On............