The great Easter secret, which Merle had surprised and preserved with so much difficulty, was out at last. Clive's father and mother were coming to Devonshire for a holiday; they had taken rooms at a farm in Chagmouth, and they had not only arranged for their own son to join them, but they had also asked Mavis and Merle to be their visitors. The girls thought that no invitation could have been more delightfully acceptable. They adored Chagmouth, and the Saturdays they managed to spend there were always red-letter days, so the prospect of three whole weeks in this El Dorado sent their spirits up to fizzing-over point.

"Bevis will be at Grimbal's Farm!"

"And Tudor will be at home!"

"The Castletons are expecting Morland and Claudia!"

"And, of course, Fay will be there, and Tattie, and the Colvilles!"

"Goody! What a lovely tribe of us to go out picnics!"

"We'll have the time of our lives!"

Burswood Farm, where Mr. and Mrs. Percy Tremayne had taken rooms, was on the hillside above Chagmouth. It was a delightful spot, with that airy feeling about it that comes from looking down upon your neighbours' chimneys.

"I wouldn't live in Chagmouth, not if you paid me hundreds a year!" declared Mrs. Treasure, their landlady. "Once I'm up here, here I stay! I've not been in the town for over six months. I go on Sundays to the little chapel close by, and if I want shops we get out the gig and drive into Kilvan or Durracombe. It isn't worth the climb back from Chagmouth. I carried William up when he was a baby, and it nearly killed me. I set him down in his cradle and I said: 'There, my boy! I don't go down to Chagmouth again till you can walk back yourself!' And I didn't! He was three years old before I went—even to the post office. How do I manage about stamps? Why, the postman brings them for me and takes my letters. The grocers' carts come round from Kilvan, and the butcher calls once a week, and what can you want more? I say when I've got a nice place like this to live in I'll stay here, and not worry myself with climbing up and down hill."

Though Mavis and Merle might not hold with Mrs. Treasure's depreciation of Chagmouth, they thoroughly agreed with her eulogy of Burswood. There was a view of the sea from the farm, and it had an old-fashioned garden with beehives and hedges of fuchsia and blue veronica, and at the back there was a small fir wood, with clumps of primroses and opening bluebells. The girls christened it 'Elfland.'

"You can almost see the fairies here," said Mavis. "Why is it that some places feel so much more romantic than others?"

"Because you're in the right mood, I suppose. This is almost as nice as
Blackthorn Bower."

"Not quite. Nothing can ever come up to that! When Bevis gets The Warren he's going to build up the Bower again."

"Why doesn't he do it now? The Glyn Williams would let him if he wanted.
It's his property."

"He wouldn't care to ask them; especially after what happened there between him and Tudor."

"They've forgotten that, surely!"

"Well, I sympathise with Bevis. He doesn't care to interfere with anything until The Warren is really his own. I think he feels they'd laugh at the Bower, and so they would!"

"It's not in their line, of course."

However much we may love old and familiar scenes, there is always a novelty in something new, and the bird's-eye aspect of Chagmouth was attractive, especially to those whose young limbs did not mind the climb. Mr. and Mrs. Percy Tremayne were most enthusiastic about their quarters. They were charming people, and ready to fall in with the young folk's plans and give them a thoroughly happy holiday. They had brought a motor- bicycle and side-car, and took some excursions round the neighbourhood, going over often to Durracombe to see Dr. and Mrs. Tremayne, glad to have the opportunity of a private chat with them while their lively son was safely picnicking with Mavis and Merle. Picnics were the established order of the day. The girls declared that Society at Chagmouth this Easter began with a big S. The Castletons were a host in themselves. They were all at home, and all equally fascinating. Musical Mavis attached herself to Claudia with a great admiration, and Merle found a devoted knight in ten-year-old Madox, who clung to her with the persistency of a chestnut burr, chiefly because she had the charity to answer his perpetual questions. "The interrogation mark," as he was called by his own family, was a typical Castleton, and most cherubic of countenance, though his curls had been sheared in deference to school, spoiling him, so his father declared, for artistic purposes. He was a mixture of mischief and romance, and Merle, who accepted his temporary allegiance, never quite knew whether his embraces were marks of genuine affection or were designed for the chance of dropping pebbles down her back.

Some delightful friends of the Castletons were also spending a holiday in rooms at Chagmouth—Miss Lindsay, an artist, and Lorraine Forrester, a chum of Claudia's, both of whom were sketching the quaint streets and the quay and the harbour with the wildest enthusiasm. Morland had also taken a sudden fancy for painting, and insisted upon going out with them daily, producing some quite pretty little impressionistic pictures, with a touch of his father's style about them. In Morland the family talent ran high but never rose to genius. His touch on the piano was perfect. He scribbled poems in private. His achievements, however, in either music, art, or poetry were insufficient to justify taking one of them for a vocation.

"I'd rather make him a chimney-sweep!" declared Mr. Castleton eloquently. "The public nowadays don't appreciate pictures! They'll look at them in galleries, especially when the admission is free, but you can't get them to buy. They hang their drawing-rooms with cheap prints instead of water- colours, and go to the photographers instead of the portrait-painter. If you can design something to advertise mustard or cocoa you may make a little money, but not by pure art! It's as dead as the ancient Greeks. This is a commercial age. Music's as bad. Your pianists are glad to take posts to play at the cinemas! I wish Claudia success; but her training is the business of the college, not mine, and they'll have to bring her out. I've nothing to do with it. No; Morland must realise he's living in the twentieth century, and has to earn his bread and butter. Art doesn't pay, and that's the fact! Have it as a hobby if you wish, but don't depend upon it!"

So Morland, who, like many young fellows of artistic calibre, had a general affection for the muses but no very marked vocation for anything, had been pitchforked into engineering, and was making quite tolerable progress, and would possibly support himself later on, but always with the feeling that life was commonplace and unromantic, and that a splendid vision had been somewhere just round the corner, only unfortunately missed. He allowed his artistic temperament to run loose during the holidays. He would go up to Bella Vista and play for hours on the Macleods' new grand piano, improvising beautiful airs, and sending Fay into raptures.

"Why don't you write them down right away?" she demanded.

"What's the use? No one would publish them if I did. The publishers are fed up with young composers wanting a hearing. I've made up my mind to be just an amateur—nothing more."

"I'm not sure," ventured Mrs. Macleod, "whether you won't have the best of it. After all, 'amateur' means 'lover,' and the art and the music that you pursue for pure pleasure will be more to you than what you might have had to produce for the sake of bread and butter. Why must our standard in these things always be the commercial one, 'does it pay?' The fact of making it pay often degrades it. My theory is that a man can have his business, and love his hobby just as he loves his wife, without turning it into £ s. d. Look at my husband! In his own office there isn't any one in America knows more about motor fittings, but once outside the office his heart and soul is in painting. I believe he's a happier man for doing both!"

"Do you really think so? It cheers me up! When I'm a full-blown engineer, perhaps I'll make enough to buy a grand piano at any rate. That's one way of looking at it. It's awfully kind of you to let me come here and thump away on yours."

"We enjoy having you, so use it whenever you like. It's always absolutely at your disposal."

Morland was not the only one of the party who was amusing his leisure hours. Bevis also had hobbies. He had taken up photography, had turned an attic at Grimbal's Farm into a dark room, and was trying many experiments. Moreover, his lawyers had at last yielded to his urgent entreaties and had allowed him to buy a small sailing yacht. She was not a racing craft, or remarkably smart............