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A JAPANESE BACHELOR
 The first obligation of one who lives by writing is to write what editors will buy. In so doing, how often one laments that one cannot write exactly what happens. Suppose I were to try it—for once!  
I have been lying on the bed—where the landlady has put a dark blue spread, instead of the white one, because I drop my tobacco ashes—smoking, and thinking about a new friend I met today. His name is Kenko, a Japanese bachelor of the fourteenth century, who wrote a little book of musings which has been translated under the title "The Miscellany of a Japanese Priest." His candid reflections are those of a shrewd, learned, humane and somewhat misogynist mind. I have been lying on the bed because his book, like all books that make one ponder deeply on human destiny, causes that feeling of mind-sickness, that swimming pain of the mental faculties—or is it caused by too much strong tobacco?
 
My acquaintance with Kenko began only last night, when I sat in bed reading Mr. Raymond Weaver's very pleasant article about him in a recent Bookman. My last act before turning out the light was to lay the magazine on the table, open at Mr. Weaver's essay, to remind me to get a copy of Kenko the first thing this morning. Happily to-day was Saturday. I don't know what I should have done if it had been Sunday. I felt that I could not wait another day without owning that book. I suspected it was a good deal in the mood of another bachelor, an Anglo-American Caleb of to-day—Mr. Logan Pearsall Smith, whose whimsical "Trivia" belongs on the same shelf.
 
This morning I tried to argue myself out of the decision. It may be a very expensive book, I thought; it may cost two or three dollars; I have been spending a lot of money lately, and I certainly ought to buy some new undershirts. Moreover, this has been a bad week; I have never written those paragraphs I promised a certain editor, and I haven't paid the rent yet. Why not try to find the book at a library? But I knew the only library where I would have any chance of finding Kenko would be the big pile at Fifth avenue and Forty-second street, and I could not bear the thought of having to read that book without smoking. I felt instinctively (from what Mr. Weaver had written) that it was the kind of book that requires a pipe.
 
Well, I thought, I won't decide this too hastily; I'll walk down to the post office (four blocks) and make up my mind on the way. I knew already, however, that if I didn't go downtown for that book it would bother me all day and ruin my work.
 
I walked down to the post office (to mail to an editor a sonnet I thought fairly well of) saying to myself: That book is imported from England, it may be a big book, it may even cost four dollars. How much better to exhibit the stoic tenacity of all great men, go back to my hall bedroom (which I was temporarily occupying) and concentrate on matters in hand. What right, I said, has a Buddhist recluse, born either in 1281 or 1283, to harass me so? But I knew in my heart that the matter was already decided. I walked back to the corner of Hallbedroom street, and stood vacillating at the newsstand, pretending to glance over the papers. But across six centuries the insistent ghost of Kenko had me in its grip. Annoyed, and with a sense of chagrin, I hurried to the subway.
 
In the dimly lit vestibule of the subway car, a boy of sixteen or so sat on an up-ended suitcase, plunged in a book. I can never resist the temptation to try to see what books other people are reading. This innocent curiosity has led me into many rudenesses, for I am short-sighted and have to stare very close to make out the titles. And usually the people who read books on trolleys, subways and ferries are women. How often I have stalked them warily, trying to identify the volume without seeming too intrusive. That weakness deserves an essay in itself. It has led me into surprising adventures. But in this case my quarry was easy. The lad—I judged him a boarding school boy going back to school after the holidays—was so absorbed in his reading that it was easy to thrust my face over his shoulder and see the running head on the page—"The Light That Failed."
 
I left the subway at Pennsylvania Station. Just to appease my conscience, I stopped in at the agreeable Cadmus bookshop on Thirty-third street to see if by any chance they might have a second-hand copy of Kenko. But I know they wouldn't; it is not the kind of book at all likely to be found second-hand. I tarried here long enough to smoke one cigarette and pay my devoirs to the noble profession of second-hand bookselling. I even thought, a little wildly, of buying a copy of "The Monk" by M.G. Lewis, which I saw there. So does the frenzy rage when once you unleash it. But I decided to be content with paying my devoirs to the proprietor, a friend of mine, and not go on (as the soldier does in Hood's lovely pun) to devour my pay. I hurried off to the office of the Oxford University Press, Kenko's publishers.
 
It should be stated, however, that owing to some confusion of doors I got by mistake into the reception room of the Brunswick-Balke-Collender Billiard Table Company, which is on the same corridor as the salesroom of the Oxford Press. It was a pleasant reception room, not very bookish in aspect, but in my agitation I was too eager to feel surprised by the large billiard table in the offing. I somewhat startled a young man at an adding machine by demanding, in a husky voice, a copy of "The Miscellanies of a Japanese Priest." I was rather nervous by this time, lest for some reason I should not be able to buy a copy of Kenko. I feared the publishers might be angry with me for not having made a round of the bookstores first. The young man saw that I was chalking the wrong cue, and forwarded me.
 
In the office of the Oxford Press I met a very genial reception. I had been, as I say, apprehensive lest they should refuse to sell me the book; or perhaps they might not have a copy. I wondered what credentials I could offer to override their scruples. I had made up my mind to tell them, if they demurred, that I had once published an essay to prove that the best book for reading in bed is the General Catalogue of the Oxford University Press. This is quite true. It is a delightful compilation of several thousand pages, on India paper. But to my pleasant surprise the Oxonians seemed not at all surprised at the sudden appearance of one asking, in a voice a little shaken with emotion, for a copy of the "Miscellanies." Mr. Campion and Mr. Krause, who greeted me, were kindness itself.
 
"Oh, yes," they said, "we have a copy." And in a minute it lay before me. One of those little green and gold volumes in the Oxford Library of Prose and Poetry. "How much?" I said. "A dollar forty." I paid it joyfully. It is a good price for a book. Once I wrote a book myself that sells (when it does sell) at that figure. When I was at Oxford I used to buy the O.L.P.P. books for (I think) half a crown. In 1917 they were listed at a dollar. Now $1.40. But I fear Kenko's estate doesn't get the advantage of increased royalties.
 
The first thing to do was to find a place to read the book. My club was fifteen blocks away. The smoking room of the Pennsylvania Station, where I have done much reading, was three long blocks. But I must dip into Kenko immediately. Down in the hallway I found a shoe-shining stand, with a bowl of indirect light above it. The artist was busy in the barber shop near-by. Admirable opportunity. I mounted the throne and fell to. The first thing I saw was a quaint Japanese woodcut of a buxom maiden washing garments in a rapidly purling stream. She was treading out a petticoat with her bare feet, presumably on a flat stone. In a black storm-cloud above a willow tree a bearded supernatural being, with hands spread in humorous deprecation, gazes down half pleased, half horrified. And the caption is, "Did not the fairy Kumé lose his supernatural powers when he saw the white legs of a girl washing clothes?" Yet be not dismayed. Kenko is no George Moore.
 
By and bye the shoeshiner came out and found me reading. He was apologetic. "I didn't know you were here," he said. "Sorry to keep you waiting." Fortunately my shoes needed shining, as they generally do. He shined them, and I still sat reading. He was puzzled, and tried to make out the title of the book. At that moment I was reading:
 
One morning after a beautiful snowfall I sent a letter to a friend's house about something I wished to say, but said nothing at all about the snow. And in his reply he wrote: "How can I listen to a man so base that his pen in writing did not make the least reference to the snow! Your honorable way of expressing yourself I exceedingly regret." How amusing was this answer!
 
The shoeshiner was now asking me whether anything was wrong with the polish he had put on m............
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