Every one who has turned over old volumes of sermons, adorned with the authors' portraits, must have been struck with the length of their faces. They seem to say—parodying the famous line of Dante—"Abandon jokes all ye who enter here." Those men preached a solemnly absurd creed, and they looked absurdly solemn. Their faces seemed as devoid of merriment as the faces of jackasses, and the heads above them were often as stupid. Justice forbid that I should run down a Hooker, a Barrow, a Taylor, or a South. They were men of genius, and all genius is of the blood royal. I read their writings with pleasure and profit, which is more than nine-tenths of the clergy can say with any approach to honesty. But a single swallow does not make a summer, and a few men of genius do not elevate a profession. I am perfectly convinced that the great bulk of the preaching fraternity have cultivated a solemn aspect—not perhaps deliberately, but at least instinctively—in order to impose on the ignorant and credulous multitude. The very tone of voice in which they pray, give out hymns, and preach, is artificial; in keeping with their artificial ideas and artificial sentiments; which, if they were expressed in natural tones, would excite universal contempt and derision. Now this solemnity is the best trick in the priest's game. Gravity is always mistaken by the multitude for wisdom. A round-faced merry fellow shall make a bright, sensible speech, and he will be voted frivolous; but a long-faced, saturnine fellow shall utter a string of dull platitudes, and he will be voted a Solon. This is well known to the clergy, who have developed a perfect art of dullness. They talk an infinite deal of nothing, use a multitude of solemn words to hide an absurdity or no meaning at all, and utter the inherited shibboleths of their craft like the august oracles of a recent revelation.
Concede them the advantage of solemnity, or reverence, or whatever else it is called, and you give them the victory at the beginning of the battle. If you pull a long face over their nonsense, the spectators, after all your arguments, will say, "There must be something in it, though, for see how serious he is." Whereas a light jest and a merry smile will show you are heart-free, and beyond the range of clerical artillery.
I do not pretend, however, that the efforts of Free-thought critics should have no background of seriousness. Wit without reason, says Heine, is but a sneeze of the intelligence. But has not wit ever been the keenest weapon of the great emancipators of the human mind? Not the mere plaything of an idle mind in an idle hour, but the coruscating blade to pierce the weak places of folly and imposture. Aristophanes, Lucian, Rabelais, Erasmus, and Voltaire—to take a few great instances—were all serious in aim and intention. They valued truth, goodness, and beauty, as much as the dreariest preachers. But they felt, because of their temperament, that while the dry light of the intellect is suited to the study of science, it is inadequate in the realm of political, social, and religious debate, where everything is steeped in feeling, and hopes and fears strive together, and imagination kindles the very senses into keener play.
After all, perhaps, this word temperament is a solution in itself. When Bishop South was taken to task by a brother bishop for his witticisms, he replied, "Do you mean to say that if God had given you any wit you would not have used it?" Thus is wisdom justified of her children.
My friendly though severe critic, Dr. Coit, who recently discoursed at South-place Institute (or is it Chapel?) on the National Secular Society in general and myself in particular, could hardly deny that Voltaire was a master of wit, sarcasm, irony, and ridicule. Well, now, let us see what some serious writers have said of this nimble spirit. Robert Browning, in The Two Poets of Croisic thus salutes him:
     Ay, sharpest shrewdest steel that ever stabbed
     To death Imposture through the armor-joints!
Carlyle says "He gave the death-stab to modern superstition," and "it was a most weighty service." Buckle says he "used ridicule, not as the test of truth, but as the scourge of folly," and thus "produced more effect than the gravest arguments could have done." "Nor can any one since the days of Luther be named," says Brougham, "to whom the spirit of free inquiry, nay, the emancipation of the human mind from spiritual tyranny, owes a more lasting debt of gratitude."
There is a story of the manuscript of Harrington's Oceana being filched and given to Cromwell, and the sagacious "usurper" returned it saying, "My government is not to be overturned with paper pellets." But the ironical pamphlet, Killing no Murder, produced a different effect. Nor did the royal and imperial despots, and their priestly abettors, in the eighteenth century, dread the solemn lovers of freedom. But the winged pen of Voltaire was a different matter. "Bigots and tyrants," says Macaulay, "who had never been moved by the wailing and cursing of millions, turned pale at his name."
If Dr. Coit imagines that Voltaire has lost his influence in France, I venture to say he is mistaken. The hand of Voltaire is on Renan, and on dozens of living soldiers in the French army of progress. And what man of letters in England—a country abounding in "the oxen of the gods," strong, slow, and stupid—is free from his influence? Carlyle's early essay on Voltaire is a mixture of hatred and admiration. But read the Life of Frederick, and see how the French snake fascinates the Scotch Puritan, until at last he flings every reservation aside, and hails with glowing panegyric the Savior of Calas.
Let me refer Dr. Coit to the delightful preface of a delightful book—Leland's introduction to his fine translation of Heine's Reise............