OF THE TRUE MEGGAS OR WAYS TO PERFECTION.  
The subject under consideration is a very important one. It comprehends and comprises a summary of many particulars already alluded to in the foregoing two articles. The reader will find the path he has to follow less rugged, and the ground he will have to go over not so arid.
 
Our author seems to lay great stress on this special point. The sage, says he, who is desirous to arrive at the supreme perfection, must apply all the powers of his mind to discern the true ways from the false ones. Many are deceived in the midst of their researches after wisdom. The real criterion between the true and false ways is this: when, in considering an object, and making a philosophical analysis of it, the sage finds it somehow connected with concupiscence and other passions so far that he cannot, as it were, dissolve it by the application of the three principles of aneitsa, duka, and anatta—that is to say, change, pain, and illusion, then he must conclude that he is out of the right ways; the high road to perfection is barred before him. But on the contrary, whenever, by the appliance of the three great principles, he sees that all the objects brought under his consideration are nothing more or less than the mere compound of the four elements, divested of these illusory appearances which deceive so many, then he may be certain that he is in the right position, and is sure of making progress in the way to perfection.
 
To facilitate the study of the Meggas, Buddhists have classified all real and imaginary beings under a certain number of heads. The sage, to complete his laborious task, has to examine separately each of these subjects and submit them to the following lengthened, difficult, and complicated process. He takes up one subject, attentively[228] considers its exterior and interior compound parts, its connection and relation with other things, its tendency to adhere to or part with surrounding objects. Pursuing his inquiries into the past, he endeavours to make himself acquainted with the state and condition of that object during several periods that have elapsed; when his mind is satisfied on this point he follows up in future the same object, and calculates from the experience of the past what change it may hereafter become subjected to. This study enables him to perceive distinctly that it is subjected to the three great laws of mutability, pain, and illusion. This conviction once deeply seated in his soul, the sage holds that object in supreme contempt; far from having any affection for or attachment to it, he feels an intense disgust at it, and longs for the possession of Neibban, which is the exemption from the influence of mutability, pain, and illusion.
 
What we have now stated is tolerably clear and intelligible; but what follows is less evident. It partakes of that obscurity and complication so peculiar to Buddhist metaphysics. This state of things is created and maintained chiefly by a mania for divisions and subdivisions that would have puzzled even the schoolmen of the middle ages. We have to listen to what our author says respecting the method to be observed in carrying on the great examination of all subjects of investigation. If that labour be patiently and perseveringly prosecuted until all the objects of inquiry be exhausted, ample and magnificent shall be the reward for such labours. The sage will be in possession of the perfect science; Neibban will appear to him; he will long for it, and unremittingly shape his course in its direction: in a word, he shall have reached the acme of perfection. Seated on that lofty position, enjoying a perfect calm in the bosom of absolute quietism, the sage is beyond the reach of passions; there is no illusion for him; he has cut the last thread of future generations by the destruction of the influence of merits[229] and demerits; he has obtained the deliverance from all miseries; he has reached the peaceful shores of Neibban. But such a prize is not easily obtained; it is to be purchased only at the expense of an immense amount of lasting and strenuous mental exertion.
 
The sage, agreeably to the old and always true saying, Know thyself, very properly begins his mightily difficult task with the examination of the five aggregates constituting a living being, the organs of the six senses, and all that relates to them. Then he applies himself to the studies of the five Dzan, or the parts of meditation and contemplation, and to all that is connected with the seats of Rupa and Arupa. All the objects of examination ranged on that scale are 600 in number. We shall rapidly glance over this table, indicating but the heads of the principal divisions.
 
We ought not to forget that the five aggregate, or khandas, constituting a living being, are form, sensation, perception, consciousness, and intellect. Supposing that we take the first of those attributes as subject of examination. We must represent it to the mind, carefully examine it in all its bearings and properties, respecting the past, the present, and the future. We must proceed on and bring it in contact with the three great principles of aneitsa, duka, and anatta, and inquire whether form be changeable or not, passive or impassive, transient or permanent. We thereby acquire the knowledge of the following great truth; viz., form is essentially liable to change, pain, and illusion. The examination of each of the four other attributes is proceeded on in a like manner, and a similar result ensues.
 
The six organs of the senses come next under consideration. These are the eyes, the ears, the nose, the tongue, the body, or rather the skin that envelops it, and the heart in a physical sense, and mano in a moral one. Each of the six senses partakes of the eleven conditions or attributes we are about to describe; and each of these[230] eleven attributes being brought successively into relation with each of the six senses, must be considered, as above stated, under the treble relation to mutability, pain, and illusion. This will supply the inquirer with a good amount of information. But to shorten this long enumeration, we will mention now successively those eleven attributes the senses may be affected by, and make the application of all to one of the senses, the eye. The same process may be easi............