That night we all went to bed early. The next night would be an anxious one, and Mr. Trelawny thought that we should all be fortified with what sleep we could get. The day, too, would be full of work. Everything in connection with the Great Experiment would have to be gone over, so that at the last we might not fail from any unthought-of flaw in our working. We made, of course, arrangements for summoning aid in case such should be needed; but I do not think that any of us had any real apprehension of danger. Certainly we had no fear of such danger from violence as we had had to guard against in London during Mr. Trelawny's long trance.
For my own part I felt a strange sense of relief in the matter. I had accepted Mr. Trelawny's reasoning that if the Queen were indeed such as we surmised—such as indeed we now took for granted—there would not be any opposition on her part; for we were carrying out her own wishes to the very last. So far I was at ease—far more at ease than earlier in the day I should have thought possible; but there were other sources of trouble which I could not blot out from my mind. Chief amongst them was Margaret's strange condition. If it was indeed that she had in her own person a dual existence, what might happen when the two existences became one? Again, and again, and again I turned this matter over in my mind, till I could have shrieked out in nervous anxiety. It was no consolation to me to remember that Margaret was herself satisfied, and her father acquiescent. Love is, after all, a selfish thing; and it throws a black shadow on anything between which and the light it stands. I seemed to hear the hands go round the dial of the clock; I saw darkness turn to gloom, and gloom to grey, and grey to light without pause or hindrance to the succession of my miserable feelings. At last, when it was decently possible without the fear of disturbing others, I got up. I crept along the passage to find if all was well with the others; for we had arranged that the door of each of our rooms should be left slightly open so that any sound of disturbance would be easily and distinctly heard.
One and all slept; I could hear the regular breathing of each, and my heart rejoiced that this miserable night of anxiety was safely passed. As I knelt in my own room in a burst of thankful prayer, I knew in the depths of my own heart the measure of my fear. I found my way out of the house, and went down to the water by the long stairway cut in the rock. A swim in the cool bright sea braced my nerves and made me my old self again.
As I came back to the top of the steps I could see the bright sunlight, rising from behind me, turning the rocks across the bay to glittering gold. And yet I felt somehow disturbed. It was all too bright; as it sometimes is before the coming of a storm. As I paused to watch it, I felt a soft hand on my shoulder; and, turning, found Margaret close to me; Margaret as bright and radiant as the morning glory of the sun! It was my own Margaret this time! My old Margaret, without alloy of any other; and I felt that, at least, this last and fatal day was well begun.
But alas! the joy did not last. When we got back to the house from a stroll around the cliffs, the same old routine of yesterday was resumed: gloom and anxiety, hope, high spirits, deep depression, and apathetic aloofness.
But it was to be a day of work; and we all braced ourselves to it with an energy which wrought its own salvation.
After breakfast we all adjourned to the cave, where Mr. Trelawny went over, point by point, the position of each item of our paraphernalia. He explained as he went on why each piece was so placed. He had with him the great rolls of paper with the measured plans and the signs and drawings which he had had made from his own and Corbeck's rough notes. As he had told us, these contained the whole of the hieroglyphics on walls and ceilings and floor of the tomb in the Valley of the Sorcerer. Even had not the measurements, made to scale, recorded the position of each piece of furniture, we could have eventually placed them by a study of the cryptic writings and symbols.
Mr. Trelawny explained to us certain other things, not laid down on the chart. Such as, for instance, that the hollowed part of the table was exactly fitted to the bottom of the Magic Coffer, which was therefore intended to be placed on it. The respective legs of this table were indicated by differently shaped uraei outlined on the floor, the head of each being extended in the direction of the similar uraeus twined round the leg. Also that the mummy, when laid on the raised portion in the bottom of the sarcophagus, seemingly made to fit the form, would lie head to the West and feet to the East, thus receiving the natural earth currents. "If this be intended," he said, "as I presume it is, I gather that the force to be used has something to do with magnetism or electricity, or both. It may be, of course, that some other force, such, for instance, as that emanating from radium, is to be employed. I have experimented with the latter, but only in such small quantity as I could obtain; but so far as I can ascertain the stone of the Coffer is absolutely impervious to its influence. There must be some such unsusceptible substances in nature. Radium does not seemingly manifest itself when distributed through pitchblende; and there are doubtless other such substances in which it can be imprisoned. Possibly these may belong to that class of "inert" elements discovered or isolated by Sir William Ramsay. It is therefore possible that in this Coffer, made from an aerolite and therefore perhaps containing some element unknown in our world, may be imprisoned some mighty power which is to be released on its opening."
This appeared to be an end of this branch of the subject; but as he still kept the fixed look of one who is engaged in a theme we all waited in silence. After a pause he went on:
"There is one thing which has up to now, I confess, puzzled me. It may not be of prime importance; but in a matter like this, where all is unknown, we must take it that everything is important. I cannot think that in a matter worked out with such extraordinary scrupulosity such a thing should be overlooked. As you may see by the ground-plan of the tomb the sarcophagus stands near the north wall, with the Magic Coffer to the south of it. The space covered by the former is left quite bare of symbol or ornamentation of any kind. At the first glance this would seem to imply that the drawings had been made after the sarcophagus had been put into its place. But a more minute examination will show that the symbolisation on the floor is so arranged that a definite effect is produced. See, here the writings run in correct order as though they had jumped across the gap. It is only from certain effects that it becomes clear that there is a meaning of some kind. What that meaning may be is what we want to know. Look at the top and bottom of the vacant space, which lies West and East corresponding to the head and foot of the sarcophagus. In both are duplications of the same symbolisation, but so arranged that the parts of each one of them are integral portions of some other writing running crosswise. It is only when we get a coup d'oeil from either the head or the foot that you recognise that there are symbolisations. See! they are in triplicate at the corners and the centre of both top and bottom. In every case there is a sun cut in half by the line of the sarcophagus, as by the horizon. Close behind each of these and faced away from it, as though in some way dependent on it, is the vase which in hieroglyphic writing symbolises the heart—'Ab' the Egyptians called it. Beyond each of these again is the figure of a pair of widespread arms turned upwards from the elbow; this is the determinative of the 'Ka' or 'Double'. But its relative position is different at top and bottom. At the head of the sarcophagus the top of the 'Ka' is turned towards the mouth of the vase, but at the foot the extended arms point away from it.
"The symbolisation seems to mean that during the passing of the Sun from West to East—from sunset to sunrise, or through the Under World, otherwise night—the Heart, which is material even in the tomb and cannot leave it, simply revolves, so that it can always rest on 'Ra' the Sun-God, the origin of all good; but that the Double, which represents the active principle, goes whither it will, the same by night as by day. If this be correct it is a warning—a caution—a reminder that the consciousness of the mummy does not rest but is to be reckoned with.
"Or it may be intended to convey that after the particular night of the resurrection, the 'Ka' would leave the heart altogether, thus typifying that in her resurrection the Queen would be restored to a lower and purely physical existence. In such case what would become of her memory and the experiences of her wide-wandering soul? The chiefest value of her resurrection would be lost to the world! This, however, does not alarm me. It is only guess-work after all, and is contradictory to the intellectual belief of the Egyptian theology, that the 'Ka' is an essential portion of humanity." He paused and we all waited. The silence was broken by Doctor Winchester:
"But would not all this imply that the Queen feared intrusion of her tomb?" Mr. Trelawny smiled as he answered:
"My dear sir, she was prepared for it. The grave robber is no modern application of endeavour; he was probably known in the Queen's own dynasty. Not only was she prepared for intrusion, but, as shown in several ways, she expected it. The hiding of the lamps in the serdab, and the institution of the avenging 'treasurer' shows that there was defence, positive as well as negative. Indeed, from the many indications afforded in the clues laid out with the most consummated thought, we may almost gather that she entertained it as a possibility that others—like ourselves, for instance—might in all seriousness undertake the work which she had made ready for her own hands when the time should have come. This very matter that I have been speaking of is an instance. The clue is intended for seeing eyes!"
Again we were silent. It was Margaret who spoke:
"Father, may I have that chart? I should like to study it during the day!"
"Certainly, my dear!" answered Mr. Trelawny heartily, as he handed it to her. He resumed his instructions in a different tone, a more matter-of-fact one suitable to a practical theme which had no mystery about it:
"I think you had better all understand the working of the electric light in case any sudden contingency should arise. I dare say you have noticed that we have a complete supply in every part of the house, so that there need not be a dark corner anywhere. This I had specially arranged. It is worked by a set of turbines moved by the flowing and ebbing tide, after the manner of the turbines at Niagara. I hope by this means to nullify accident and to have without fail a full supply ready at any time. Come with me and I will explain the system of circuits, and point out to you the taps and the fuses." I could not but notice, as we went with him all over the house, how absolutely complete the system was, and how he had guarded himself against any disaster that human thought could foresee.
But out of the very completeness came a fear! In such an enterprise as ours the bounds of human thought were but narrow. Beyond it lay the vast of Divine wisdom, and Divine power!
When we came back to the cave, Mr. Trelawny took up another theme:
"W............