Font Size:【Large】【Middle】【Small】 Add Bookmark
Pageants and Dress
The only objection to the excellent series of Pageants that has adorned England of late is that they are made too expensive. The mass of the common people cannot afford to see the Pageant; so they are obliged to put up with the inferior function of acting in it. I myself got in with the rabble in this way. It was to the Church Pageant; and I was much impressed with certain illuminations which such an experience makes possible. A Pageant exhibits all the fun of a Fancy Dress Ball, with this great difference: that its motive is reverent instead of irreverent. In the one case a man dresses up as his great-grandfather in order to make game of his great-grandfather; in the other case, in order to do him honour. What the great-grandfather himself would think of either of them we fortunately have not to conjecture. The alteration is important and satisfactory. All natural men regard their ancestors as dignified because they are dead; it was a great pity and folly that we had fallen into the habit of regarding the Middle Ages as a mere second-hand shop for comic costumes. Medi?val costume and heraldry had been meant as the very manifestation of courage and publicity and a decent pride. Colours were worn that they might be conspicuous across a battle-field; an animal was rampant on a helmet that he might stand up evident against the sky. The medi?val time has been talked of too much as if it were full of twilight and secrecies. It was a time of avowal and of what many modern people call vulgarity. A man’s dress was that of his family or his trade or his religion; and these are exactly the three things which we now think it bad taste to discuss. Imagine a modern man being dressed in green and orange because he was a Robinson. Or imagine him dressed in blue and gold because he was an auctioneer. Or imagine him dressed in purple and silver because he was an agnostic. He is now dressed only in the ridiculous disguise of a gentleman; which tells one nothing at all, not even whether he is one. If ever he dresses up as a cavalier or a monk it is only as a joke—very often as a disreputable and craven joke, a joke in a mask. That vivid and heraldic costume which was meant to show everybody who a man was is now chiefly worn by people at Covent Garden masquerades who wish to conceal who they are. The clerk dresses up as a monk in order to be absurd. If the monk dressed up as a clerk in order to be absurd I could understand it; though the escapade might disturb his monastic superiors. A man in a sensible gown and hood might possibly put on a top-hat and a pair of trousers in order to cover himself with derision, in some extravagance of mystical humility. But that a man who calmly shows himself to the startled sky every morning in a top-hat and trousers should think it comic to put on a simple and dignified robe and hood is a situation which almost splits the brain. Things like the Church Pageant may do something towards snubbing this silly and derisive view of the past. Hitherto the young stockbroker, when he wanted to make a fool of himself, dressed up as Cardinal Wolsey. It may now begin to dawn on him that he ought rather to make a wise man of himself before attempting the impersonation.
Nevertheless, the truth which the Pageant has to tell the British public is rather more special and curious than one might at first assume. It is easy enough to say in the rough that modern dress is dingy, and that the dress of our fathers was more bright and picturesque. But that is not really the point. At Fulham Palace one can compare the huge crowd of people acting in the Pageant with the huge crowd of people looking at it. There is a startling difference, but it is not a mere difference between gaiety and gloom. There is many a respectable young woman in the audience who has on her own hat more colours than the whole Pageant put together. There are belts of brown and black in the Pageant itself: the Puritans round the scaffold of Laud, or the black-robed doctors of the eighteenth century. There are patches of purple and yellow in the audience: the more select young ladies and the less select young gentlemen. It is not that our age has no appetite for the g............
Join or Log In!
You need to log in to continue reading