Most of us, I suppose, have amused ourselves with the old and flippant fancy of what poets or orators would feel like if their wild wishes came true. The poet would be not a little surprised if the (somewhat inadequate) wings of a dove suddenly sprouted from his shoulder-blades. And I suspect that even the baby who cries for the moon would be rather frightened if it fell out of the sky, crushing forests and cities like a colossal snowball, shutting out the stars and darkening the earth it had illuminated. Shelley was magnificently moved when he wished to be a cloud driven before the wild West Wind: but even Shelley would have been not a little disconcerted if he had found himself turning head-over-heels in mid-air the instant he had written the line. He would even be somewhat relieved, I fancy, to fall upon the thorns of life and bleed a little more. When Keats, the human nightingale, lay listening to the feathered one, he expressed a strong desire for a long drink of red wine. In this I believe him to have accurately analysed his own sentiments. But when he proceeds to explain that he is strongly inclined at that moment to wish himself dead, I entertain strong doubts as to whether he is equally exact, and am by no means certain that he would really like “to cease upon the midnight” even “with no pain.” Such sceptical fantasies, I say, have occurred to most of us; they do not spoil fine poetry for those who really like it; they only salt it with humour and human fellowship. Things seriously beautiful are, perhaps, the only things that we can jest about with complete spiritual safety. One cannot insult the poem except by being afraid of the parody. But I think there is another and more curious cause for this common human fancy of a wild wish which is disappointed by being fulfilled. The idea is very common, of course, in popular tradition: in the tale of King Midas; in the tale of the Black Pudding; in the tale of the Goloshes of Fortune. My own personal feeling about it, I think, is that a world in which all one’s wishes were fulfilled would, quite apart from disappointments, be an unpleasant world to live in. The world would be too like a dream, and the dream too like a nightmare. The Ego would be too big for the Cosmos; it would be a bore to be so important as that. I believe a great part of such poetic pleasure as I have comes from a certain disdainful indifference in actual things. Demeter withered up the cornfields: I like the cornfields because they grow in spite of me. At least, I can lay my hand on my heart and say that no cornfield ever grew with my assistance. Ajax defied the lightning; but I like the lightning because it defies me. I enjoy stars and the sun or trees and the sea, because they exist in spite of me; and I believe the sentiment to be at the root of all that real kind of romance which makes life not a delusion of the night, but an adventure of the morning. It is, indeed, in the clash of circumstances that men are most alive. When we break a lance with an opponent the whole romance is in the fact that the lance does break. It breaks because it is real: it does not vanish like an elfin spear. And even when there is an element of the marvellous or impossible in true poetry, there is always also this element of resistance, of actuality and shock. The most really poetical impossibility is an irresistible force colliding with an immovable post. When that happens it will be the end of the world.
It is true, of course, that marvels, even marvels of transformation, illustrate the noblest histories............