T HE first sixty or seventy years of the nineteenth century saw the art of the seaman at its highest state of perfection. There was never anything to equal it either before or since in the achievements rendered by the sailors who manned the famous “wooden walls” of Nelson’s time, who took the stately East Indiaman backwards and forwards with so much ceremony and safety, or hurried along the tea clipper at a continuous rate which has never since been surpassed by any fleet of sail-propelled ships.
At the beginning of the nineteenth century there were royal dockyards at Chatham, Portsmouth, Plymouth, Deptford, Woolwich, and Sheerness; and here His Majesty’s ships were generally moored in the piping times of peace. The first three of these yards were governed by a resident commissioner, who superintended all the musters of the officers, artificers, and labourers employed in the dockyard. He controlled the payments, examined the accounts, contracts, etc., and generally regulated the dockyard. Large ships, such as those mighty wooden walls which could carry a hundred guns, were usually built in dry dock, with275 strong flood gates to prevent the tide from coming in. When the time came for launching, and it was spring tides, the gates were opened and the ship floated out. But small craft, such as frigates and corvettes, were built on the slips, and then launched by means of a cradle which sped down the ways, the latter having been previously greased with soap or tallow.
 
Launching a Man-of-War in the Year 1805.
The oak of which these craft were built usually came from the Forest of Dean, Gloucestershire, and the New Forest, Hants. But as ships were built out in the open, the weather got into the wood and rotted it, so that sometimes a ship was condemned before she was ever put in commission; and, in any case, the life of some wooden walls was under ten years. Others lasted for a long period, as, for instance, Nelson’s Victory, which was built in the year 1765. The method of building was curiously medieval, and almost Viking-like in its simplicity. The timbers were secured by treenails to the planking. They were preferred to spike-nails or bolts, as the latter were liable to rust with the sea water and get loose. The thickness of the treenail was proportioned to the length of the ship, one inch being allowed to every hundred feet. In the Royal Navy and in the East India Service ships were always sheathed with copper to protect the hull against worms. The copper was quite thin, brown paper being inserted between the sheathing and the oak. Other ships than these two classes had thin deal boards nailed over the outside of the bottom for the same purpose.
After the new ship had been floated out of her dock she was taken alongside a sheer-hulk. The latter was an old man-o’-war, which had been dismantled and refitted with one very high mast, strengthened with shrouds and stays to secure the sheers which served as the arm of a crane for hoisting ships’ masts in or out,276 and getting the yards on to the new vessel. Her sails were bent, her guns and ammunition taken aboard, and away she went for her first commission. Not one of these “wooden walls” carried any canvas above royals. They could not travel fast through the water even on a wind, for they were bulky, clumsy, and cumbrous. Their lines were not sweet, they had a huge, heavy body to drive through the water; they were slow in stays, and they were not easy to handle. They rolled so badly, that in heavy weather they sometimes rolled their masts out.
With a hundred guns aboard and most of a thousand men, a three-decker was certainly an interesting sight. Her guns were arranged in rows along her decks. The lower gun-deck was little above the water-line. A 100-gun ship in Nelson’s time cost over ￡67,000, and these three decks ran from stem to stern, besides a forecastle and a quarter-deck, the former of which extended aft from the stem to the belfry, where the ship’s bell was suspended under a shelter. The quarter-deck extended from aft to the mainmast. There was also a poop-deck, and another deck below the lower gun-deck, called the orlop, where the cables were coiled and the sails stowed. The gun-room was on the after end of the lower gun-deck, and partly used by the gunner; but in frigates and smaller vessels, where it was below, it was used by the lieutenants as a mess-room. The ward-room was over the gun-room, where the superior officers messed and slept.
 
Sheer-Hulk.
After the etching by E. W. Cooke.
In action the guns were run out, by means of side tackles, till their muzzles were well outside the port, so that the flash of the gun might not set the ship’s side on fire. These ports were fitted with heavy square lids. In bad weather it was impossible to open the lower-deck ports lest the sea should swamp the ship. There was a kind of shutter also, called a half-port,277 with a circular hole in the centre large enough to go over the muzzle of the gun, and furnished with a piece of canvas nailed round its edge to tie on the gun and prevent the water entering the port, although the gun remained run out. These were used chiefly on the main deck. Ropes were made fast to the outside of the lids attached to a tackle within, by which the port-lids could be drawn up.
There was but little light ’tween decks in these ships even by day, and the glimmer of a purser’s dip was the only illumination. The magazines, however, were lighted through what was termed a “light-room.” The latter was a small apartment with double-glass windows towards the magazine. No candle could, of course, be taken into the latter, so the gunner and his assistants filled their cartridges with powder by the candles shining through the windows. In the bigger men-o’-war there were two light-rooms; one attached to the after magazine, and the other which gave light to the fore or great magazine. The after magazine contained just enough supply of cartridges for the after guns during action, but the great magazine had enough powder for the ship for a long period.
The cables were usually of 120 fathoms and made of hemp, bass, or Indian grass, though the biggest ships used hemp exclusively for their heavy anchors. The change from hemp to chain cables came in 1812, and these were much appreciated as saving a great deal of valuable space below. For the hemp cables when coiled down in a frigate’s cable-tier filled nearly a quarter of her hold, and when it is remembered that a 1000-ton ship had a cable measuring over 8 inches in diameter, and that a 2?-inch chain was just as strong—the breaking strain exceeded 65 tons—but took up less space, we can well understand that hemp was not altogether an advantage, notwithstanding that in bad278 weather these heavy, bluff ships would ride far easier to the rope than the chain. The largest anchor used weighed five tons. It had a wooden stock and broad palms.
Because these hemp cables were so thick there must needs be very large hawse-pipes. Now these ships not only rolled; they pitched in a sea-way, and consequently they took in a great deal of water through these pipes. In order to prevent the water getting adrift all over the ship, there was a large compartment fitted up just abaft the hawse-pipes and called the manger. This stretched athwart the deck, separated on the after part by the manger-board, which was a strong bulkhead, the water being allowed to return to the sea through scuppers. Leather pipes were nailed round the outside of the lower-deck scuppers, which, by hanging down, prevented the water from entering when the ship heeled under a press of canvas.
The cables led in through the hawse-pipes below deck to the bitts. To bitt the cable was to put it round the bitts, which were frames of strong timbers fixed perpendicularly into the ship. The “bitter end” was that part of the cable which was abaft the bitts, and not allowed to run out. Hence the common expression “to the bitter end” has no reference to the other meaning of the word spelt in a similar way. These cables were in lengths of 40 fathoms, and then spliced to make the 120 fathoms. Naturally a heavy ship such as a 100-gun first-rate carried a great deal of way. When, therefore, the anchor was let go, the friction of the cable passing through the hawse-pipe was something enormous, and the hemp became so hot that the tar on its surface often took fire, therefore men were always stationed to stand by with buckets of water. Likewise, the bitts and timbers round the heated hawse-pipes had to be attended to. Another drawback279 to a rope cable was that it chafed a great deal. In coral-bottomed waters it was customary to arm with chains that part which was likely to be worn; and the cable was also sometimes buoyed with casks lashed at intervals, so as to float safely above the rough bottom of the sea-bed.
 
H.M.S. “Prince.”
A first-rate of 110 guns, showing the stern balconies as built before the close sterns were introduced.
There is an interesting passage in a letter written by Captain Duff of H.M.S. Mars, in 1805, to his wife, in which the following words occur: “October 10th. I am sorry the rain has begun to-night, as it will spoil my fine work, having been employed for this week past to paint the ship à la Nelson, which most of the fleet are doing.” That, of course, was just a few days before Trafalgar. And there is a phrase in a letter written by a young midshipman to his father, in 1794, telling him all about the Glorious First of June battle. “The French ... called us the little devil, and the little black ribband, as we have a black streak painted on our side.” The explanation of these two passages is as follows. Up to the beginning of the nineteenth century it was left to a captain’s own taste to paint his ship whatever colours he liked. There was no uniformity as to-day, but generally a ship was painted with a wide black streak along the water-line just above the copper sheathing. This streak ran right round the ship, and in depth reached to the lower gun-deck. Above this the hull was painted a brownish yellow, but sometimes it was more a lemon-colour. The after upper works above the gun-decks and the outer sides of the poop above the quarter-deck guns were painted a vivid red or blue.
This bright band of colour gradually faded until, by the time Trafalgar was fought, it became a dull, deep blue—almost black. Round the forecastle ran a band of scarlet or pale blue edged with gold, and continued down the beak to the figurehead. The outsides of the280 port-lids were a brownish yellow like the sides, and the stern walks were decorated with elaborate gilt carvings, cherubs and dolphins and mermaids, the royal arms, and wreaths, etc. Round the stern of each ship, outside the glazed windows of the cabin, ran a quarter gallery for the captain, while at the bows a figurehead was seen which was regarded with a sentimental interest and kept in good condition. But Nelson had his ships painted black, with a yellow streak along each tier of ports, and the port-lids were painted black. This chequer painting, then, was the method “à la Nelson” to which Captain Duff was referring.
Internally the sides of the ships were still painted a blood-red, for the reason already given in an earlier century. So also were the inner sides of the port-lids. But after Trafalgar the interiors were sometimes painted in other colours, such as green or yellow or even brown, until, after the year 1840, white became uniform. Many internal fittings such as the gun-carriages, and even the guns themselves, were painted red or chocolate during the Nelson period. The lower masts were painted a dull yellow, the topmasts and upper spars varnished a dark brown, and the lower yards and gaffs painted black. The blocks, the chains, the dead-eyes, the wooden and iron fittings for the rigging were all tarred black, just as one often finds them to-day on some old coaster or fishing smack. The masts of the British warships were painted white usually before any engagement with the French, so as to distinguish them from the Gallic masts, which were black.
 
An Early Nineteenth-Century Design for a Man-of-War’s Stern.
It was the superiority of the British gunnery which won most of our battles against the French, even when the latter had better ships and faster. The British directed their fire chiefly against the hull, whereas the French aimed at the rigging. The cartridges were filled282 in the magazines and handed up to the fighting decks above by the powder-monkeys. Along the decks were arranged, at intervals, match-tubs to receive the slow-matches used in firing the guns, whilst in the cockpit of the ship the surgeon and his mates were busy attending to the wounded. The ’tween decks were very cramped, and there was not much air, and there was still a good deal of disease rampant among the seamen. The surgeon’s mate messed in a space only six feet square in the cockpit, “screened off with canvas, and shut in by chests, dark as a dungeon, and smelling intolerably of putrefied cheese and rancid butter.”
 
Course, Topsail, and Topgallant Sail of an Early Nineteenth-Century Ship.
After the end of the eighteenth century, the salutary practice of building ships under cover became general. Nowadays, of course, most ships are constructed in the open air. But in the time we are speaking of the ship—men built with wood and not steel. And when the weather was not allowed to get inside and rot the wood, it was found that the vessels lasted much longer than before. Furthermore, the method of uniting two pieces of timber together by “scarfing” was introduced. It was done either by letting the end of one piece of wood into the end of the other, or by laying the two ends together and fastening a third piece to them both. Thus, curved timbers could be made with pieces of straight timber. This may seem quite a small matter to some, but when it is stated that until this device was employed ships ready for launching were sometimes detained on the stocks for a considerable period un............