New York, Thursday, February 8, 1906

Susy Clemens's biography continued.--Romancer to the children.--Incident of the spoon-shaped drive.--The burglar alarm does its whole duty.

 Along one side of the library, in the Hartford home, the bookshelves joined the mantelpiece--in fact, there were shelves on both sides of the mantelpiece. On these shelves, and on the mantelpiece, stood various ornaments. At one end of the procession was a framed oil-painting of a cat's head; at the other end was a head of a beautiful young girl, life size, called Emmeline, an impressionist water-color. Between the one picture and the other there were twelve or fifteen of the bric-à-brac things already mentioned, also an oil-painting by Elihu Vedder, "The Young Medusa." Every now and then the children required me to construct a romance--always impromptu--not a moment's preparation permitted--and into that romance I had to get all that bric-à-brac and the three pictures. I had to start always with the cat and finish with Ernmeline. I was never allowed the refreshment of a change, end for end. It was not permissible to introduce a bric-à-brac ornament into the story out of its place in the procession. These bric-à-bracs were never allowed a peac............