Prison time is slow time, sometimes you'd swear it's stop-time, but it passes. It passes. George Dunahy departed the scene in a welter of newspaper headlines shouting SCANDAL and NEST-FEATHERING. Stammas succeeded him, and for the next six years Shawshank was a kind of living hell. During the reign of Greg Stammas, the beds in the infirmary and the cells in the solitary wing were always full.
One day in 1958 I looked at myself in a small shaving mirror I kept in my cell and saw a forty-year-old man looking back at me. A kid had come in back in 1938, a kid with a big mop of carrotty red hair, half-crazy with rem orse, thinking about suicide. That kid was gone. The red hair was half grey and starting to recede. There were crow's tracks around the eyes. On that day I could see an old man inside, waiting his time to come out. It scared me. Nobody wants to grow old in stir.
Stammas went early in 1959. There had been several investigative reporters sniffing around, and one of them even did four months under an assumed name, for a crime made up out of whole cloth. They were getting ready to drag out SCANDAL and NESTFEATHERING again, but before they could bring the hammer down on him, Stammas ran. I can understand that; boy, can I ever. If he had been tried and convicted, he could have ended up right in here. If so, he might have lasted all of five hours. Byron Hadley had gone two years earlier. The sucker had a heart attack and took an early retirement.
Andy never got touched by the Stammas affair. In early 1959 a new warden was appointed, and a new assistant warden, and a new chief of guards. For the next eight months or so, Andy was just another con again. It was during that period that Normaden, the big half-breed Passamaquoddy, shared Andy's cell with him. Then everything just started up again. Normaden was moved out, and Andy was living in solitary splendour again. The names at the top change, but the rackets never do.
I talked to Normaden once about Andy. 'Nice fella,' Normaden said. It was hard to make out anything he said because he had a harelip and a cleft palate; his words all came out in a slush. 'I liked it there. He never made fun. But he didn't want me there. I could tell.' Big shrug. 'I was glad to go, me. Bad draught in that cell. All thetime cold. He don't let nobody touch his things. That's okay. Nice man, never made fun. But big draught.'
Rita Hayworth hung in Andy's cell until 1955, if I remember right. Then it was Marilyn Monroe, that picture from The Seven Year Itch where she's standing over a subway grating and the warm air is flipping her skirt up. Marilyn lasted until 1960, and she was considerably tattered about the edges when Andy replaced her with Jayne Mansfield. Jayne was, you should pardon the expression, a bust. After only a year or so she was replaced with an English actress - might have been Hazel Court, but I'm not sure. In 1966 that one came down and Raquel Welch went up for a record-breaking six-year engagement in Andy's ceil. The last poster to hang there was a pretty country-rock singer whose name was Linda Ronstadt.
I asked him once what the posters meant to him, and he gave me a peculiar, surprised sort of look. 'Why, they mean the same thing to me as they do to most cons, I guess,' he said.............