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Chapter 10

'Take it easy, sure I can. Does a bear shit in the woods?' The audience was applauding and catcalling as the bugs came out of the walls to get Ray Milland, who was having a bad case of the DT's.
'How soon?'
'A week. Maybe less.'
'Okay.' But he sounded disappointed, as if he had been hoping I had one stuffed down my pants right then. 'How much?"
I quoted him the wholesale price. I could afford to give him this one at cost; he'd been a good customer, what with his rock-hammer and his rock-blankets. Furthermore, he'd been a good boy - on more than one night when he was having his problems with Bogs, Rooster, and the rest, I wondered how long it would be before he used the rock-hammer to crack someone's head open.
Posters are a big part of my business, just behind the booze and cigarettes, usually half a step ahead of the reefer. In the 60s the business exploded in every direction, with a lot of people wanting funky hang-ups like Jimi Hendrix, Bob Dylan, that Easy Rider poster. But mostly it's girls; one pinup queen after another.
A few days after I spoke to Ernie, a laundry driver I did business with back then, brought in better than sixty posters, most of them Rita Hayworths. You may even remember the picture; I sure do. Rita is dressed - sort of- in a bathing suit, one hand behind her head, her eyes half closed, those full, sulky red lips parted. They called it Rita Hayworth, but they might as well have called it Woman in Heat.
The prison administration knows about the black market, in case you were wondering. Sure they do. They probably know as much about my business as I do myself.
They live with it because they know that a prison is like a big pressure cooker, and there have to be vents somewhere to let off steam. They make the occasional bust, and I've done time in solitary a time or three over the years, but when it's something like posters, they wink. Live and let live. And when a big Rita Hayworth went up in some fishie's cell, the assumption was that it came in the mail from a friend or a relative. Of course all the care-packages from friends and relatives are opened and the contents inventoried, but who goes back and re-checks the inventory sheets for something as harmless as a Rita Hayworth or an Ava Gardner pin-up? When you're in a pressure-cooker you learn to live and let live or somebody will carve you a brand-new mouth just above the Adam's apple. You learn to make allowances.
It was Ernie again who took the poster up to Andy's cell, 14, my own, 6. And it was Ernie who brought back the written in Andy's careful hand, just one word: Thanks.'
A little while later, as they filed us out for morning chow, I glanced into his ceil and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk when he could look at her nights, after lights out, in the glow of the arc sodiums in the exercise yard.
But in the bright morning sunlight, there were dark slashes across her face - the shadow of the bars on his single slit-window.
Now I'm going to tell you what happened in mid-May of 1950 that finally ended Andy's three-year series of skirmishes wi............

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