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CHAPTER 15
 New Perceptions I will confess that at first this communication was a great shock to me; I was for a time bewildered and plunged into a deep dejection. To say farewell to the bustle and activity of life—to be laid aside on a shelf, like a cracked vase, turning as far as possible my ornamental front to the world, spoilt for homely service. To be relegated to the failures; to be regarded and spoken of as an invalid—to live the shadowed life, a creature of rules and hours, fretting over drugs and beef tea—a degrading, a humiliating r?le. I admit that the first weeks of my enforced retirement were bitter indeed. The perpetual fret of small restrictions had at first the effect of making me feel physically and mentally incapable. Only very gradually did the sad cloud lift. The first thing that came to my help was a totally unexpected feeling. When I had got used to the altered conditions of life, when I found that the regulated existence had become to a[91] large extent mechanical, when I had learnt to decide instinctively what I could attempt and what I must leave alone, I found my perceptions curiously heightened and intensified by the shadowy background which enveloped me. Sounds and sights thrilled me in an unaccustomed way—the very thought, hardly defined, but existing like a quiet subconsciousness, that my tenure of life was certainly frail, and might be brief, seemed to bring out into sharp relief the simple and unnoticed sensations of ordinary life. The pure gush of morning air through the opened casement, the delicious coolness of water on the languid body, the liquid song of birds, the sprouting of green buds upon the hedge, the sharp and aromatic scent of rosy larch tassels, the monotonous babble of the stream beneath its high water plants, the pearly lamin? of the morning cloudland, the glowing wrack of sunset with the liquid bays of intenser green—all these stirred my spirit with an added value of beauty, an enjoyment at once passionate and tranquil, as though they held some whispered secret for the soul.
The same quickening effect passed, I noticed, over intellectual perceptions. Pictures[92] in which there was some latent quality, some hidden brooding, some mystery lying beneath and beyond superficial effect, gave up their secrets to my eye. Music came home to me with an intensity of pathos and passion which I had before never even suspected, and even here the same subtle power of appreciation seemed to have been granted me. It seemed that I was no longer taken in by technical art or mechanical perfection. The hard rippling cascades which had formerly attracted me, where a musician was merely working out, if I may use the word, some subject with a mathematical precision, seemed to me hollow and vain; all that was pompous and violent followed suit, and what I now seemed to be able to discern was all that endeavoured, however faultily, to express some ardour of the spirit, some indefinable delicacy of feeling.
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