I need not enter very closely into the period of my life which followed the university. After a good deal of hesitation and uncertainty I decided to enter for the Home Civil Service, and obtained a post in a subordinate office. The work I found not wholly uninteresting, but it needs no special record here. I acquired the knowledge of how to conduct business, a certain practical power of foreseeing contingencies, a certain acquaintance with legal procedure, and some knowledge of human nature in its official aspect. Intellectually and morally this period of my life was rather stagnant. I had been through a good deal of excitement, of mental and moral malady, of general bouleversement. Nature exacted a certain amount of quiescence, melancholy quiescence for the most part, because I felt myself singularly without energy to carry out my hopes and schemes, and at the same time it seemed that time was ebbing[77] away purposelessly, and that I was not driving, so to speak, any piles in the fluid and oozy substratum of ideas on which my life seemed built. To revel in metaphors, I was like a snake which has with a great strain bolted a quadruped, and needs a long space of uneasy and difficult digestion. But at the time I did not see this; I only thought I was losing time: I felt with Milton—
“How soon hath time, the subtle thief of youth,
Stolen on his wing my three-and-twentieth year.”
But beset as I was by the sublime impatience of youth, I had not serenity enough to follow out the thoughts which Milton works out in the rest of the sonnet.
Literary Work
At the same time, so far as literary work went, to which I felt greatly drawn, I was not so impatient. I wrote a great deal for my private amusement, and to practise facility of expression, but with little idea of hurried publication. A story which I sent to a well-known editor was courteously returned to me, with a letter in which he stated that he had read my work carefully, and that he felt it a duty to tell me that it was “sauce without meat.” This kind and wholesome advice made a great[78] difference to me; I determined that I would attempt to live a little before I indulged in baseless generalisation, or lectured other people on the art of life. I soon gained great facility in writing, and developed a theory, which I have ever since had no reason to doubt, that performance is simply a matter of the intensity of desire. If one only wants enough to complete a definite piece of work, be it poem, essay, story, or some far more definite and prosaic task, I have found that it gets itself done in spite of the insistent pressure of other businesses and the deadening monotony of heavy routine, simply because one goes back to it with delight, schemes to clear time for it, waits for it round corners, and loses no time in spurring and whipping the mind to work, which is necessary in the case of less attractive tasks. The moment that there comes a leisurely gap, the mind closes on the beloved work like a limpet; when this happens day after day and week after week, the accumulations become prodigious.
I thus felt gradually more and more, that when the magnum opus did present itself to be done, I should probably be able to carry it through; and meanwhile I had sufficient self-respect,[79] although I suffered twinges of thwarted ambition, not to force my crude theories, my scrambling prose, or my faltering verse upon the world.
London
Meanwhile I lived a lonely sort of life, with two or three close intimates. I never really cared for London, but it is at the same time idle to deny its fascination. In the first place it is full from day to day of prodigious, astounding, unexpected beauties—sometimes beauty on a noble scale, in the grand style, such as when the sunset shakes its hair among ragged clouds, and the endless leagues of house-roofs and the fronts of town palaces dwindle into a far-off steely horizon-line under the huge and wild expanse of sky. Sometimes it is the smaller, but no less alluring beauty of subtle atmospherical effects; and so conventional is the human appreciation of beauty that the constant presence, in these London pictures, of straight framing lines, contributed by house-front and street-end, is an aid to the imagination. Again, there is the beauty of contrasts; the vignettes afforded by the sudden blossoming of rustic flowers and shrubs in unexpected places; the rustle of green leaves at the end of a monotonous[80] street. And then, apart from natural beauty, there is the vast, absorbing, incredible pageant of humanity, full of pathos, of wistfulness, and of sweetness. But of this I can say but little; for it always moved me, and moves me yet, with a sort of horror. I think it was always to me a spectacular interest; I never felt one with the human beings whom I watched, or even in the same boat, so to speak, with them; the contemplation of the fact that I am one of so many millions has been to me a humiliating rather than an inspiring thought; it dashes the pleasures of individuality; it arraigns the soul before a dark and inflexible bar. Passing daily through London, there is little possibility in the case of an imaginative man for hopeful expansion of the heart, little ground for anything but an acquiescent acceptance. Under these conditions it is too rudely brought home to me to be wholesome, how ineffective, undistingui............