Presley\'s Socialistic poem, “The Toilers,” had an enormous success. The editor of the Sunday supplement of the San Francisco paper to which it was sent, printed it in Gothic type, with a scare-head title so decorative as to be almost illegible, and furthermore caused the poem to be illustrated by one of the paper\'s staff artists in a most impressive fashion. The whole affair occupied an entire page. Thus advertised, the poem attracted attention. It was promptly copied in New York, Boston, and Chicago papers. It was discussed, attacked, defended, eulogised, ridiculed. It was praised with the most fulsome adulation; assailed with the most violent condemnation. Editorials were written upon it. Special articles, in literary pamphlets, dissected its rhetoric and prosody. The phrases were quoted,—were used as texts for revolutionary sermons, reactionary speeches. It was parodied; it was distorted so as to read as an advertisement for patented cereals and infants\' foods. Finally, the editor of an enterprising monthly magazine reprinted the poem, supplementing it by a photograph and biography of Presley himself.

Presley was stunned, bewildered. He began to wonder at himself. Was he actually the “greatest American poet since Bryant”? He had had no thought of fame while composing “The Toilers.” He had only been moved to his heart\'s foundations,—thoroughly in earnest, seeing clearly,—and had addressed himself to the poem\'s composition in a happy moment when words came easily to him, and the elaboration of fine sentences was not difficult. Was it thus fame was achieved? For a while he was tempted to cross the continent and go to New York and there come unto his own, enjoying the triumph that awaited him. But soon he denied himself this cheap reward. Now he was too much in earnest. He wanted to help his People, the community in which he lived—the little world of the San Joaquin, at grapples with the Railroad. The struggle had found its poet. He told himself that his place was here. Only the words of the manager of a lecture bureau troubled him for a moment. To range the entire nation, telling all his countrymen of the drama that was working itself out on this fringe of the continent, this ignored and distant Pacific Coast, rousing their interest and stirring them up to action—appealed to him. It might do great good. To devote himself to “the Cause,” accepting no penny of remuneration; to give his life to loosing the grip of the iron-hearted monster of steel and steam would be beyond question heroic. Other States than California had their grievances. All over the country the family of cyclops was growing. He would declare himself the champion of the People in their opposition to the Trust. He would be an apostle, a prophet, a martyr of Freedom.

But Presley was essentially a dreamer, not a man of affairs. He hesitated to act at this precise psychological moment, striking while the iron was yet hot, and while he hesitated, other affairs near at hand began to absorb his attention.

One night, about an hour after he had gone to bed, he was awakened by the sound of voices on the porch of the ranch house, and, descending, found Mrs. Dyke there with Sidney. The ex-engineer\'s mother was talking to Magnus and Harran, and crying as she talked. It seemed that Dyke was missing. He had gone into town early that afternoon with the wagon and team, and was to have been home for supper. By now it was ten o\'clock and there was no news of him. Mrs. Dyke told how she first had gone to Quien Sabe, intending to telephone from there to Bonneville, but Annixter was in San Francisco, and in his absence the house was locked up, and the over-seer, who had a duplicate key, was himself in Bonneville. She had telegraphed three times from Guadalajara to Bonneville for news of her son, but without result. Then, at last, tortured with anxiety, she had gone to Hooven\'s, taking Sidney with her, and had prevailed upon “Bismarck” to hitch up and drive her across Los Muertos to the Governor\'s, to beg him to telephone into Bonneville, to know what had become of Dyke.

While Harran rang up Central in town, Mrs. Dyke told Presley and Magnus of the lamentable change in Dyke.

“They have broken my son\'s spirit, Mr. Derrick,” she said. “If you were only there to see. Hour after hour, he sits on the porch with his hands lying open in his lap, looking at them without a word. He won\'t look me in the face any more, and he don\'t sleep. Night after night, he has walked the floor until morning. And he will go on that way for days together, very silent, without a word, and sitting still in his chair, and then, all of a sudden, he will break out—oh, Mr. Derrick, it is terrible—into an awful rage, cursing, swearing, grinding his teeth, his hands clenched over his head, stamping so that the house shakes, and saying that if S. Behrman don\'t give him back his money, he will kill him with his two hands. But that isn\'t the worst, Mr. Derrick. He goes to Mr. Caraher\'s saloon now, and stays there for hours, and listens to Mr. Caraher. There is something on my son\'s mind; I know there is—something that he and Mr. Caraher have talked over together, and I can\'t find out what it is. Mr. Caraher is a bad man, and my son has fallen under his influence.” The tears filled her eyes. Bravely, she turned to hide them, turning away to take Sidney in her arms, putting her head upon the little girl\'s shoulder.

“I—I haven\'t broken down before, Mr. Derrick,” she said, “but after we have been so happy in our little house, just us three—and the future seemed so bright—oh, God will punish the gentlemen who own the railroad for being so hard and cruel.”

Harran came out on the porch, from the telephone, and she interrupted herself, fixing her eyes eagerly upon him.

“I think it is all right, Mrs. Dyke,” he said, reassuringly. “We know where he is, I believe. You and the little tad stay here, and Hooven and I will go after him.”

About two hours later, Harran brought Dyke back to Los Muertos in Hooven\'s wagon. He had found him at Caraher\'s saloon, very drunk.

There was nothing maudlin about Dyke\'s drunkenness. In him the alcohol merely roused the spirit of evil, vengeful, reckless.

As the wagon passed out from under the eucalyptus trees about the ranch house, taking Mrs. Dyke, Sidney, and the one-time engineer back to the hop ranch, Presley leaning from his window heard the latter remark:

“Caraher is right. There is only one thing they listen to, and that\'s dynamite.”

The following day Presley drove Magnus over to Guadalajara to take the train for San Francisco. But after he had said good-bye to the Governor, he was moved to go on to the hop ranch to see the condition of affairs in that quarter. He returned to Los Muertos overwhelmed with sadness and trembling with anger. The hop ranch that he had last seen in the full tide of prosperity was almost a ruin. Work had evidently been abandoned long since. Weeds were already choking the vines. Everywhere the poles sagged and drooped. Many had even fallen, dragging the vines with them, spreading them over the ground in an inextricable tangle of dead leaves, decaying tendrils, and snarled string. The fence was broken; the unfinished storehouse, which never was to see completion, was a lamentable spectacle of gaping doors and windows—a melancholy skeleton. Last of all, Presley had caught a glimpse of Dyke himself, seated in his rocking chair on the porch, his beard and hair unkempt, motionless, looking with vague eyes upon his hands that lay palm upwards and idle in his lap.

Magnus on his way to San Francisco was joined at Bonneville by Osterman. Upon seating himself in front of the master of Los Muertos in the smoking-car of the train, this latter, pushing back his hat and smoothing his bald head, observed:

“Governor, you look all frazeled out. Anything wrong these days?”

The other answered in the negative, but, for all that, Osterman was right. The Governor had aged suddenly. His former erectness was gone, the broad shoulders stooped a little, the strong lines of his thin-lipped mouth were relaxed, and his hand, as it clasped over the yellowed ivory knob of his cane, had an unwonted tremulousness not hitherto noticeable. But the change in Magnus was more than physical. At last, in the full tide of power, President of the League, known and talked of in every county of the State, leader in a great struggle, consulted, deferred to as the “Prominent Man,” at length attaining that position, so long and vainly sought for, he yet found no pleasure in his triumph, and little but bitterness in life. His success had come by devious methods, had been reached by obscure means.

He was a briber. He could never forget that. To further his ends, disinterested, public-spirited, even philanthropic as those were, he had connived with knavery, he, the politician of the old school, of such rigorous integrity, who had abandoned a “career” rather than compromise with honesty. At this eleventh hour, involved and entrapped in the fine-spun web of a new order of things, bewildered by Osterman\'s dexterity, by his volubility and glibness, goaded and harassed beyond the point of reason by the aggression of the Trust he fought, he had at last failed. He had fallen he had given a bribe. He had thought that, after all, this would make but little difference with him. The affair was known only to Osterman, Broderson, and Annixter; they would not judge him, being themselves involved. He could still preserve a bold front; could still hold his head high. As time went on the affair would lose its point.

But this was not so. Some subtle element of his character had forsaken him. He felt it. He knew it. Some certain stiffness that had given him all his rigidity, that had lent force to his authority, weight to his dominance, temper to his fine, inflexible hardness, was diminishing day by day. In the decisions which he, as President of the League, was called upon to make so often, he now hesitated. He could no longer be arrogant, masterful, acting upon his own judgment, independent of opinion. He began to consult his lieutenants, asking their advice, distrusting his own opinions. He made mistakes, blunders, and when those were brought to his notice, took refuge in bluster. He knew it to be bluster—knew that sooner or later his subordinates would recognise it as such. How long could he maintain his position? So only he could keep his grip upon the lever of control till the battle was over, all would be well. If not, he would fall, and, once fallen, he knew that now, briber that he was, he would never rise again.

He was on his way at this moment to the city to consult with Lyman as to a certain issue of the contest between the Railroad and the ranchers, which, of late, had been brought to his notice.

When appeal had been taken to the Supreme Court by the League\'s Executive Committee, certain test cases had been chosen, which should represent all the lands in question. Neither Magnus nor Annixter had so appealed, believing, of course, that their cases were covered by the test cases on trial at Washington. Magnus had here blundered again, and the League\'s agents in San Francisco had written to warn him that the Railroad might be able to take advantage of a technicality, and by pretending that neither Quien Sabe nor Los Muertos were included in the appeal, attempt to put its dummy buyers in possession of the two ranches before the Supreme Court handed down its decision. The ninety days allowed for taking this appeal were nearly at an end and after then the Railroad could act. Osterman and Magnus at once decided to go up to the city, there joining Annixter (who had been absent from Quien Sabe for the last ten days), and talk the matter over with Lyman. Lyman, because of his position as Commissioner, might be cognisant of the Railroad\'s plans, and, at the same time, could give sound legal advice as to what was to be done should the new rumour prove true.

“Say,” remarked Osterman, as the train pulled out of the Bonneville station, and the two men settled themselves for the long journey, “say Governor, what\'s all up with Buck Annixter these days? He\'s got a bean about something, sure.”

“I had not noticed,” answered Magnus. “Mr. Annixter has been away some time lately. I cannot imagine what should keep him so long in San Francisco.”

“That\'s it,” said Osterman, winking. “Have three guesses. Guess right and you get a cigar. I guess g-i-r-l spells Hilma Tree. And a little while ago she quit Quien Sabe and hiked out to \'Frisco. So did Buck. Do I draw the cigar? It\'s up to you.” “I have noticed her,” observed Magnus. “A fine figure of a woman. She would make some man a good wife.”

“Hoh! Wife! Buck Annixter marry! Not much. He\'s gone a-girling at last, old Buck! It\'s as funny as twins. Have to josh him about it when I see him, sure.”

But when Osterman and Magnus at last fell in with Annixter in the vestibule of the Lick House, on Montgomery Street, nothing could be got out of him. He was in an execrable humour. When Magnus had broached the subject of business, he had declared that all business could go to pot, and when Osterman, his tongue in his cheek, had permitted himself a most distant allusion to a feemale girl, Annixter had cursed him for a “busy-face” so vociferously and tersely, that even Osterman was cowed.

“Well,” insinuated Osterman, “what are you dallying \'round \'Frisco so much for?”

“Cat fur, to make kitten-breeches,” retorted Annixter with oracular vagueness.

Two weeks before this time, Annixter had come up to the city and had gone at once to a certain hotel on Bush Street, behind the First National Bank, that he knew was kept by a family connection of the Trees. In his conjecture that Hilma and her parents would stop here, he was right. Their names were on the register. Ignoring custom, Annixter marched straight up to their rooms, and before he was well aware of it, was “eating crow” before old man Tree.

Hilma and her mother were out at the time. Later on, Mrs. Tree returned alone, leaving Hilma to spend the day with one of her cousins who lived far out on Stanyan Street in a little house facing the park.

Between Annixter and Hilma\'s parents, a reconciliation had been effected, Annixter convincing them both of his sincerity in wishing to make Hilma his wife. Hilma, however, refused to see him. As soon as she knew he had followed her to San Francisco she had been unwilling to return to the hotel and had arranged with her cousin to spend an indefinite time at her house.

She was wretchedly unhappy during all this time; would not set foot out of doors, and cried herself to sleep night after night. She detested the city. Already she was miserably homesick for the ranch. She remembered the days she had spent in the little dairy-house, happy in her work, making butter and cheese; skimming the great pans of milk, scouring the copper vessels and vats, plunging her arms, elbow deep, into the white curds; coming and going in that atmosphere of freshness, cleanliness, and sunlight, gay, singing, supremely happy just because the sun shone. She remembered her long walks toward the Mission late in the afternoons, her excursions for cresses underneath the Long Trestle, the crowing of the cocks, the distant whistle of the passing trains, the faint sounding of the Angelus. She recalled with infinite longing the solitary expanse of the ranches, the level reaches between the horizons, full of light and silence; the heat at noon, the cloudless iridescence of the sunrise and sunset. She had been so happy in that life! Now, all those days were passed. This crude, raw city, with its crowding houses all of wood and tin, its blotting fogs, its uproarious trade winds, disturbed and saddened her. There was no outlook for the future.

At length, one day, about a week after Annixter\'s arrival in the city, she was prevailed upon to go for a walk in the park. She went alone, putting on for the first time the little hat of black straw with its puff of white silk her mother had bought for her, a pink shirtwaist, her belt of imitation alligator skin, her new skirt of brown cloth, and her low shoes, set off with their little steel buckles.

She found a tiny summer house, built in Japanese fashion, around a diminutive pond, and sat there for a while, her hands folded in her lap, amused with watching the goldfish, wishing—she knew not what.

Without any warning, Annixter sat down beside her. She was too frightened to move. She looked at him with wide eyes that began to fill with tears.

“Oh,” she said, at last, “oh—I didn\'t know.”

“Well,” exclaimed Annixter, “here you are at last. I\'ve been watching that blamed house till I was afraid the policeman would move me on. By the Lord,” he suddenly cried, “you\'re pale. You—you, Hilma, do you feel well?”

“Yes—I am well,” she faltered.

“No, you\'re not,” he declared. “I know better. You are coming back to Quien Sabe with me. This place don\'t agree with you. Hilma, what\'s all the matter? Why haven\'t you let me see you all this time? Do you know—how things are with me? Your mother told you, didn\'t she? Do you know how sorry I am? Do you know that I see now that I made the mistake of my life there, that time, under the Long Trestle? I found it out the night after you went away. I sat all night on a stone out on the ranch somewhere and I don\'t know exactly what happened, but I\'ve been a different man since then. I see things all different now. Why, I\'ve only begun to live since then. I know what love means now, and instead of being ashamed of it, I\'m proud of it. If I never was to see you again I would be glad I\'d lived through that night, just the same. I just woke up that night. I\'d been absolutely and completely selfish up to the moment I realised I really loved you, and now, whether you\'ll let me marry you or not, I mean to live—I don\'t know, in a different way. I\'ve GOT to live different. I—well—oh, I can\'t make you understand, but just loving you has changed my life all around. It\'s made it easier to do the straight, clean thing. I want to do it, it\'s fun doing it. Remember, once I said I was proud of being a hard man, a driver, of being glad that people hated me and were afraid of me? Well, since I\'ve loved you I\'m ashamed of it all. I don\'t want to be hard any more, and nobody is going to hate me if I can help it. I\'m happy and I want other people so. I love you,” he suddenly exclaimed; “I love you, and if you will forgive me, and if you will come down to such a beast as I am, I want to be to you the best a man can be to a woman, Hilma. Do you understand, little girl? I want to be your husband.”

Hilma looked at the goldfishes through her tears.

“Have you got anything to say to me, Hilma?” he asked, after a while.

“I don\'t know what you want me to say,” she murmured.

“Yes, you do,” he insisted. “I\'ve followed you \'way up here to hear it. I\'ve waited around in these beastly, draughty picnic grounds for over a week to hear it. You know what I want to hear, Hilma.”

“Well—I forgive you,” she hazarded.

“That will do for a starter,” he answered. “But that\'s not IT.”

“Then, I don\'t know what.”

“Shall I say it for you?”

She hesitated a long minute, then:

“You mightn\'t say it right,” she replied.

“Trust me for that. Shall I say it for you, Hilma?”

“I don\'t know what you\'ll say.”

“I\'ll say what you are thinking of. Shall I say it?”

There was a very long pause. A goldfish rose to the surface of the little pond, with a sharp, rippling sound. The fog drifted overhead. There was nobody about.

“No,” said Hilma, at length. “I—I—I can say it for myself. I—” All at once she turned to him and put her arms around his neck. “Oh, DO you love me?” she cried. “Is it really true? Do you mean every word of it? And you are sorry and you WILL be good to me if I will be your wife? You will be my dear, dear husband?”

The tears sprang to Annixter\'s eyes. He took her in his arms and held her there for a moment. Never in his life had he felt so unworthy, so undeserving of this clean, pure girl who forgave him and trusted his spoken word and believed him to be the good man he could only wish to be. She was so far above him, so exalted, so noble that he should have bowed his forehead to her feet, and instead, she took him in her arms, believing him to be good, to be her equal. He could think of no words to say. The tears overflowed his eyes and ran down upon his cheeks. She drew away from him and held him a second at arm\'s length, looking at him, and he saw that she, too, had been crying.

“I think,” he said, “we are a couple of softies.”

“No, no,” she insisted. “I want to cry and want you to cry, too. Oh, dear, I haven\'t a handkerchief.”

“Here, take mine.”

They wiped each other\'s eyes like two children and for a long time sat in the deserted little Japanese pleasure house, their arms about each other, talking, talking, talking.

On the following Saturday they were married in an uptown Presbyterian church, and spent the week of their honeymoon at a small, family hotel on Sutter Street. As a matter of course, they saw the sights of the city together. They made the inevitable bridal trip to the Cliff House and spent an afternoon in the grewsome and made-to-order beauties of Sutro\'s Gardens; they went through Chinatown, the Palace Hotel, the park museum—where Hilma resolutely refused to believe in the Egyptian mummy—and they drove out in a hired hack to the Presidio and the Golden Gate.

On the sixth day of their excursions, Hilma abruptly declared they had had enough of “playing out,” and must be serious and get to work.

This work was nothing less than the buying of the furniture and appointments for the rejuvenated ranch house at Quien Sabe, where they were to live. Annixter had telegraphed to his overseer to have the building repainted, replastered, and reshingled and to empty the rooms of everything but the telephone and safe. He also sent instructions to have the dimensions of each room noted down and the result forwarded to him. It was the arrival of these memoranda that had roused Hilma to action.

Then ensued a most delicious week. Armed with formidable lists, written by Annixter on hotel envelopes, they two descended upon the department stores of the city, the carpet stores, the furniture stores. Right and left they bought and bargained, sending each consignment as soon as purchased to Quien Sabe. Nearly an entire car load of carpets, curtains, kitchen furniture, pictures, fixtures, lamps, straw matting, chairs, and the like were sent down to the ranch, Annixter making a point that their new home should be entirely equipped by San Francisco dealers.

The furnishings of the bedroom and sitting-room were left to the very last. For the former, Hilma bought a “set” of pure white enamel, three chairs, a washstand and bureau, a marvellous bargain of thirty dollars, discovered by wonderful accident at a “Friday Sale.” The bed was a piece by itself, bought elsewhere, but none the less a wonder. It was of brass, very brave and gay, and actually boasted a canopy! They bought it complete, just as it stood in the window of the department store and Hilma was in an ecstasy over its crisp, clean, muslin curtains, spread, and shams. Never was there such a bed, the luxury of a princess, such a bed as she had dreamed about her whole life.

Next the appointments of the sitting-room occupied her—since Annixter, himself, bewildered by this astonishing display, unable to offer a single suggestion himself, merely approved of all she bought. In the sitting-room was to be a beautiful blue and white paper, cool straw matting, set off with white wool rugs, a stand of flowers in the window, a globe of goldfish, rocking chairs, a sewing machine, and a great, round centre table of yellow oak whereon should stand a lamp covered with a deep shade of crinkly red tissue paper. On the walls were to hang several pictures—lovely affairs, photographs from life, all properly tinted—of choir boys in robes, with beautiful eyes; pensive young girls in pink gowns, with flowing yellow hair, drooping over golden harps; a coloured reproduction of “Rouget de Lisle, Singing the Marseillaise,” and two “pieces” of wood carving, representing a quail and a wild duck, hung by one leg in the midst of game bags and powder horns,—quite masterpieces, both.

At last everything had been bought, all arrangements made, Hilma\'s trunks packed with her new dresses, and the tickets to Bonneville bought.

“We\'ll go by the Overland, by Jingo,” declared Annixter across the table to his wife, at their last meal in the hotel where they had been stopping; “no way trains or locals for us, hey?”

“But we reach Bonneville at SUCH an hour,” protested Hilma. “Five in the morning!”

“Never mind,” he declared, “we\'ll go home in PULLMAN\'S, Hilma. I\'m not going to have any of those slobs in Bonneville say I didn\'t know how to do the thing in style, and we\'ll have Vacca meet us with the team. No, sir, it is Pullman\'s or nothing. When it comes to buying furniture, I don\'t shine, perhaps, but I know what\'s due my wife.”

He was obdurate, and late one afternoon the couple boarded the Transcontinental (the crack Overland Flyer of the Pacific and Southwestern) at the Oakland mole. Only Hilma\'s parents were there to say good-bye. Annixter knew that Magnus and Osterman were in the city, but he had laid his plans to elude them. Magnus, he could trust to be dignified, but that goat Osterman, one could never tell what he would do next. He did not propose to start his journey home in a shower of rice. Annixter marched down the line of cars, his hands encumbered with wicker telescope baskets, satchels, and valises, his tickets in his mouth, his hat on wrong side foremost, Hilma and her parents hurrying on behind him, trying to keep up. Annixter was in a turmoil of nerves lest something should go wrong; catching a train was always for him a little crisis. He rushed ahead so furiously that when he had found his Pullman he had lost his party. He set down his valises to mark the place and charged back along the platform, waving his arms.

“Come on,” he cried, when, at length, he espied the others. “We\'ve no more time.”

He shouldered and urged them forward to where he had set his valises, only to find one of them gone. Instantly he raised an outcry. Aha, a fine way to treat passengers! There was P. and S. W. management for you. He would, by the Lord, he would—but the porter appeared in the vestibule of the car to placate him. He had already taken his valises inside.

Annixter would not permit Hilma\'s parents to board the car, declaring that the train might pull out any moment. So he and his wife, following the porter down the narrow passage by the stateroom, took their places and, raising the window, leaned out to say good-bye to Mr. and Mrs. Tree. These latter would not return to Quien Sabe. Old man Tree had found a business chance awaiting him in the matter of supplying his relative\'s hotel with dairy products. But Bonneville was not too far from San Francisco; the separation was by no means final.

The porters began taking up the steps that stood by the vestibule of each sleeping-car.

“Well, have a good time, daughter,” observed her father; “and come up to see us whenever you can.”

From beyond the enclosure of the depot\'s reverberating roof came the measured clang of a bell.

“I guess we\'re off,” cried Annixter. “Good-bye, Mrs. Tree.”

“Remember your promise, Hilma,” her mother hastened to exclaim, “to write every Sunday afternoon.”

There came a prolonged creaking and groan of straining wood and iron work, all along the length of the train. They all began to cry their good-byes at once. The train stirred, moved forward, and gathering slow headway, rolled slowly out into the sunlight. Hilma leaned out of the window and as long as she could keep her mother in sight waved her handkerchief. Then at length she sat back in her seat and looked at her husband.

“Well,” she said.

“Well,” echoed Annixter, “happy?” for the tears rose in her eyes.

She nodded energetically, smiling at him bravely.

“You look a little pale,” he declared, frowning uneasily; “feel well?”

“Pretty well.”

Promptly he was seized with uneasiness. “But not ALL well, hey? Is that it?”

It was true that Hilma had felt a faint tremour of seasickness on the ferry-boat coming from the city to the Oakland mole. No doubt a little nausea yet remained with her. But Annixter refused to accept this explanation. He was distressed beyond expression.

“Now you\'re going to be sick,” he cried anxiously.

“No, no,” she protested, “not a bit.”

“But you said you didn\'t feel very well. Where is it you feel sick?”

“I don\'t know. I\'m not sick. Oh, dear me, why will you bother?”

“Headache?”

“Not the least.”

“You feel tired, then. That\'s it. No wonder, the way rushed you \'round to-day.”

“Dear, I\'m NOT tired, and I\'m NOT sick, and I\'m all RIGHT.”

“No, no; I can tell. I think we\'d best have the berth made up and you lie down.”

“That would be perfectly ridiculous.”

“Well, where is it you feel sick? Show me; put your hand on the place. Want to eat something?”

With elaborate minuteness, he cross-questioned her, refusing to let the subject drop, protesting that she had dark circles under her eyes; that she had grown thinner.

“Wonder if there\'s a doctor on board,” he murmured, looking uncertainly about the car. “Let me see your tongue. I know—a little whiskey is what you want, that and some pru——”

“No, no, NO,” she exclaimed. “I\'m as well as I ever was in all my life. Look at me. Now, tell me, do l look likee a sick lady?”

He scrutinised her face distressfully.

“Now, don\'t I look the picture of health?” she challenged.

“In a way you do,” he began, “and then again——”

Hilma beat a tattoo with her heels upon the floor, shutting her fists, the thumbs tucked inside. She closed her eyes, shaking her head energetically.

“I won\'t listen, I won\'t listen, I won\'t listen,” she cried.

“But, just the same——”

“Gibble—gibble—gibble,” she mocked. “I won\'t Listen, I won\'t listen.” She put a hand over his mouth. “Look, here\'s the dining-car waiter, and the first call for supper, and your wife is hungry.”

They went forward and had supper in the diner, while the long train, now out upon the main line, settled itself to its pace, the prolonged, even gallop that it would hold for the better part of the week, spinning out the miles as a cotton spinner spins thread.

It was already dark when Antioch was left behind. Abruptly the sunset appeared to wheel in the sky and readjusted itself to the right of the track behind Mount Diablo, here visible almost to its base. The train had turned southward. Neroly was passed, then Brentwood, then Byron. In the gathering dusk, mountains began to build themselves up on either hand, far off, blocking the horizon. The train shot forward, roaring. Between the mountains the land lay level, cut up into farms, ranches. These continually grew larger; growing wheat began to appear, billowing in the wind of the train\'s passage. The mountains grew higher, the land richer, and by the time the moon rose, the train was well into the northernmost limits of the valley of the San Joaquin.

Annixter had engaged an entire section, and after he and his wife went to bed had the porter close the upper berth. Hilma sat up in bed to say her prayers, both hands over her face, and then kissing Annixter good-night, went to sleep with the directness of a little child, holding his hand in both her own.

Annixter, who never could sleep on the train, dozed and tossed and fretted for hours, consulting his watch and time-table whenever there was a stop; twice he rose to get a drink of ice water, and between whiles was forever sitting up in the narrow berth, stretching himself and yawning, murmuring with uncertain relevance:

“Oh, Lord! Oh-h-h LORD!”

There were some dozen other passengers in the car—a lady with three children, a group of school-teachers, a couple of drummers, a stout gentleman with whiskers, and a well-dressed young man in a plaid travelling cap, whom Annixter had observed before supper time reading Daudet\'s “Tartarin” in the French.

But by nine o\'clock, all these people were in their berths. Occasionally, above the rhythmic rumble of the wheels, Annixter could hear one of the lady\'s children fidgeting and complaining. The stout gentleman snored monotonously in two notes, one a rasping bass, the other a prolonged treble. At intervals, a brakeman or the passenger conductor pushed down the aisle, between the curtains, his red and white lamp over his arm. Looking out into the car Annixter saw in an end section where the berths had not been made up, the porter, in his white duck coat, dozing, his mouth wide open, his head on his shoulder.

The hours passed. Midnight came and went. Annixter, checking off the stations, noted their passage of Modesto, Merced, and Madeira. Then, after another broken nap, he lost count. He wondered where they were. Had they reached Fresno yet? Raising the window curtain, he made a shade with both hands on either side of his face and looked out. The night was thick, dark, clouded over. A fine rain was falling, leaving horizontal streaks on the glass of the outside window. Only the faintest grey blur indicated the sky. Everything else was impenetrable blackness.

“I think sure we must have passed Fresno,” he muttered. He looked at his watch. It was about half-past three. “If we have passed Fresno,” he said to himself, “I\'d better wake the little girl pretty soon. She\'ll need about an hour to dress. Better find out for sure.”

He drew on his trousers and shoes, got into his coat, and stepped out into the aisle. In the seat that had been occupied by the porter, the Pullman conductor, his cash box and car-schedules before him, was checking up his berths, a blue pencil behind his ear.

“What\'s the next stop, Captain?” inquired Annixter, coming up. “Have we reached Fresno yet?”

“Just passed it,” the other responded, looking at Annixter over his spectacles.

“What\'s the next stop?”

“Goshen. We will be there in about forty-five minutes.”

“Fair black night, isn\'t it?”

“Black as a pocket. Let\'s see, you\'re the party in upper and lower 9.”

Annixter caught at the back of the nearest seat, just in time to prevent a fall, and the conductor\'s cash box was shunted off the surface of the plush seat and came clanking to the floor. The Pintsch lights overhead vibrated with blinding rapidity in the long, sliding jar that ran through the train from end to end, and the momentum of its speed suddenly decreasing, all but pitched the conductor from his seat. A hideous ear-splitting rasp made itself heard from the clamped-down Westinghouse gear underneath, and Annixter knew that the wheels had ceased to revolve and that the train was sliding forward upon the motionless flanges.

“Hello, hello,” he exclaimed, “what\'s all up now?”

“Emergency brakes,” declared the conductor, catching up his cash box and thrusting his papers and tickets into it. “Nothing much; probably a cow on the track.”

He disappeared, carrying his lantern with him.

But the other passengers, all but the stout gentleman, were awake; heads were thrust from out the curtains, and Annixter, hurrying back to Hilma, was assailed by all manner of questions.

“What was that?”

“Anything wrong?”

“What\'s up, anyways?”

Hilma was just waking as Annixter pushed the curtain aside.

“Oh, I was so frightened. What\'s the matter, dear?” she exclaimed.

“I don\'t know,” he answered. “Only the emergency brakes. Just a cow on the track, I guess. Don\'t get scared. It isn\'t anything.”

But with a final shriek of the Westinghouse appliance, the train came to a definite halt.

At once the silence was absolute. The ears, still numb with the long-continued roar of wheels and clashing iron, at first refused to register correctly the smaller noises of the surroundings. Voices came from the other end of the car, strange and unfamiliar, as though heard at a great distance across the water. The stillness of the night outside was so profound that the rain, dripping from the car roof upon the road-bed underneath, was as distinct as the ticking of a clock.

“Well, we\'ve sure stopped,” observed one of the drummers.

“What is it?” asked Hilma again. “Are you sure there\'s nothing wrong?”

“Sure,” said Annixter. Outside, underneath their window, they heard the sound of hurried footsteps crushing into the clinkers by the side of the ties. They passed on, and Annixter heard some one in the distance shout:

“Yes, on the other side.”

Then the door at the end of their car opened and a brakeman with a red beard ran down the aisle and out upon the platform in front. The forward door closed. Everything was quiet again. In the stillness the fat gentleman\'s snores made themselves heard once more.

The minutes passed; nothing stirred. There was no sound but the dripping rain. The line of cars lay immobilised and inert under the night. One of the drummers, having stepped outside on the platform for a look around, returned, saying:

“There sure isn\'t any station anywheres about and no siding. Bet you they have had an accident of some kind.”

“Ask the porter.”

“I did. He don\'t know.”

“Maybe they stopped to take on wood or water, or something.”

“Well, they wouldn\'t use the emergency brakes for that, would they? Why, this train stopped almost in her own length. Pretty near slung me out the berth. Those were the emergency brakes. I heard some one say so.”

From far out towards the front of the train, near the locomotive, came the sharp, incisive report of a revolver; then two more almost simultaneously; then, after a long interval, a fourth.

“Say, that\'s SHOOTING. By God, boys, they\'re shooting. Say, this is a hold-up.”

Instantly a white-hot excitement flared from end to end of the car. Incredibly sinister, heard thus in the night, and in the rain, mysterious, fearful, those four pistol shots started confusion from out the sense of security like a frightened rabbit hunted from her burrow. Wide-eyed, the passengers of the car looked into each other\'s faces. It had come to them at last, this, they had so often read about. Now they were to see the real thing, now they were to face actuality, face this danger of the night, leaping in from out the blackness of the roadside, masked, armed, ready to kill. They were facing it now. They were held up.

Hilma said nothing, only catching Annixter\'s hand, looking squarely into his eyes.

“Steady, little girl,” he said. “They can\'t hurt you. I won\'t leave you. By the Lord,” he suddenly exclaimed, his excitement getting the better of him for a moment. “By the Lord, it\'s a hold-up.”

The school-teachers were in the aisle of the car, in night gown, wrapper, and dressing sack, huddled together like sheep, holding on to each other, looking to the men, silently appealing for protection. Two of them were weeping, white to the lips.

“Oh, oh, oh, it\'s terrible. Oh, if they only won\'t hurt me.”

But the lady with the children looked out from her berth, smiled reassuringly, and said:

“I\'m not a bit frightened. They won\'t do anything to us if we keep quiet. I\'ve my watch and jewelry all ready for them in my little black bag, see?”

She exhibited it to the passengers. Her children were all awake. They were quiet, looking about them with eager faces, interested and amused at this surprise. In his berth, the fat gentleman with whiskers snored profoundly.

“Say, I\'m going out there,” suddenly declared one of the drummers, flourishing a pocket revolver.

His friend caught his arm.

“Don\'t make a fool of yourself, Max,” he said.

“They won\'t come near us,” observed the well-dressed young man; “they are after the Wells-Fargo box and the registered mail. You won\'t do any good out there.”

But the other loudly protested. No; he was going out. He didn\'t propose to be buncoed without a fight. He wasn\'t any coward.

“Well, you don\'t go, that\'s all,” said his friend, angrily. “There\'s women and children in this car. You ain\'t going to draw the fire here.”

“Well, that\'s to be thought of,” said the other, allowing himself to be pacified, but still holding his pistol.

“Don\'t let him open that window,” cried Annixter sharply from his place by Hilma\'s side, for the drummer had made as if to open the sash in one of the sections that had not been made up.

“Sure, that\'s right,” said the others. “Don\'t open any windows. Keep your head in. You\'ll get us all shot if you aren\'t careful.”

However, the drummer had got the window up and had leaned out before the others could interfere and draw him away.

“Say, by jove,” he shouted, as he turned back to the car, “our engine\'s gone. We\'re standing on a curve and you can see the end of the train. She\'s gone, I tell you. Well, look for yourself.”

In spite of their precautions, one after another, his friends looked out. Sure enough, the train was without a locomotive.

“They\'ve done it so we can\'t get away,” vociferated the drummer with the pistol. “Now, by jiminy-Christmas, they\'ll come through the cars and stand us up. They\'ll be in here in a minute. LORD! WHAT WAS THAT?”

From far away up the track, apparently some half-mile ahead of the train, came the sound of a heavy explosion. The windows of the car vibrated with it.

“Shooting again.”

“That isn\'t shooting,” exclaimed Annixter. “They\'ve pulled the express and mail car on ahead with the engine and now they are dynamiting her open.”

“That must be it. Yes, sure, that\'s just what they are doing.”

The forward door of the car opened and closed and the school-teachers shrieked and cowered. The drummer with the revolver faced about, his eyes bulging. However, it was only the train conductor, hatless, his lantern in his hand. He was soaked with rain. He appeared in the aisle.

“Is there a doctor in this car?” he asked.

Promptly the passengers surrounded him, voluble with questions. But he was in a bad temper.

“I don\'t know anything more than you,” he shouted angrily. “It was a hold-up. I guess you know that, don\'t you? Well, what more do you want to know? I ain\'t got time to fool around. They cut off our express car and have cracked it open, and they shot one of our train crew, that\'s all, and I want a doctor.”

“Did they shoot him—kill him, do you mean?”

“Is he hurt bad?”

“Did the men get away?”

“Oh, shut up, will you all?” exclaimed the conductor.

“What do I know? Is there a DOCTOR in this car, that\'s what I want to know?”

The well-dressed young man stepped forward.

“I\'m a doctor,” he said. “Well, come along then,” returned the conductor, in a surly voice, “and the passengers in this car,” he added, turning back at the door and nodding his head menacingly, “will go back to bed and STAY there. It\'s all over and there\'s nothing to see.”

He went out, followed by the young doctor.

Then ensued an interminable period of silence. The entire train seemed deserted. Helpless, bereft of its engine, a huge, decapitated monster it lay, half-way around a curve, rained upon, abandoned.

There was more fear in this last condition of affairs, more terror in the idea of this prolonged line of sleepers, with their nickelled fittings, their plate glass, their upholstery, vestibules, and the like, loaded down with people, lost and forgotten in the night and the rain, than there had been when the actual danger threatened.

What was to become of them now? Who was there to help them? Their engine was gone; they were helpless. What next was to happen?

Nobody came near the car. Even the porter had disappeared. The wait seemed endless, and the persistent snoring of the whiskered gentleman rasped the nerves like the scrape of a file.

“Well, how long are we going to stick here now?” began one of the drummers. “Wonder if they hurt the engine with their dynamite?”

“Oh, I know they will come through the car and rob us,” wailed the school-teachers.

The lady with the little children went back to bed, and Annixter, assured that the trouble was over, did likewise. But nobody slept. From berth to berth came the sound of suppressed voices talking it all over, formulating conjectures. Certain points seemed to be settled upon, no one knew how, as indisputable. The highwaymen had been four in number and had stopped the train by pulling the bell cord. A brakeman had attempted to interfere and had been shot. The robbers had been on the train all the way from San Francisco. The drummer named Max remembered to have seen four “suspicious-looking characters” in the smoking-car at Lathrop, and had intended to speak to the conductor about them. This drummer had been in a hold-up before, and told the story of it over and over again.

At last, after what seemed to have been an hour\'s delay, and when the dawn had already begun to show in the east, the locomotive backed on to the train again with a reverberating jar that ran from car to car. At the jolting, the school-teachers screamed in chorus, and the whiskered gentleman stopped snoring and thrust his head from his curtains, blinking at the Pintsch lights. It appeared that he was an Englishman.

“I say,” he asked of the drummer named Max, “I say, my friend, what place is this?”

The others roared with derision.

“We were HELD UP, sir, that\'s what we were. We were held up and you slept through it all. You missed the show of your life.”

The gentleman fixed the group with a prolonged gaze. He said never a word, but little by little he was convinced that the drummers told the truth. All at once he grew wrathful, his face purpling. He withdrew his head angrily, buttoning his curtains together in a fury. The cause of his rage was inexplicable, but they could hear him resettling himself upon his pillows with exasperated movements of his head and shoulders. In a few moments the deep bass and shrill treble of his snoring once more sounded through the car.

At last the train got under way again, with useless warning blasts of the engine\'s whistle. In a few moments it was tearing away through the dawn at a wonderful speed, rocking around curves, roaring across culverts, making up time.

And all the rest of that strange night the passengers, sitting up in their unmade beds, in the swaying car, lighted by a strange mingling of pallid dawn and trembling Pintsch lights, rushing at break-neck speed through the misty rain, were oppressed by a vision of figures of terror, far behind them in the night they had left, masked, armed, galloping toward the mountains pistol in hand, the booty bound to the saddle bow, galloping, gal............