Our endeavor to state the general characteristics of the American mind has already given us some indication of what Americans really care for. The things or the qualities which they like, the objects of their conscious or unconscious striving, are their ideals. "There is what I call the American idea," said Theodore Parker in the Anti-Slavery Convention of 1850. "This idea demands, as the proximate organization thereof, a democracy—that is, a government of all the people, by all the people, for all the people; of course, a government on the principle of eternal justice, the unchanging law of God; for shortness\' sake, I will call it the idea of Freedom." That is one of a thousand definitions of American idealism. Books devoted to the "Spirit of America"—like the volume by Henry van Dyke which bears that very title—give a programme of[Pg 87] national accomplishments and aspirations. But our immediate task is more specific. It is to point out how adequately this idealistic side of the national temperament has been expressed in American writing. Has our literature kept equal pace with our thinking and feeling?

We do not need, in attempting to answer this question, any definition of idealism, in its philosophical or in its more purely literary sense. There are certain fundamental human sentiments which lift men above brutes, Frenchmen above "frog-eaters," and Englishmen above "shop-keepers." These ennobling sentiments or ideals, while universal in their essential nature, assume in each civilized nation a somewhat specific coloring. The national literature reveals the myriad shades and hues of private and public feeling, and the more truthful this literary record, the more delicate and noble become the harmonies of local and national thought or emotion with the universal instincts and passions of mankind. On the other hand, when the literature of Spain, for instance, or of Italy, fails, within a given period, in range and depth of human interest, we are compelled to believe either that the Spain or[Pg 88] Italy of that age was wanting in the nobler ideals, or that it lacked literary interpretation.

In the case of America we are confronted by a similar dilemma. Since the beginning of the seventeenth century this country has been, in a peculiar sense, the home of idealism; but our literature has remained through long periods thin and provincial, barren in cosmopolitan significance; and the hard fact faces us to-day that only three or four of our writers have aroused any strong interest in the cultivated readers of continental Europe. Evidently, then, either the torch of American idealism does not burn as brightly as we think, or else our writers, with but few exceptions, have not hitherto possessed the height and reach and grasp to hold up the torch so that the world could see it. Let us look first at the flame, and then at the torch-bearers.

Readers of Carlyle have often been touched by the humility with which that disinherited child of Calvinism speaks of Goethe\'s doctrine of the "Three Reverences," as set forth in Wilhelm Meister. Again and again, in his correspondence and his essays, does Carlyle recur to that teaching of the threefold Reverence:[Pg 89] Reverence for what is above us, for what is around us and for what is under us; that is to say, the ethnic religion which frees us from debasing fear, the philosophical religion which unites us with our comrades, and the Christian religion which recognizes humility and poverty and suffering as divine.

"To which of these religions do you specially adhere?" inquired Wilhelm.

"To all the three," replied the sages; "for in their union they produce what may properly be called the true Religion. Out of those three Reverences springs the highest Reverence, Reverence for Oneself."

An admirable symbolism, surely; vaguer, no doubt, than the old symbols which Carlyle had learned in the Kirk at Ecclefechan, but less vague, in turn, than that doctrine of reverence for the Oversoul, which was soon to be taught at Concord.

As one meditates upon the idealism of the first colonists in America, one is tempted to ask what their "reverences" were. Toward what tangible symbols of the invisible did their eyes instinctively turn?

For New England, at least, the answer is[Pg 90] relatively simple. One form of it is contained in John Adams\'s well-known prescription for Virginia, as recorded in his Diary for July 21, 1786. "Major Langbourne dined with us again. He was lamenting the difference of character between Virginia and New England. I offered to give him a receipt for making a New England in Virginia. He desired it; and I recommended to him town-meetings, training-days, town-schools, and ministers."

The "ministers," it will be noticed, come last on the Adams list. But the order of precedence is unimportant.

Here are four symbols, or, if you like, "reverences." Might not the Virginia planters, loyal to their own specific symbol of the "gentleman,"—no unworthy ideal, surely; one that had been glorified in European literature ever since Castiligione wrote his Courtier, and one that had been transplanted from England to Virginia as soon as Sir Walter Raleigh\'s men set foot on the soil which took its name from the Virgin Queen,—might not the Virginia gentlemen have pondered to their profit over the blunt suggestion of the Massachusetts commoner? No doubt; and yet how much picturesqueness[Pg 91] and nobility—and tragedy, too—we should have missed, if our history had not been full of these varying symbols, clashing ideals, different Reverences!

One Reverence, at least, was common to the Englishman of Virginia and to the Englishman of Plymouth and Massachusetts Bay. They were joint heirs of the Reformation, children of that waxing and puissant England which was a nation of one book, the Bible; a book whose phrases color alike the Faerie Queen of Spenser and the essays of Francis Bacon; a book rich beyond all others in human experience; full of poetry, history, drama; the test of conduct; the manual of devotion; and above all, and blinding all other considerations by the very splendor of the thought, a book believed to be the veritable Word of the unseen God. For these colonists in the wilderness, as for the Protestant Europe which they had left irrevocably behind them, the Bible was the plainest of all symbols of idealism: it was the first of the "Reverences."

The Church was a symbol likewise, but to the greater portion of colonial America the Church meant chiefly the tangible band of[Pg 92] militant believers within the limits of a certain township or parish, rather than the mystical Bride of Christ. Except in Maryland and Virginia, whither the older forms of Church worship were early transplanted, there was scanty reverence for the Establishment. There was neither clergyman nor minister on board the Mayflower. In Rufus Choate\'s oration on the Pilgrims before the New England Society of New York in 1843, occurred the famous sentence about "a church without a bishop and a state without a King"; to which Dr. Wainwright, rector of St. John\'s, replied wittily at the dinner following the oration that there "can be no church without a bishop." This is perhaps a question for experts; but Thomas Hooker, Thomas Shepard, and John Cotton would have sided with Rufus Choate. The awe which had once been paid to the Establishment was transferred, in the seventeenth-century New England, to the minister. The minister imposed himself upon the popular imagination, partly through sheer force of personal ascendency, and partly as a symbol of the theocracy,—the actual governing of the Commonwealth by the laws and spirit of the sterner Scriptures.[Pg 93] The minister dwelt apart as upon an awful Sinai. It was no mere romantic fancy of Hawthorne that shadowed his countenance with a black veil. The church organization, too,—though it may have lacked its bishop,—had a despotic power over its communicants; to be cast out of its fellowship involved social and political consequences comparable to those following excommunication by the Church of Rome. Hawthorne and Whittier and Longfellow—all of them sound antiquarians, though none of them in sympathy with the theology of Puritanism—have described in fit terms the bareness of the New England meeting-house. What intellectual severity and strain was there; what prodigality of learning; what blazing intensity of devotion; what pathos of women\'s patience, and of children, prematurely old, stretched upon the rack of insoluble problems! What dramas of the soul were played through to the end in those barn-like buildings, where the musket, perhaps, stood in the corner of the pew! "How aweful is this place!" must have been murmured by the lips of all; though there were many who have added, "This is the gate of Heaven."[Pg 94]

The gentler side of colonial religion is winningly portrayed in Whittier\'s Pennsylvania Pilgrim and in his imaginary journal of Margaret Smith. There were sunnier slopes, warmer exposures for the ripening of the human spirit, in the Southern colonies. Even in New England there was sporadic revolt from the beginning. The number of non-church-members increased rapidly after 1700; Franklin as a youth in Boston admired Cotton Mather\'s ability, but he did not go to church, "Sunday being my studying day." Doubtless there were always humorous sceptics like Mrs. Stowe\'s delightful Sam Lawson in Oldtown Folks. Lawson\'s comment on Parson Simpson\'s service epitomizes two centuries of New England thinking. "Wal," said Sam, "Parson Simpson\'s a smart man; but I tell ye, it\'s kind o\' discouragin\'. Why, he said our state and condition by natur was just like this. We was clear down in a well fifty feet deep, and the sides all round nothin\' but glare ice; but we was under immediate obligations to get out, \'cause we was free, voluntary agents. But nobody ever had got out, and nobody would, unless the Lord reached down and took \'em. And whether he would or not[Pg 95] nobody could tell; it was all sovereignty. He said there wan\'t one in a hundred, not one in a thousand,—not one in ten thousand,—that would be saved. Lordy massy, says I to myself, ef that\'s so they\'re any of \'em welcome to my chance. And so I kind o\' ris up and come out."

Mrs. Stowe\'s novel is fairly representative of a great mass of derivative literature which draws its materials from the meeting-house period of American history. But the direct literature of that period has passed almost wholly into oblivion. Jonathan Edwards had one of the finest minds of his century; no European standard of comparison is too high for him; he belongs with Pascal, with Augustine, if you like, with Dante. But his great treatises written in the Stockbridge woods are known only to a few technical students of philosophy. One terrible sermon, preached at Enfield in 1741, is still read by the curious; but scarcely anybody knows of the ineffable tenderness, dignity, and pathos of his farewell sermon to his flock at Northampton: and the Yale Library possesses nearly twelve hundred of Edwards\'s sermons which have never been printed at all. Nor does anybody, save here and there an antiquarian, read[Pg 96] Shepard and Hooker and Mayhew. And yet these preachers and their successors furnished the emotional equivalents of great prose and verse to generations of men. "That is poetry," says Professor Saintsbury (in a dangerous latitudinarianism, perhaps!), "which gives the reader the feeling of poetry." Here we touch one of the fundamental characteristics of our national state of mind, in its relation to literature. We are careless of form and type, yet we crave the emotional stimulus. Milton, greatest of Puritan poets, was read and quoted all too seldom in the Puritan colonies, and yet those colonists were no strangers to the emotions of sublimity and awe and beauty. They found them in the meeting-house instead of in a book; precisely as, in a later day, millions of Americans experienced what was for them the emotional equivalent of poetry in the sermons of Henry Ward Beecher and Phillips Brooks. French pulpit oratory of the seventeenth century wins recognition as a distinct type of literature; its great practitioners, like Massillon, Bourdaloue, Bossuet, are appraised in all the histories of the national literature and in books devoted to the evolution of literary species. In[Pg 97] the American colonies the great preachers performed the functions of men of letters without knowing it. They have been treated with too scant respect in the histories of American literature. It is one of the penalties of Protestantism that the audiences, after a while, outgrow the preacher. The development of the historic sense, of criticism, of science, makes an impassable gulf between Jonathan Edwards and the American churches of the twentieth century. A sense of profound changes in theology has left our contemporaries indifferent to the literature in which the old theology was clothed.

There is one department of American literary production, of which Bossuet\'s famous sermon on Queen Henrietta Maria of England may serve to remind us, which illustrates significantly the national idealism. I mean the commemorative oration. The addresses upon the Pilgrim Fathers by such orators as Everett, Webster, and Choate; the countless orations before such organizations as the New England Society of New York and the Phi Beta Kappa; the papers read before historical and patriotic societies; the birthday and centenary discourses[Pg 98] upon national figures like Washington or Lincoln, have all performed, and are still performing, an inestimable service in stimulating popular loyalty to the idealism of the fathers. As literature, most of this production is derivative: we listen to eloquence about the Puritans, but we do not read the Puritans; the description of Arthur Dimmesdale\'s election sermon in The Scarlet Letter, moving as it may be, tempts no one to open the stout collections of election sermons in the libraries. Yet the original literature of medi?val chivalry is known only to a few scholars: Tennyson\'s Idylls outsell the Mabinogion and Malory. The actual world of literature is always shop-worn; a world chiefly of second-hand books, of warmed-over emotions and it is not surprising that many listeners to orations about Lincoln do not personally emulate Lincoln, and that many of the most enthusiastic dealers in the sentiment of the ancestral meeting-house do not themselves attend church.

The other ingredients of John Adams\'s ideal Commonwealth are no less significant of our national disposition. Take the school-house. It was planted in the wilderness for the training[Pg 99] of boys and girls and for a future "godly and learned ministry." The record of American education is a long story of idealism which has touched literature at every turn. The "red school-house" on the hill-top or at the cross-roads, the "log-colleges" in forgotten hamlets, the universities founded by great states, are all a record of the American faith—which has sometimes been called a fetich—in education. In its origin, it was a part of the essential programme of Calvinism to make a man able to judge for himself upon the most momentous questions; a programme, too, of that political democracy which lay embedded in the tenets of Calvinism, a democracy which believes and must continue to believe that an educated electorate can safeguard its own interests and train up its own leaders. The poetry of the American school-house was written long ago by Whittier, in describing Joshua Coffin\'s school under the big elm on the cross-road in East Haverhill; its humor and pathos and drama have been portrayed by innumerable story-writers and essayists. Mrs. Martha Baker Dunn\'s charming sketches, entitled "Cicero in Maine" and "Virgil in Maine," indicate the idealism once taught[Pg 100] in the old rural academies,—and it is taught there still. City men will stop wistfully on the street, in the first week of September, to watch the boys and girls go trudging off to their first day of school; men who believe in nothing else at least believe in that! And school and college and university remain, as in the beginning, the first garden-ground and the last refuge of literature.

That "town-meeting" which John Adams thought Virginia might do well to adopt has likewise become a symbol of American idealism. Together with the training-day, it represented the rights and duties and privileges of free men; the machinery of self-government. It was democracy, rather than "representative" government, under its purest aspect. Sentiments of responsibility to the town, the political unit, and to the Commonwealth, the group of units, were bred there. Likewise, it was a training-school for sententious speech and weighty action; its roots, as historians love to demonstrate, run back very far; and though the modern drift to cities has made its machinery ineffective in the larger communities, it remains a perpetual spring or feeding stream to the broader currents[Pg 101] of our national life. Without an understanding of the town-meeting and its equivalents, our political literature loses much of its significance. Like the school-house and meeting-house, it has become glorified by our men of letters. John Fiske and other historians have celebrated it in some of the most brilliant pages of our political writing; and that citizen literature, so deeply characteristic of us, found in the plain, forthright, and public-spirited tone of town-meeting discussions its keynote. The spectacular debates of our national history, the dramatic contests in the great arena of the Senate Chamber, the discussions before huge popular audiences in the West, have maintained the civic point of view, have developed and dignified and enriched the prose style first employed by American freemen in deciding their local affairs in the presence of their neighbors. "I am a part of this people," said Lincoln proudly in one of his famous debates of 1858; "I was raised just a little east of here"; and this nearness to the audience, this directness and simplicity and genuineness of our best political literature, its homely persuasiveness and force, is an inheritance of the town-meeting.[Pg 102]

Bible and meeting-house, school-house and town-meeting, thus illustrate concretely the responsiveness of the American character to idealistic impulses. They are external symbols of a certain state of mind. It may indeed be urged that they are primarily signs of a moral and social or institutional trend, and are therefore non-literary evidence of American idealism. Nevertheless, institutional as they may be deemed, they lie close to that poetry of daily duty in which our literature has not been poor. They are fundamentally related to that attitude of mind, that habitual temper of the spirit, which has produced, in all countries of settled use and wont, the literature of idealism. Brunetière said of Flaubert\'s most famous woman character that poor Emma Bovary, the prey and the victim of Romantic desires, was after all much like the rest of us except that she lacked the intelligence to perceive the charm and poetry of the daily task. We have already touched upon the purely romantic side of American energy and of American imagination, and we must shortly look more closely still at those impulses of daring, those moods of heightened feeling, that intensified individualism,[Pg 103] the quest of strangeness and terror and wild beauty, which characterize our romantic writing. But this romanticism is, as it were, a segment of the larger circle of idealism. It is idealism accentuated by certain factors, driven to self-expression by the passions of scorn or of desire; it exceeds, in one way or another, the normal range of experience and emotion. Our romantic American literature is doubtless our greatest. And yet some of the most characteristic tendencies of American writing are to be found in the poetry of daily experience, in the quiet accustomed light that falls upon one\'s own doorway and garden, in the immemorial charm of going forth to one\'s labor and returning in the evening,—poetry old as the world.

Let us see how this glow of idealism touches some of the more intimate aspects of human experience. "Out of the three Reverences," says Wilhelm Meister, "springs the highest Reverence, Reverence for Oneself." Open the pages of Hawthorne. Moving wholly within the framework of established institutions, with no desire to shatter the existing scheme of social order, choosing as its heroes men of the[Pg 104] meeting-house, town-meeting, and training-day, how intensely nevertheless does the imagination of this fiction-writer illuminate the Body and the Soul!

Take first the Body. The inheritance of English Puritanism may be traced throughout our American writing, in its reverence for physical purity. The result is something unique in literary history. Continental critics, while recognizing the intellectual and artistic powers revealed in The Scarlet Letter, have seldom realized the awfulness, to the Puritan mind, of the very thought of an adulterous minister. That a priest in southern Europe should break his vows is indeed scandalous; but the sin is regarded as a failure of the natural man to keep a vow requiring supernatural grace for its fulfilment; it may be that the priest had no vocation for his sacred office; he is unfrocked, punished, forgotten, yet a certain mantle of human charity still covers his offence. But in the Puritan scheme (and The Scarlet Letter, save for that one treacherous, warm human moment in the woodland where "all was spoken," lies wholly within the set framework of Puritanism) there is no forgiveness for a sin of the[Pg 105] flesh. There is only Law, Law stretching on into infinitude until the mind shudders at it. Hawthorne knew his Protestant New England through and through. The Scarlet Letter is the most striking example in our national literature of that idealization of physical purity, but hundreds of other romances and poems, less morbid if less great, assert in unmistakable terms the same moral conviction, the same ideal.

Yet, in spite of its theme, there was never a less adulterous novel than this book which plays so artistically with the letter A. The body is branded, is consumed, is at last, perhaps, transfigured by the intense rays of light emitted from the suffering soul.

    "The soul is form and doth the body make."

In this intense preoccupation with the Soul, Hawthorne\'s romance is in unison with the more mystical and spiritual utterances of Catholicism as well as of Protestantism. It was in part a resultant of that early American isolation which contributed so effectively to the artistic setting of The Scarlet Letter. But in his doctrine of spiritual integrity, in the agonized utterance, "Be true—be true!" as well as in[Pg 106] his reverence for purity of the body, our greatest romancer was typical of the imaginative literature of his countrymen. The restless artistic experiments of Poe presented the human body in many a ghastly and terrifying aspect of illness and decay, and distorted by all passions save one. His imagination was singularly sexless. Pathological students have pointed out the relation between this characteristic of Poe\'s writing, and his known tendencies toward opium-eating, alcoholism, and tuberculosis. But no such explanation is at hand to elucidate the absence of sexual passion from the novels of the masculine-minded Fenimore Cooper. One may say, indeed, that Cooper\'s novels, like Scott\'s, lack intensity of spiritual vision; that their tone is consonant with the views of a sound Church of England parson in the eighteenth century; and that the absence of physical passion, like the absence of purely spiritual insight, betrays a certain defect in Cooper\'s imaginative grasp and depth. But it is better criticism, after all, to remember that these three pioneers in American fiction-writing were composing for an audience in which Puritan traditions or tastes were predominant. Not one of the three men[Pg 107] but would have instantly sacrificed an artistic effect, legitimate in the eyes of Fielding or Goethe or Balzac, rather than—in the ............