E. Cartwright Jenkins, dramatic editor of the Star, was distinctly displeased with life as a whole and with humanity in general that morning. His professional dignity had been subjected to a series of frontal and flank attacks of great violence for nearly twenty-four hours and the final insult had been handed out by the managing editor who had just left the little cubby hole designated by a painted sign as the “dramatic department.”
E. Cartwright had read Jimmy’s oleaginous epistle three times at the breakfast table the morning before and had left his home in a fine glow of self-approval. In fancy he walked upon the misty mountain tops of high achievement until he reached the Star office and then he found himself hurled suddenly into the well known slough of despond. Billy Parsons, the advertising manager, who met him in the elevator, started it.
“Well, old man,” Billy, said laughingly, “I see they got to you for a home-run this morning with all the bases full.”
E. Cartwright had bristled at this and had expressed himself as not comprehending the esoteric significance of the allusion. Billy had then become more specific.
“They put it over on you,” he replied. “That press agent fellow with Olga Stephano, I mean.”
“Put it over on me?” the dramatic editor had returned. “I don’t exactly understand what you mean.”
“Say, old dear,” Billy had sarcastically responded, “it’s a worse case than I thought it was at first. You’d ought to see a doctor.”
E. Cartwright, who abhorred slang and those who used it, had become quite indignant at this and had insisted upon a clear explanation of what Billy Parsons meant. The latter gentleman obliged him with one. He pointed out, with great clarity, the trick that Jimmy Martin had played on the astute and dignified dramatic editor. He dwelt upon the number of times the name of Madame Stephano had been cunningly inserted into the correspondence and proved that the whole affair was a carefully calculated scheme for the exploitation of that lady.
The blinders of self-esteem having thus been torn from the eyes of the dramatic editor, that gentleman developed a decided distaste for further discussion of the subject and immured himself in his cramped office where he devoted himself to bitter rumination. Throughout the day his fellow laborers in the field of journalism seemed to take a malicious delight in playfully taunting him. On the way home for dinner he had met the dramatic editor of the rival Inquirer and that worthy had added to his fury by remarking, with a twinkle in his eye:
“That was a mighty interesting symposium on Stephano you ran this morning, Jenkins.”
At dinner he startled his sedate and shrinking wife by launching into a profane and pungent diatribe on the subject of press agents and announced his determination to start a nation-wide movement for their suppression and final extermination. He declared, in loud and ringing tones, that nothing but total annihilation of the entire tribe would at all satisfy his wishes in the matter.
The sting of the affair still rankled in his breast when he came down to the office on the following morning. When Nathan, the managing editor, looked in on him he was viciously assailing the dramatic page of a New York Sunday newspaper with a large pair of shears and wishing for a moment, as he clipped out items of theatrical information, that it was one Jimmy Martin instead of an innocent sheet of paper that he was attacking.
“Say, Jenkins,” Nathan remarked casually, “I’ve got a little request to make of your Miss Slosson who’s running this damned pie contest,—it closes today, you know,—is getting swamped downstairs and has sent out an S.O.S. to this floor for assistance. There’s nobody around yet but you. I wish you’d drop down there for an hour or so and give her a hand. Just as soon as one of the cubs show up I’ll send him down to relieve you.”
E. Cartwright reeled under this final blow to his dignity. The ends of his iron-grey walrus moustache dropped a full half inch as he looked up, bewildered.
“Pie contest—Miss Slosson,” he mumbled. “What could I possibly do in connection with that, or with her?”
“Oh, just help her and her assistant unwrap and tag some of the entries,” replied Nathan in a matter-of-fact tone, as he turned quickly to suppress a smile and hurried out of the tiny room.
E. Cartwright uttered a low moan expressive of profound and abysmal woe as he slipped on his coat and prepared to descend to Miss Slosson’s department.
Jimmy and his fellow conspirator found Miss Slosson in her office almost completely hidden by parcels containing pies. They did not notice E. Cartwright at first. That high authority on the spoken and written drama was in the throes of unutterable and indescribable mental anguish at a table fifty feet away untying innumerable bundles and humming a hymn of hate directed at newspaper work in general and soulless managing editors in particular.
The small colored boy, grunting under the weight of the wooden box, deposited the burden on the table.
“Oh, there you are, Mr. Martin,” gurgled Miss Slosson, coming forward and surveying the box with interest, “and what have we here?”
“That’s the little old pie I told you I’d have the madame send on,” replied Jimmy glibly. “She made a mistake and sent it to the theatre. It just came by express a half an hour ago right through from Chicago.”
“Isn’t that perfectly wonderful,” rhapsodized the pie editor. “What did dear Madame Stephano say when you spoke to her over the phone?”
Jimmy paused for a moment before he replied. He had caught a glimpse of the Star’s dramatic editor who had turned and was approaching them. He clutched Tom Wilson’s arm.
“What did she say,” he said abstractedly. “What did she say? Why she said—she said she’d turn down a Drama League luncheon and go right out in the kitchen and slip into a gingham apron, and believe me if you knew how much she thinks of the Drama League, you’d know that was some concession.”
E. Cartwright hadn’t seen them yet. He was apparently almost oblivious of his surroundings as he walked slowly towards Miss Slosson.
“I realize that,” the pie editor was saying. “She has a great, big, generous nature, I’m sure and to think of her being so domesticated, too. Oh, Mr. Martin, I suppose you know Mr. Jenkins, our dramatic editor. He’s kindly volunteered to help me in the closing hours of the contest.”
Jimmy straightened up and assumed his most ingratiating smile. He had met the distinguished critic only once, several years before, and he was fairly certain that he would not be remembered.
“I had the honor of an introduction several seasons ago,” he said suavely, “but it is possible that Mr. Jenkins does not recall me.”
............