The architect had a long time to wait in Wheeler\'s office that morning. The lawyer rarely came in before ten, so the stenographer said, looking suspiciously into the man\'s white, unshaven face. She knew Hart quite well, and she was wondering what was the matter with him—whether he was in trouble or had been on a spree overnight. He sat in one of the armchairs of the outer office provided for waiting clients, and, absorbed in his own thoughts, stared at the square of green carpet beneath his feet. When Wheeler finally entered, he threw a careless glance at the seated figure and said blankly:—
"Come in here!"
The lawyer opened the door to his little office, where he had confessed many a man, and without a word pointed to a chair beside his littered desk. Then he sat down and waited, examining the architect\'s face with his dispassionate eyes.
"Everett, I wanted to see you about something," Hart began. Then he stopped as though surprised by his own voice, which sounded far away, unfamiliar, and unused. The lawyer waited a moment for him to continue, and then he asked in his indifferent manner:—
"So you wanted to see me?"
"Yes, I want to tell you something," Jackson began again.
The lawyer wheeled toward his desk, and picked up a little silver letter-opener, which he fingered.
"About that fire?" he asked.
"Yes—that and other things."
Wheeler went to the door, closed it, and returning to his chair, wheeled his face away from his cousin.
"Well, what about it?"
"You know—you saw it in the papers—how the Glenmore burned? It was one of Graves\'s buildings, and I did the plans for him. Well, the newspapers were right; there was crooked work. The plans were all altered after they had been through the building department. Graves is in with the whole gang over there. He has all the inspectors in his pocket."
Then Hart paused again. He was not saying what he came there to tell. His mind seemed strangely unreliant and confused. While he stumbled, the frown on his cousin\'s face deepened into an ugly crease between the eyes. It said as plainly as words, "What in hell do you come here for, blabbing this to me?" Jackson, reading the look, caught himself and continued more steadily:—
"But I didn\'t come here to talk of the fire. It\'s about the school. Pemberton was right about that. It was crooked, too. I want to tell you what I know about that."
Wheeler put down the letter-opener and rested his chin on the tips of his fingers. The architect told his story slowly, without excitement, trying to give all the details and the exact figures, busying himself with being precise. The matter was complicated, and it led him to speak again of the hotel and of other affairs, of his entire connection with the contractor,—to tell the complete story of his business career in the city. The lawyer did not try to stop him, although his face betrayed no special interest or desire to comment.
"Well, the upshot of the matter is," Hart ended, "that I am through with the whole business, Everett. I am going to get out of it somehow and square what I can. And first, I wanted you to know the truth about the school, and to take this for the trustees."
He laid on the desk a large, fat envelope, which he had filled that morning from his safety deposit box.
"There\'s about thirty thousand there, in stocks and bonds and some land. I thought I wouldn\'t wait to put it into cash," he explained. "It\'s pretty nearly all I have got, Everett. Part of that stock in the Glenmore which Graves gave me represented my legitimate commission on the building, but I have put that in, too. You can force Graves to make good the rest. I can figure out for you what he should pay. And I\'ll do what I can to help you make him do the right thing. If you can\'t get hold of Graves, why, I\'m ready to give you my personal note for the rest and pay it as soon as I can."
Wheeler poked the envelope on the desk without taking it up.
"Conscience money?" he remarked slowly. "I don\'t want your wad. I wish you had chucked it in the river, done anything with it but brought it here, fixed that matter up once, didn\'t I?"
Hart was able to realize the contempt, the ironical humor, with which the lawyer\'s tone was charged, and his lips tightened. But he made no reply. After the experiences of the last two days he cared little for what his cousin might say or think. In some manner he had passed completely outside of the world where such matters counted. He was for the time dulled to all but a few considerations.
"Say," the lawyer iterated, "I thought we\'d closed that little matter for good. But I can tell you there\'s one person who\'ll be tickled," he laughed disgustedly. "And that\'s old Pemberton. He thought you were a scamp from the word go. Now he\'ll be well set up when the judge tells him this. He\'ll take an irreligious pleasure in it."
Jackson said nothing, and the two men faced each other sombrely. Finally the lawyer exclaimed:—
"So you lost your nerve!"
It had not presented itself to the architect in that way, and he winced perceptibly as he replied:—
"Well, you can call it that. And I guess that if you had seen those people dropping into that burning building, and known what I knew about the way it was put together— Well, what\'s the use of talking! I am done with the whole thing—done with it for good."
The lawyer eyed him sharply, unsympathetically, curious, in a cold manner, of the psychology of the man before him. Hart\'s sturdy body, which was a trifle inclined to fleshiness, seemed to have shrunken and to be loose in his clothes. The bones of his jaw came out heavily in his unshaven face, and below his eyes the skin was black, shading into gray. His tweed office suit was rumpled out of shape, and there were signs of the muddy roads on his trousers and boots. Usually so careful and tidy in dress, he seemed to have lost for once all consciousness of his appearance.
Wheeler had never felt much respect for his cousin as a young man. Then the lawyer considered him to be somewhat "light-weight," given to feminine interests in art and literature, feeling himself to be above his homely American environment. But since their uncle\'s death Jackson had won his approval by the practical ability he had shown in pushing his way in the Chicago world, in getting together a flourishing business, and making a success of his profession. Now that there was revealed to him the uncertain means by which this outward success had been obtained, he reverted easily to his earlier judgment. The man was really a light-weight, a weakling, he concluded. The lawyer despised weaklings; they made the real troubles in this life. He could not see to its depth the tragedy before him, even as the stern Pemberton might have seen it. He merely saw another nasty mess, a scandal that would probably get about the city, even if his cousin and the contractor escaped the Grand Jury for this Glenmore affair. He had little use for men who went wrong and "lost their nerve."
"Well," he said at last, "you needn\'t bother about that note just yet. You\'ll have troubles enough for one while, I expect. I suppose I shall have to take this, though,"—he tapped the fat envelope,—"and lay the matter before the trustees. I\'ll let you know what they decide to do."
"All right," Hart answered. As he did not rise immediately from his chair, the lawyer turned to his desk with an air of dismissal. When the architect at last got wearily to his feet, Wheeler asked, without looking up:—
"Have you seen that man Graves this morning?"
"No, I went to the bank and then came here the first thing."
"He was in here to see me late yesterday. He seemed afraid that you might split on him in this Glenmore business."
Hart listened, his eyes looking over his cousin\'s head far out through the office window, his mind concerned with other matters.
"Hadn\'t you better get out of the city for a few weeks?" the lawyer suggested casually. "Take a vacation. You seem to need a rest, bad. The papers\'ll quiet down after a while—they always do," he added explanatorily.
As a matter of fact, he had promised the contractor that he would do what he could to keep Hart from making any trouble. It was obviously best for the architect to be out of sight for the present, in some safe place where he could not be got at for awkward explanations.
"I\'ve been thinking of going away for a few days," Jackson replied slowly, a flush spreading over his pallid face. "I\'m going on to the Falls to see Helen. But I shan\'t hide, if that\'s what you mean. They can find me when they want me. And I shall be back before long, anyway."
Wheeler did not tell him that the coroner had already formed his jury, and that the first inquiry into the Glenmore fire was to begin the next day. If the architect had made up his mind to go to Vermont, it was just as well that he should get away before he could be summoned by the coroner.
"Well," he said, taking another look at his cousin, "whatever you do, get your nerve together. Men like you shouldn\'t play with fire. They\'d better stick to the straight game."
The architect knew well enough what that meant. If he had been some cunning promoter who had had the wit to swindle the public out of any sum of money that ran into the millions, or if he had been some banker who had known how to ruin the credit of an enterprise which he wished to buy cheaply, Wheeler would have extended to him a cynical tolerance, and if his honesty were questioned, would have admitted merely that "there were stories about, of course—there always were stories when a man was smart enough to make some money quick." But, unfortunately, he belonged to the category of unsuccessful, petty criminals, and he "had lost his nerve."
He realized all this, and yet in the wreck which he had made of his life, he was indifferent to the world\'s injustice. What men thought or said about him had marvellously little importance just now. This crisis had wonderfully simplified life for him; he saw a few things which must be done, and to these he was setting himself with a slow will. His face, as he gazed down at his cousin, held new, grave lines, which gave it a sort of manliness that it had not possessed before.
"You\'d better see Graves before you leave, and get together on this thing," Wheeler concluded. "You won\'t do any good by making a bad matter worse and spreading the stink, you know."
"I can\'t see any use in talking with Graves," Jackson protested slowly. "I saw him yesterday and told him my views. He made me the treasurer of his company, and I was the architect for the building. If they get me up and ask me questions—why, I shall tell what I know about it. That\'s all there is to that."
"Well, we\'ll see about that when the time comes," the lawyer replied, and then asked bluntly:—
"Are you going to tell Helen the whole story, too?"
"Yes. That\'s why I\'m going down there." The architect\'s face turned red with humiliation for the first time since he had begun his story.
"I suppose she\'ll have to know," Wheeler admitted softly. "It will cut ............