The very next morning, after the rain, and the vision I had had of Madame de Sévigné, conjured up by my surroundings and the reading of her letters, Monsieur Paul paid us an early call. He came to beg the loan of our sitting-room, he said. He had had a despatch from a coaching-party from Trouville; they were to arrive for breakfast. The whip and owner of the coach was a great friend of his, he proffered by way of explanation—a certain count who had a genius for friendship—one who also had an artist\'s talent for admiring the beautiful. He was among those who were in a state of perpetual adoration before the inn\'s perfections. He made yearly pilgrimages from his chateau above Rouen to eat a noon breakfast in the Chambre des Marmousets. Now, a breakfast served elsewhere than in this chamber would be, from his point of view, to have journeyed to a shrine to find the niche empty. The gift that was begged of us, therefore, was the loan for a few hours of the famous little room.
In less than a half hour we were watching the entrance of the coach by the side of Madame Le Mois. We were all three seated on the green bench.
Faintly at first, and presently gaining in distinctness, came the fall of horses\' hoofs and the rumble of wheels along the highway. A little cavalcade was soon passing beneath the archway. First there dashed in two horsemen, who had sprung to the ground almost as soon as their steeds\' hoofs struck the paved court-yard. Then there swept by a jaunty dog cart, driven by a mannish figure radiantly robed in white. Swiftly following came the dash and jingle of four coach-horses, bathed in sweat, rolling the vehicle into the court as if its weight were a thing of air. All save one among the gay party seated on the high seats, were too busy with themselves and their chatter, to take heed of their surroundings. A lady beneath her deep parasol was busily engaged in a gay traffic of talk with the groups of men peopling the back seats of the coach. One of the men, however, was craning his neck beyond the heads of his companions; he was running his eye rapidly up and down the long inn facade. Finally his glance rested on us; and then, with a rush, a deep red mounted the man\'s cheek, as he tore off his derby to wave it, as if in a triumph of discovery. Renard had been true to his promise. He had come to see his friends and to test the famous Sauterne. He flung himself down from his lofty perch to take his seat, entirely as a matter of course, beside us on the green bench.
"What luck, hey?—greatest luck in the world, finding you in, like this. I\'ve been in no end of a tremble, fearing you\'d gone to Caen, or Falaise, or somewhere, and that I shouldn\'t see you after all. Well, how are you? How goes it? What do you think of old Dives and Monsieur Paul, and the rest of it? I see you\'re settled; you took the palace chamber. Trust American women—they know the best, and get it."
"But these people, who are they, and how did you—?" We were unfeignedly glad to see him, but curiosity is a passion not to be trifled with—after a month in the provinces.
"Oh—the De Troisacs? Old friends of mine—known them years. Jolly lot. Charming fellow, De Troisac—only good Frenchman I\'ve ever known. They\'re just off their yacht; saw them all yesterday at the Trouville Casino. Said they were running down here for breakfast to-day, asked me, and I came, of course." He laughed as he added: "I said I should come, you remember, to get some of that Sauterne. A man will go any distance for a good bottle of wine, you know."
Meanwhile, in the court-yard, the party on the coach, by means of ladders and the helping of the grooms, were scrambling down from their seats. Renard\'s friend, the Comte de Troisac, was easily picked out from the group of men. He was the elder of the party—stoutish, with frank eyes and a smiling mouth; he was bustling about from the gaunt grooms to the ladder, and from ladder to the coach-seat, giving his commands right and left, and executing most of them himself. A tall, slim woman, with drooping eyelids, and an air of extreme elegance and of cultivated fatigue, was also easily recognizable as the countess. It took two grooms, two of the gentlemen guests, and her husband to assist her to the ground. Her passage down the steps of the ladder had been long enough, however, to enable her to display a series of pretty poses, each one more effective than the others. When one has an instep of ideal elevation, what is the use of being born a Frenchwoman, unless one knows how to make use of opportunity?
From the dog-cart, that had rattled in across the cobbles with a dash and a spurt, there came quite a different accent and pose. The whitish personage, whom we had mistakenly supposed to be a man, wore petticoats; the male attire only held as far as the waist of the lady. The stiff white shirt-front, the knotted tie—a faultless male knot—the loose driving-jacket, with its sprig of white geranium, and the round straw-hat worn in mannish fashion, close to the level brows, was a costume that would have deceived either sex. Below the jacket flowed the straight lines of a straight skirt, that no further conjectures should be rendered necessary. This lady had a highbred air of singular distinction, accentuated by a tremendously knowing look. She was at once elegant and rakish; the gamin in her was obviously the touch of caviare to season the woman of fashion. The mixture made an extraordinarily attractive ensemble. As she jumped to the ground, throwing her reins to a groom, her jump was a master-stroke; it landed her squarely on her feet; even as she struck the ground her hands were thrust deeply into her pockets. The man seated beside her, who now leaped out after her, seemed timid and awkward by contrast with her alert precision. This couple moved at once toward the bench on which madame was seated. With the coming in of the coach and the cart she had risen, waddling forward to meet the party. Monsieur Paul was at the coach-wheels before the grooms had shot themselves down; De Troisac, with eager friendliness, stretched forth a hand from the top of his seat, exclaiming, with gay heartiness, "Ah, mon bon—comment ?a va?"
The mere was as eagerly greeted. Even the countess dismissed her indifference for the moment, as she held out her hand to Madame Le Mois.
"Dear Madame Le Mois—and it goes well with you? And the gout and the rheumatism, they have ceased to torment you? Quelle bonne nouvelle! And here are the dear old cocks and the wounded bantam. The cockatoos—ah, there they are, still swinging in the air! Comme c\'est joli—et frais—et que ?a sent bon!"
Madame and Monsieur Paul were equally effusive in their inquiries and exclamations—it was clearly a meeting of old friends. Madame Le Mois\' face was meanwhile a study. The huge surface was glistening with pleasure; she was unfeignedly glad to see these Parisians:—but there was no elation at this meeting on such easy terms with greatness. Her shrewdness was as alive as ever; she was about to make money out of the visit—they were to have of her best, but they must pay for it. Between her rapid fire of questionings as to the countess\'s health and the history of her travels, there was as rapid a shower of commands, sometimes shouted out, above all the hubbub, to the cooks standing gaping in the kitchen doorway, or whispered hoarsely to Ernestine and Marianne, who were flying about like wild pigeons, a little drunk with the novelty of this first breakfast of the season.
"Allons, mon enfant—cours—cours—get thy linen, my child, and the silver candélabres. It is to be laid in the Marmousets, thou knowest. Paul will come presently. And the salads, pluck them and bring them in to me—cours—cours."
The great world was all very well, and it was well to be on friendly, even intimate terms, with it; but, Dieu! one\'s own bread is of importance too! And the countess, for all her delicacy, was a bonne fourchette.
The countess and her friend, after a moment of standing in the court-yard, of patting the pelican, of trying their blandishments on the flamingo, of catching up the bantam, and filling the air with their purring, and caressing, and incessant chatter, passed beneath the low door to the inner sanctum of madame. The two ladies were clearly bent on a few moments of unreserved gossip and that repairing of the toilet which is a religious act to women of fashion the world over.
In the court-yard the scene was still a brilliant one. The gayly painted coach was now deserted. It stood, a chariot of state, as it were, awaiting royalty; its yellow sides gleamed like topaz in the sun. The grooms were unharnessing the leaders, that were still bathed in the white of their sweat. The count\'s dove-colored flannels were a soft mass against the snow of the chef\'s apron and cap; the two were in deep consultation at the kitchen door. Monsieur Paul was showing, with all the absorption of the artist, his latest Jumièges carvings to the taller, more awkward of the gentlemen, to the one driven in by the mannish beauty.
The cockatoos had not ceased shrieking from the very beginning of the hubbub; nor had the squirrels stopped running along the bars of their cage, a-flutter with excitement. The peacocks trailed their trains between the coach-wheels, announcing, squawkingly, their delight at the advent of a larger audience. Above the cries of the fowls and the shrieks of the cocks, the chatter of human tongues, the subdued murmur of the ladies\' voices coming through the open lattice, and the stamp of horses\' hoofs, there swept above it all the light June breeze, rustling in the vines, shaking the thick branches against the wooden facades.
The two ladies soon made their appearance in the sunlit court-yard. The murmur of their talk and their laughter reached us, along with the froufrou of their silken petticoats.
"You were not bored, chère enfant, driving Monsieur d\'Agreste all that long distance?"
The countess was smiling tenderly into her companion\'s face. She had stopped her to readjust the geranium sprig that was drooping in her friend\'s cover-coat. The smile was the smile of a sympathizing angel, but what a touch of hidden malice there was in the notes of her caressing voice! As she repinned the boutonnière, she gave the dancing eyes, that were brimming with the mirth of the coming retort, the searching inquest of her glance.
"Bored! Dieu, que non!" The black little beauty threw back her throat, laughing, as she rolled her great eyes. "Bored—with all the tricks I was playing? Fernande! pity me, there was such a little time, and so much to do!"
"So little time—only fourteen kilos!" The countess compressed her lips; they were smiling no longer.
"Ah, but you see, I had so much to combat. You had a whole season, last summer, in which to play your game, your solemn game." Here the gay young widow rippled forth a pearly scale of treble laughter. "And I have had only a week, thus far!"
"Yes, but what time you make!"
And this time both ladies laughed, although, still, only one laughed well.
"Ah! those women—how they love each other," commented Renard, as he sat on the bench, swinging his legs, with his eyes following the two vanishing figures. "Only women who are intimate—Parisian intimates—can cut to the bone like that, with a surgeon\'s dexterity."
He explained then that the handsome brunette was a widow, a certain Baronne d\'Autun, noted for her hunting and her conquests; the last on the latter list was Monsieur d\'Agreste, a former admirer of the countess; he was somewhat famous as a scientist and socialist, so good a socialist as to refuse to wear his title of duke. The other two gentlemen of the party, who had joined them now, the two horsemen, were the Comtes de Mirant and de Fonbriant. These latter were two typical young swells of the Jockey Club model; their vacant, well-bred faces wore the correct degree of fashionable pallor, and their manners appeared to be also as perfect as their glances were insolent.
Into these vacant faces the languid countess was breathing the inspiration of her smile. Enigmatic as was the latter, it was as simple as an infant\'s compared to the occult character of her glance. A wealth of complexities lay enfolded in the deep eyes, rimmed with their mystic darkened circlet—that circle in which the Parisienne frames her experience, and through which she pleads to have it enlarged!
A Frenchwoman and cosmetics! Is there any other combination on this round earth more suggestive of the comedy of high life, of its elegance and of its perfidy, of its finish and of its emptiness?
The men of the party wore costumes perilously suggestive of Opera Bouffe models. Their fingers were richly begemmed; their watch-chains were laden with seals and charms. Any one of the costumes was such as might have been chosen by a tenor in which to warble effectively to a soubrette on the boards of a provincial theatre; and it was worn by these fops of the Jockey Club with the air of its being the last word in nautical fashions. Better than their costumes were their voices; for what speech from human lips pearls itself off with such crispness and finish as the delicate French idiom from a Parisian tongue?
I never quite knew how it came about that we were added to this gay party of breakfasters. We found ourselves, however, after a high skirmish of preliminary presentations, among the number to take our places at the table.
In the Chambre des Marmousets, Monsieur Paul, we found, had set the feast with the taste of an artist and the science of an archaeologist. The table itself was long and narrow, a genuine fifteenth century table. Down the centre ran a strip of antique altar-lace; the sides were left bare, that the lustre of the dark wood might be seen. In the centre was a deep old Caen bowl, with grapes and fuchsias to make a mound of soft color. A pair of seventeenth-century candélabres twisted and coiled their silver branches about their rich repoussé columns; here and there on the yellow strip of lace were laid bunches of June roses, those only of the rarer and older varieties having been chosen, and each was tied with a Louis XV love-knot. Monsieur Paul was himself an omniscient figure at the feast; he was by turns officiating as butler, carving, or serving from the side-tables; or he was crossing the court-yard with his careful, catlike tread, a bottle under each arm. He was also constantly appealed to by Monsieur d\'Agreste or the count, to settle a dispute about the age of the china, or the original home of the various old chests scattered about the room.
"Paul, your stained glass shows up well in this light," the count called out, wiping his mustache over his soup-plate.
"Yes," answered Monsieur Paul, as he went on serving the sherry, pausing for a moment at the count\'s glass. "They always look well in full sunlight. It was a piece of pure luck, getting them. One can always count on getting hold of tapestries and ca............