The nights are pleasant in May, short and pleasant for travel. We will leave the city asleep, and do our flight in the night to save time. Trust yourselves, then, to the story-teller’s a?rial machine. It is but a rough affair, I own, rough and humble, unfitted for high or great flights, with no gilded panels, or dainty cushions, or C-springs—not that we shall care about springs, by the way, until we alight on terra-firma again—still, there is much to be learned in a third-class carriage if we will only not look while in it for cushions, and fine panels, and forty miles an hour travelling, and will not be shocked at our fellow-passengers for being weak in their h’s and smelling of fustian. Mount in it, then, you who will, after this warning; the fares are holiday fares, the tickets return tickets. Take with you nothing but the poet’s luggage,
“A smile for Hope, a tear for Pain,
A breath to swell the voice of Prayer,”
and may you have a pleasant journey, for it is time that the stoker should be looking to his going gear!
So now we rise slowly in the moonlight from St. Ambrose’s quadrangle, and, when we are clear of the clock-tower,[254] steer away southwards, over Oxford city and all its sleeping wisdom and folly, over street and past spire, over Christ Church and the canons’ houses, and the fountain in Tom quad; over St. Aldate’s and the river, along which the moonbeams lie in a pathway of twinkling silver, over the railway sheds—no, there was then no railway, but only the quiet fields and foot-paths of Hincksey hamlet. Well, no matter; at any rate, the hills beyond, and Bagley Wood, were there then as now: and over hills and wood we rise, catching the purr of the night-jar, the trill of the nightingale, and the first crow of the earliest cock-pheasant, as he stretches his jewelled wings, conscious of his strength and his beauty, heedless of the fellows of St. John’s, who slumber within sight of his perch, on whose hospitable board he shall one day lie, prone on his back, with fair larded breast turned upwards for the carving knife, having crowed his last crow. He knows it not; what matters it to him? If he knew it, could a Bagley Wood cock-pheasant desire a better ending?
We pass over the vale beyond; hall and hamlet, church, and meadow, and copse, folded in mist and shadow below us, each hamlet holding in its bosom the materials of three-volumed novels by the dozen, if we could only pull off the roofs of the houses and look steadily into the interiors; but our destination is fart............