All the while that I recount these scenes there come to me soft orchestrations of the old tunes that belonged with them. I am thinking of one just now; a mere potsherd of plantation-fiddler\'s folk-music which I heard first--and last--in the dance at Gilmer\'s. Indeed no other so widely recalls to me those whole years of disaster and chaos; the daily shock of their news, crashing in upon the brain like a shell into a roof; wail and huzza, camp-fire, litter and grave; battlefield stench; fiddle and flame; and ever in the midst these impromptu merrymakings to keep us from going stark mad, one and all,--as so many literally did.

The Gilmer daughters were fair, but they were only three, and the Gilmers were the sole unionists in their neighborhood. "Still, a few girls will come," said Charlotte, sparkling first blue and then black at a sparkling captain who said that, after all, the chief-of-staff had decided he couldn\'t attend. I know she sparkled first blue and then black, for she always did so when she told of it in later days.

"They say," responded the captain, "that in this handy little world there are always a few to whom policy is the best honesty; is that the few who will come?"

"You are cynical," said Charlotte, "this is only their unarmed way of saving house and home for the brothers to come back to when you are purged out of the land."

When the time came there were partners for eight gallants, and the gallants numbered sixteen. They counted off by twos; the evens waited while the odds danced the half of each set, and then the odds waited and cooled, tried to cool, out on the veranda. But when a reel was called the whole twenty-four danced together, while the fiddler (from the contraband camp) improvised exultant words to his electrifying tunes.
      "O ladies ramble in,
          Whilst de beaux ramble out,
For to guile[1] dat golden cha--ain.       My Lawdy! it\'s a sin
          Fo\' a fiddleh not to shout!
Miss Charlotte\'s a-comin\' down de la--ane!"

[1] Coil.

Now the dance is off, but now it is on again, and again. The fiddler toils to finer and finer heights of enthusiasm; slippers twinkle, top-boots flash, the evens come in (to the waltz) and the odds, out on the veranda, tell one another confidentially how damp they are. Was ever an evening so smotheringly hot! Through the house-grove, where the darkness grows blacker and blacker and the tepid air more and more breathless, they peer toward the hitching-rail crowded with their horses. Shall they take their saddles in, or shall they let them get wet for fear the rebels may come with the shower, as toads do? [Laughter.] One or two, who grope out to the animals, report only a lovely picture: the glowing windows; the waltzers circling by them; in the dining-room, and across the yard in the kitchen, the house-servants darting to and fro as busy as cannoneers; on their elbows at every windowsill, and on their haunches at every door, the squalid field-hands making grotesque silhouettes against the yellow glow that streamed out into the trees.

Now the lightning seems nearer. Hark, that was thunder; soft, but real. At last the air moves; there is a breeze, and the girls come out on the gallants\' arms to drink it in. As they lift their brows and sigh their comfort the lightning grows brighter, the thunder comes more promptly and louder, and the maidens flinch and half scream, yet linger for one more draft of the blessed coolness. Suddenly an inverted tree of blinding light branches down the sky, and the thunder crashes in one\'s very ears; the couples recoil into a group at the door, the lightning again fills heaven and earth, it shows the bending trees far afield, and the thunders peal at each other as if here were all Vicksburg and Port Hudson, with Porter and Farragut going by. So for a space; then the wind ............