I have been a wanderer and a vagabond on the face of the earth for a good many years now, and I have certainly had some odd adventures in my time; but I can assure you, I never spent twenty-four queerer hours than those which I passed some twelve months since in the great unopened Pyramid of Abu Yilla.
The way I got there was itself a very strange one. I had come to Egypt for a winter tour with the Fitz-Simkinses, to whose daughter Editha I was at that precise moment engaged. You will probably remember that old Fitz-Simkins belonged originally to the wealthy firm of Simkinson and Stokoe, worshipful vintners; but when the senior partner retired from the business and got his knighthood, the College of Heralds opportunely discovered that his ancestors had changed their fine old Norman name for its English equivalent some time about the reign of King Richard I.; and they immediately authorized the old gentleman to resume the patronymic and the armorial bearings of his distinguished forefathers. It\'s really quite astonishing how often these curious coincidences crop up at the College of Heralds.
Of course it was a great catch for a landless and briefless barrister like myself—dependent on a small fortune in South American securities, and my precarious earnings as a writer of burlesque—to secure such a[Pg 127] valuable prospective property as Editha Fitz-Simkins. To be sure, the girl was undeniably plain; but I have known plainer girls than she was, whom forty thousand pounds converted into My Ladies: and if Editha hadn\'t really fallen over head and ears in love with me, I suppose old Fitz-Simkins would never have consented to such a match. As it was, however, we had flirted so openly and so desperately during the Scarborough season, that it would have been difficult for Sir Peter to break it off: and so I had come to Egypt on a tour of insurance to secure my prize, following in the wake of my future mother-in-law, whose lungs were supposed to require a genial climate—though in my private opinion they were really as creditable a pair of pulmonary appendages as ever drew breath.
Nevertheless, the course of our true love did not run so smoothly as might have been expected. Editha found me less ardent than a devoted squire should be; and on the very last night of the old year she got up a regulation lovers\' quarrel, because I had sneaked away from the boat that afternoon, under the guidance of our dragoman, to witness the seductive performances of some fair Ghawázi, the dancing girls of a neighbouring town. How she found it out heaven only knows, for I gave that rascal Dimitri five piastres to hold his tongue: but she did find it out somehow, and chose to regard it as an offence of the first magnitude: a mortal sin only to be expiated by three days of penance and humiliation.
I went to bed that night, in my hammock on deck, with feelings far from satisfactory. We were moored against the bank at Abu Yilla, the most pestiferous hole between the cataracts and the Delta. The mosquitoes were worse than the ordinary mosquitoes of Egypt, and that is saying a great deal. The heat was oppressive even at night, and the malaria from the lotus beds rose like a palpable mist before my eyes. Above all, I[Pg 128] was getting doubtful whether Editha Fitz-Simkins might not after all slip between my fingers. I felt wretched and feverish: and yet I had delightful interlusive recollections, in between, of that lovely little Gháziyah, who danced that exquisite, marvellous, entrancing, delicious, and awfully oriental dance that I saw in the afternoon.
By Jove, she was a beautiful creature. Eyes like two full moons; hair like Milton\'s Penseroso; movements like a poem of Swinburne\'s set to action. If Editha was only a faint picture of that girl now! Upon my word, I was falling in love with a Gháziyah!
Then the mosquitoes came again. Buzz—buzz—buzz. I make a lunge at the loudest and biggest, a sort of prima donna in their infernal opera. I kill the prima donna, but ten more shrill performers come in its place. The frogs croak dismally in the reedy shallows. The night grows hotter and hotter still. At last, I can stand it no longer. I rise up, dress myself lightly, and jump ashore to find some way of passing the time.
Yonder, across the flat, lies the great unopened Pyramid of Abu Yilla. We are going to-morrow to climb to the top; but I will take a turn to reconnoitre in that direction now. I walk across the moonlit fields, my soul still divided between Editha and the Gháziyah, and approach the solemn mass of huge, antiquated granite-blocks standing out so grimly against the pale horizon. I feel half awake, half asleep, and altogether feverish: but I poke about the base in an aimless sort of way, with a vague idea that I may perhaps discover by chance the secret of its sealed entrance, which has ere now baffled so many pertinacious explorers and learned Egyptologists.
As I walk along the base, I remember old Herodotus\'s story, like a page from the "Arabian Nights," of how King Rhampsinitus built himself a treasury, wherein one stone turned on a pivot like a door; and how the builder availed himself of this his cunning device to steal gold from[Pg 129] the king\'s storehouse. Suppose the entrance to the unopened Pyramid should be by such a door. It would be curious if I should chance to light upon the very spot.
I stood in the broad moonlight, near the north-east angle of the great pile, at the twelfth stone from the corner. A random fancy struck me, that I might turn this stone by pushing it inward on the left side. I leant against it with all my weight, and tried to move it on the imaginary pivot. Did it give way a fraction of an inch? No, it must have been mere fancy. Let me try again. Surely it is yielding! Gracious Osiris, it has moved an inch or more! My heart beats fast, either with fever or excitement, and I try a third time. The rust of centuries on the pivot wears slowly off, and the stone turns ponderously round, giving access to a low dark passage.
It must have been madness which led me to enter the forgotten corridor, alone, without torch or match, at that hour of the evening; but at any rate I entered. The passage was tall enough for a man to walk erect, and I could feel, as I groped slowly along, that the wall was composed of smooth polished granite, while the floor sloped away downward with a slight but regular descent. I walked with trembling heart and faltering feet for some forty or fifty yards down the mysterious vestibule: and then I felt myself brought suddenly to a standstill by a block of stone placed right across the pathway. I had had nearly enough for one evening, and I was preparing to return to the boat, agog with my new discovery, when my attention was suddenly arrested by an incredible, a perfectly miraculous fact.
The block of stone which barred the passage was faintly visible as a square, by means of a struggling belt of light streaming through the seams. There must be a lamp or other flame burning within. What if this were a door like the outer one, leading into a chamber perhaps inhabited by some dangerous band of outcasts? The light was a sure[Pg 130] evidence of human occupation: and yet the outer door swung rustily on its pivot as though it had never been opened for ages. I paused a moment in fear before I ventured to try the stone: and then, urged on once more by some insane impulse, I turned the massive block with all my might to the left. It gave way slowly like its neighbour, and finally opened into the central hall.
Never as long as I live shall I forget the ecstasy of terror, astonishment, and blank dismay which seized upon me when I stepped into that seemingly enchanted chamber. A blaze of light first burst upon my eyes, from jets of gas arranged in regular rows tier above tier, upon the columns and walls of the vast apartment. Huge pillars, richly painted with red, yellow, blue, and green decorations, stretched in endless succession down the dazzling aisles. A floor of polished syenite reflected the splendour of the lamps, and afforded a base for red granite sphinxes and dark purple images in porphyry of the cat-faced goddess Pasht, whose form I knew so well at the Louvre and the British Museum. But I had no eyes for any of these lesser marvels, being wholly absorbed in the greatest marvel of all: for there, in royal state and with mitred head, a living Egyptian king, surrounded by his coiffured court, was banqueting in the flesh upon a real throne, before a table laden with Memphian delicacies!
I stood transfixed with awe and amazement, my tongue and my feet alike forgetting their office, and my brain whirling round and round, as I remember it used to whirl when my health broke down utterly at Cambridge after the Classical Tripos. I gazed fixedly at the strange picture before me, taking in all its details in a confused way, yet quite incapable of understanding or realizing any part of its true import. I saw the king in the centre of the hall, raised on a throne of granite inlaid with gold and ivory; his head crowned with the peaked cap of Rameses, and his curled hair flowing down his shoulders in a set and[Pg 131] formal frizz. I saw priests and warriors on either side, dressed in the costumes which I had often carefully noted in our great collections; while bronze-skinned maids, with light garments round their waists, and limbs displayed in graceful picturesqueness, waited upon them, half nude, as in the wall paintings which we had lately examined at Karnak and Syene. I saw the ladies, clothed from head to foot in dyed linen garments, sitting apart in the background, banqueting by themselves at a separate table; while dancing girls, like older representatives of my yesternoon friends, the Ghawázi, tumbled before them in strange attitudes, to the music of four-stringed harps and long straight pipes. In short, I beheld as in a dream the whole drama of everyday Egyptian royal life, playing itself out anew under my eyes, in its real original properties and personages.
Gradually, as I looked, I became aware that my hosts were no less surprised at the appearance of their anachronistic guest than was the guest himself at the strange living panorama which met his eyes. In a moment music and dancing ceased; the banquet paused in its course, and the king and his nobles stood up in undisguised astonishment to survey the strange intruder.
Some minutes passed before any one moved forward on either side. At last a young girl of royal appearance, yet strangely resembling the Gháziyah of Abu Yilla, and recalling in part the laughing maiden in the foreground of Mr. Long\'s great canvas at the previous Academy, stepped out before the throng.
"May I ask you," she said in Ancient Egyptian, "who you are, and why you come hither to disturb us?"
I was never aware before that I spoke or understood the language of the hieroglyphics: yet I found I had not the slightest difficulty in comprehending or answering her question. To say the truth, Ancient Egyptian, though an extremely tough tongue to decipher in its written[Pg 132] form, becomes as easy as love-making when spoken by a pair of lips like that Pharaonic princess\'s. It is really very much the same as English, pronounced in a rapid and somewhat indefinite whisper, and with all the vowels left out.
"I beg ten thousand pardons for my intrusion," I answered apologetically; "but I did not know that this Pyramid was inhabited, or I should not have entered your residence so rudely. As for the points you wish to know, I am an English tourist, and you will find my name upon this card;" saying which I handed her one from the case which I had fortunately put into my pocket, with conciliatory politeness. The princess examined it closely, but evidently did not understand its import.
"In return," I continued, "may I ask you in what august presence I now find myself by accident?"
A court official stood forth from the throng, and answered in a set heraldic tone: "In the presence of the illustrious monarch, Brother of the Sun, Thothmes the Twenty-seventh, king of the Eighteenth Dynasty."
"Salute the Lord of the World," put in another official in the same regulation drone.
I bowed low to his Majesty, and stepped out into the hall. Apparently my obeisance did not come up to Egyptian standards of courtesy, for a suppressed titter broke audibly from the ranks of bronze-skinned waiting-women. But the king graciously smiled at my attempt, and turning to the nearest nobleman, observed in a voice of great sweetness and self-contained majesty: "This stranger, Ombos, is certainly a very curious person. His appearance does not at all resemble that of an Ethiopian or other savage, nor does he look like the pale-faced sailors who come to us from the Achaian land beyond the sea. His features, to be sure, are not very different from theirs; but his extraordinary and singularly inartistic dress shows him to belong to some other barbaric race."
I glanced down at my waistcoat, and saw that I was wearing my tourist\'s[Pg 133] check suit, of grey and mud colour, with which a Bond Street tailor had supplied me just before leaving town, as the latest thing out in fancy tweeds. Evidently these Egyptians must have a very curious standard of taste not to admire our pretty and graceful style of male attire.
"If the dust beneath your Majesty\'s feet may venture upon a suggestion," put in the officer whom the king had addressed, "I would hint that this young man is probably a stray visitor from the utterly uncivilized lands of the North. The head-gear which he carries in his hand obviously betrays an Arctic habitat."
I had instinctively taken off my round felt hat in the first moment of surprise, when I found myself in the midst of this strange throng, and I was before me like a shield to protect my chest.
"Let the stranger cover himself," said the king.
"Barbarian intruder, cover yourself," cried the herald. I noticed throughout that the king never directly addressed anybody save the higher officials around him.
I put on my hat as desired. "A most uncomfortable and silly form of tiara indeed," said the great Thothmes.
"Very unlike your noble and awe-spiring mitre, Lion of Egypt," answered Ombos.
"Ask the stranger his name," the king continued.
It was useless to offer another card, so I mentioned it in a clear voice.
"An uncouth and almost unpronounceable designation truly," commented his Majesty to the Grand Chamberlain beside him. "These savages speak strange languages, widely different from the flowing tongue of Memnon and Sesostris."
The chamberlain bowed his assent with three low genuflexions. I began to feel a little abashed at these personal remarks, and I almost think[Pg 134] (though I shouldn\'t like it to be mentioned in the Temple) that a blush rose to my cheek.
The beautiful princess, who had been standing near me meanwhile in an attitude of statuesque repose, now appeared anxious to change the current of the conversation. "Dear father," she said with a respectful inclination, "surely the stranger, barbarian though he be, cannot relish such pointed allusions to his person and costume. We must let him feel the grace and delicacy of Egyptian refinement. Then he may perhaps carry back with him some faint echo of its cultured beauty to his northern wilds."
"Nonsense, Hatasou," replied Thothmes XXVII. testily. "Savages have no feelings, and they are as incapable of appreciating Egyptian sensibility as the chattering crow is incapable of attaining the dignified reserve of the sacred crocodile."
"Your Majesty is mistaken," I said, recovering my self-possession gradually and realizing my position as a free-born Englishman before the court of a foreign despot—though I must allow that I felt rather less confident than usual, owing to the fact that we were not represented in the Pyramid by a British Consul—"I am an English tourist, a visitor from a modern land whose civilization far surpasses the rude culture of early Egypt; and I am accustomed t............