Cyril Waring, thus dismissed, and as in honour bound, hurried up to London with a mind preoccupied by many pressing doubts and misgivings. He thought much of Elma, but he thought much, too, of sundry strange events that had happened of late to his own private fortunes. For one thing he had sold, and sold mysteriously, at a very good price, the picture of Sardanapalus in the glade at Chetwood. A well-known London dealer had written down to him at Tilgate making an excellent offer for the unfinished work, as soon as it should be ready, on behalf of a customer whose name he didn’t happen to mention. And who could that customer be, Cyril thought to himself, but Colonel Kelmscott? But that wasn’t all. The dealer who had offered him a round sum down for “The Rajah’s Rest” had also at the same time commissioned him to go over to the Belgian Ardennes to paint a picture or two, at a specified price, of certain selected scenes upon the Meuse and its tributaries. The price offered for the work was a very respectable one, and yet—he had some internal misgivings, somehow, about this mysterious commission. Could it be to get rid of him? He had an uncomfortable suspicion in the back chambers of his mind, that whoever had commissioned the pictures might be more anxious to send him well away from Tilgate than to possess a series of picturesque sketches on the Meuse and its tributaries.
And who could have an interest in keeping him far from Tilgate? That was the question. Was there anybody whom his presence there could in any way incommode? Could it be Elma’s father who wanted to send him so quickly away from England?
And what was the meaning of Elma’s profound resolution, so strangely and strongly expressed, never, never to marry him?
A painful idea flitted across the young man’s puzzled brain. Had the Cliffords alone discovered the secret of his birth? and was that secret of such a disgraceful sort that Elma’s father shrank from owning him as a prospective son-in-law, while even Elma herself could not bring herself to accept him as her future husband? If so, what could that ghastly secret be? Were he and Guy the inheritors of some deadly crime? Had their origin been concealed from them, more in mercy than in cruelty, only lest some hideous taint of murder or of madness might mar their future and make their whole lives miserable?
When he reached Staple Inn, he found Guy and Montague Nevitt already in their joint rooms, and arrears of three days’ correspondence awaiting him.
A close observer—like Elma Clifford—might perhaps have noted in Montague Nevitt’s eye certain well-restrained symptoms of suppressed curiosity. But Cyril Waring, in his straightforward, simple English manliness, was not sharp enough to perceive that Nevitt watched him close while he broke the envelopes and glanced over his letters; or that Nevitt’s keen anxiety grew at once far deeper and more carefully concealed as Cyril turned to one big missive with an official-looking seal and a distinctly important legal aspect. On the contrary, to the outer eye or ear all that could be observed in Montague Nevitt’s manner was the nervous way he went on tightening his violin strings with a tremulous hand and whistling low to himself a few soft and tender bars of some melancholy scrap from Miss Ewes’s refectory.
As Cyril read through that letter, however, his breath came and went in short little gasps, and his cheek flushed hotly with a sudden and overpowering flood of emotion.
“What’s the matter?” Guy asked, looking over his shoulder curiously. And Cyril, almost faint with the innumerable ideas and suspicions that the tidings conjured up in his brain at once, said with an evident effort, “Read it, Guy; read it.”
Guy took the letter and read, Montague Nevitt gazing at it by his side meanwhile with profound interest.
As soon as they had glanced through its carefully-worded sentences, each drew a long breath and stared hard at the other. Then Cyril added in a whirl, “And here’s a letter from my own bankers saying they’ve duly received the six thousand pounds and put it to my credit.”
Guy’s face was pale, but he faltered out none the less with ashy lips, staring hard at the words all the time, “It isn’t only the money, of course, one thinks about, Cyril; but the clue it seems to promise us to our father and mother.”
“Exactly,” Cyril answered, with a responsive nod. “The money I won’t take. I don’t know what it means. But the clue I’ll follow up till I’ve run to earth the whole truth about who we are and where we come from.”
Montague Nevitt glanced quickly from one to the other with an incredulous air. “Not take the money,” he exclaimed, in cynical surprise. “Why, of course you’ll take it. Twelve thousand pounds isn’t to be sneezed at in these days, I can tell you. And as for the clue, why, there isn’t any clue. Not a jot or a tittle, a ghost or a shadow of it. The unnatural parent, whoever he may be—for I take it for granted the unnatural parent’s the person at the bottom of the offer—takes jolly good care not to let you know who on earth he is. He wraps himself up in a double cloak of mystery. Drummonds pay in the money to your account at your own bank, you see, and while they’re authorized to receive your acknowledgment of the sum remitted, they are clearly NOT authorized to receive to the sender’s credit any return cheque for the amount or cash in repayment. The unnatural parent evidently intends to remain, for the present at least, strictly anonymous.
“Couldn’t you find out for us at Drummond, Coutts and Barclay’s who the sender is?” Guy asked, with some hesitat............