Early in the last century one of the picturesque race of robbers and murderers, practicing the vices of humanity on the borderlands watered by the river Tweed, built a tower of stone on the coast of Northumberland. He lived joyously in the perpetration of atrocities; and he died penitent, under the direction of his priest. Since that event, he has figured in poems and pictures; and has been greatly admired by modern ladies and gentlemen, whom he would have outraged and robbed if he had been lucky enough to meet with them in the good old times.
His son succeeded him, and failed to profit by the paternal example: that is to say, he made the fatal mistake of fighting for other people instead of fighting for himself.
In the rebellion of Forty-Five, this northern squire sided to serious purpose with Prince Charles and the Highlanders. He lost his head; and his children lost their inheritance. In the lapse of years, the confiscated property fell into the hands of strangers; the last of whom (having a taste for the turf) discovered, in course of time, that he was in want of money. A retired merchant, named Delvin (originally of French extraction), took a liking to the wild situation, and purchased the tower. His wife—already in failing health—had been ordered by the doctors to live a quiet life by the sea. Her husband’s death left her a rich and lonely widow; by day and night alike, a prisoner in her room; wasted by disease, and having but two interests which reconciled her to life—writing poetry in the intervals of pain, and paying the debts of a reverend brother who succeeded in the pulpit, and prospered nowhere else.
In the later days of its life, the tower had been greatly improved as a place of residence. The contrast was remarkable between the dreary gray outer walls, and the luxuriously furnished rooms inside, rising by two at a time to the lofty eighth story of the building. Among the scattered populace of the country round, the tower was still known by the odd name given to it in the bygone time—“The Clink.” It had been so called (as was supposed) in allusion to the noise made by loose stones, washed backward and forward at certain times of the tide, in hollows of the rock on which the building stood.
On the evening of her arrival at Mrs. Delvin’s retreat, Emily retired at an early hour, fatigued by her long journey. Mirabel had an opportunity of speaking with his sister privately in her own room.
“Send me away, Agatha, if I disturb you,” he said, “and let me know when I can see you in the morning.”
“My dear Miles, have you forgotten that I am never able to sleep in calm weather? My lullaby, for years past, has been the moaning of the great North Sea, under my window. Listen! There is not a sound outside on this peaceful night. It is the right time of the tide, just now—and yet, ‘the clink’ is not to be heard. Is the moon up?”
Mirabel opened the curtains. “The whole sky is one great abyss of black,” he answered. “If I was superstitious, I should think that horrid darkness a bad omen for the future. Are you suffering, Agatha?”
“Not just now. I suppose I look sadly changed for the worse since you saw me last?”
But for the feverish brightness of her eyes, she would have looked like a corpse. Her wrinkled forehead, her hollow cheeks, her white lips told their terrible tale of the suffering of years. The ghastly appearance of her face was heightened by the furnishing of the room. This doomed woman, dying slowly day by day, delighted in bright colors and sumptuous materials. The paper on the walls, the curtains, the carpet presented the hues of the rainbow. She lay on a couch covered with purple silk, under draperies of green velvet to keep her warm. Rich lace hid h er scanty hair, turning prematurely gray; brilliant rings glittered on her bony fingers. The room was in a blaze of light from lamps and candles. Even the wine at her side that kept her alive had been decanted into a ............