THE fire burning in the grate was not a very large one; and the outer air (as I had noticed on my way to the house) had something of a wintry sharpness in it that day.

Still, my first feeling, when Major Fitz-David left me, was a feeling of heat and oppression, with its natural result, a difficulty in breathing freely. The nervous agitation of the time was, I suppose, answerable for these sensations. I took off my bonnet and mantle and gloves, and opened the window for a little while. Nothing was to be seen outside but a paved courtyard, with a skylight in the middle, closed at the further end by the wall of the Major’s stables. A few minutes at the window cooled and refreshed me. I shut it down again, and took my first step on the way of discovery. In other words, I began my first examination of the four walls around me, and of all that they inclosed.

I was amazed at my own calmness. My interview with Major Fitz-David had, perhaps, exhausted my capacity for feeling any strong emotion, for the time at least. It was a relief to me to be alone; it was a relief to me to begin the search. Those were my only sensations so far.

The shape of the room was oblong. Of the two shorter walls, one contained the door in grooves which I have already mentioned as communicating with the front room; the other was almost entirely occupied by the broad window which looked out on the courtyard.

Taking the doorway wall first, what was there, in the shape of furniture, on either side of it? There was a card-table on either side. Above each card-table stood a magnificent china bowl placed on a gilt and carved bracket fixed to the wall.

I opened the card-tables. The drawers beneath contained nothing but cards, and the usual counters and markers. With the exception of one pack, the cards in both tables were still wrapped in their paper covers exactly as they had come from the shop. I examined the loose pack, card by card. No writing, no mark of any kind, was visible on any one of them. Assisted by a library ladder which stood against the book-case, I looked next into the two china bowls. Both were perfectly empty. Was there anything more to examine on that side of the room? In the two corners there were two little chairs of inlaid wood, with red silk cushions. I turned them up and looked under the cushions, and still I made no discoveries. When I had put the chairs back in their places my search on one side of the room was complete. So far I had found nothing.

I crossed to the opposite wall, the wall which contained the window.

The window (occupying, as I have said, almost the entire length and height of the wall) was divided into three compartments, and was adorned at their extremity by handsome curtains of dark red velvet. The ample heavy folds of the velvet left just room at the two corners of the wall for two little upright cabinets in buhl, containing rows of drawers, and supporting two fine bronze productions (reduced in size) of the Venus Milo and the Venus Callipyge. I had Major Fitz-David’s permission to do just what I pleased. I opened the six drawers in each cabinet, and examined their contents without hesitation.

Beginning with the cabinet in the right-hand corner, my investigations were soon completed. All the six drawers were alike occupied by a collection of fossils, which (judging by the curious paper inscriptions fixed on some of them) were associated with a past period of the Major’s life when he had speculated, not very successfully in mines. After satisfying myself that the drawers contained nothing but the fossils and their inscriptions, I turned to the cabinet in the left-hand corner next.

Here a variety of objects was revealed to view, and the examination accordingly occupied a much longer time.

The top drawer contained a complete collection of carpenter’s tools in miniature, relics probably of the far-distant time when the Major was a boy, and when parents or friends had made him a present of a set of toy tools. The second drawer was filled with toys of another sort—presents made to Major Fitz-David by his fair friends. Embroidered braces, smart smoking-caps, quaint pincushions, gorgeous slippers, glittering purses, all bore witness to the popularity of the friend of the women. The contents of the third drawer were of a less interesting sort: the entire space was filled with old account-books, ranging over a period of many years. After looking into each book, and opening and shaking it uselessly, in search of any loose papers which might be hidden between the leaves, I came to the fourth drawer, and found more relics of past pecuniary transactions in the shape of receipted bills, neatly tied together, and each inscribed at the back. Among the bills I found nearly a dozen loose papers, all equally unimportant. The fifth drawer was in sad confusion. I took out first a loose bundle of ornamental cards, each containing the list of dishes at past banquets given or attended by the Major in London or Paris; next, a box full of delicately tinted quill pens (evidently a lady’s gift); next, a quantity of old invitation cards; next, some dog’s-eared French plays and books of the opera; next, a pocket-corkscrew, a bundle of cigarettes, and a bunch of rusty keys; lastly, a passport, a set of luggage labels, a broken silver snuff-box, two cigar-cases, and a torn map of Rome. “Nothing anywhere to interest me,” I thought, as I closed the fifth, and opened the sixth and last drawer.

The sixth drawer was at once a surprise and a disappointment. It literally contained nothing but the fragments of a broken vase.

I was sitting, at the time, opposite to the cabinet, in a low chair. In the momentary irritation caused by my discovery of the emptiness of the last drawer, I had just lifted my foot to push it back into its place, when the door communicating with the hall opened, and Major Fitz-David stood before me.

His eyes, after first meeting mine, traveled downward to my foot. The instant he noticed the open drawer I saw a change in his face. It was only for a moment; but in that moment he looked at me with a sudden suspicion and surprise—looked as if he had caught me with my hand on the clew.

“Pray don’t let me disturb you,” said Major Fitz-David. “I have only come here to ask you a question.”

“What is it, Major?”

“Have you met with any letters of mine in the course of your investigations?”

“I have found none yet,” I answered. “If I do discover any letters, I shall, of course, not take the liberty of examining them.”

“I wanted to speak to you about that,” he rejoined. “It only struck me a moment since, upstairs, that my letters might embarrass you. In your place I should feel some distrust of anything which I was not at liberty to examine. I think I can set this matter right, however, with very little trouble to either of us. It is no violation of any promises or pledges on my part if I simply tell you that my letters will not assist the discovery which you are trying to make. You can safely pass them over as objects that are not worth examining from your point of view. You understand me, I am sure?”

“I am much obliged to you, Major—I quite understand.”

“Are you feeling any fatigue?”

“None whatever, thank you.”

“And you still hope to succeed? You are not beginning to be discouraged already?”

“I am not in the least discouraged. With your kind leave, I mean to persevere for some time yet.”

I had not closed the drawer of the cabinet while we were talking, and I glanced carelessly, as I answered him, at the fragments of the broken vase. By this time he had got his feelings under perfect command. He, too, glanced at the fragments of the vase with an appearance of perfect indifference. I remembered the look of suspicion and surprise that had escaped him on entering the room, and I thought his indifference a little overacted.

“That doesn’t look very encouraging,” he said, with a smile, pointing to the shattered pieces of china in the drawer.

“Appearances are not always to be trusted,” I replied. “The wisest thing I can do in my present situation is to suspect everything, even down to a broken vase.”

I looked hard at him as I spoke. He changed the subject.

“Does the music upstairs annoy you?” he asked.

“Not in the least, Major.”

“It will soon be over now. The singing-master is going, and the Italian master has just arrived. I am sparing no pains to make my young prima donna a most accomplished person. In learning to sing she must also learn the language which is especially the language of music. I shall perfect her in the accent when I take her to Italy. It is the height of my ambition to have her mistaken for an Italian when she sings in public. Is there anything I can do before I leave you again? May I send you some more champagne? Please say yes!”

“A thousand thanks, Major. No more champagne for the present.”

He turned at the door to kiss his hand to me at parting. At the same moment I saw his eyes wander slyly toward the book-case. It was only for an instant. I had barely detected him before he was out of the room.

Left by myself again, I looked at the book-case—looked at it attentively for the first time.

It was a handsome piece of furniture in ancient carved oak, and it stood against the wall which ran parallel with the hall of the house. Excepting the space occupied in the upper corner of the room by the second door, which opened into the hall, the book-case filled the whole length of the wall down to the window. The top was ornamented by vases, candelabra, and statuettes, in pairs, placed in a row. Looking along the row, I noticed a vacant space on the top of the bookcase at the extremity of it which was nearest to the window. The opposite extremity, nearest to the door, was occupied by a handsome painted vase of a very peculiar pattern. Where was the corresponding vase, which ought to have been placed at the corresponding extremity of the book-case? I returned to the open sixth drawer of the cabinet, and looked in again. There was no mistaking the pattern on the fragments when I examined them now. The vase which had been broken was the vase which had stood in the place now vacant on the top of the book-case at the end nearest to the window.

Making this discovery, I took out the fragments, down to the smallest morsel of the shattered china, and examined them carefully one after another.

I was too ignorant of the subject to be able to estimate the value of the vase or the antiquity of the vase, or even to know whether it were of British or of foreign manufacture. The ground was of a delicate cream-color. The ornaments traced on this were wreaths of flowers and Cupids surrounding a medallion on either side of the vase. Upon the space within one of the medallions was painted with exquisite delicacy a woman’s head, representing a nymph or a goddess, or perhaps a portrait of some celebrated person—I was not learned enough to say which. The other medallion inclosed the head of a man, also treated in the classical style. Reclining shepherds and shepherdesses in Watteau costume, with their dogs and their sheep, formed the adornments of the pedestal. Such had the vase been in the days of its prosperity, when it stood on the top of the book-case. By what accident had it become broken? And why had Major Fitz-David’s face changed when he found that I had discovered the remains of his shattered work of art in the cabinet drawer?

The remains left those serious questions unanswered—the remains told me absolutely nothing. And yet, if my own observation of the Major were to be trusted, the way to the clew of which I was in search lay, directly or indirectly, through the broken vase.

It was useless to pursue the question, knowing no more than I knew now. I returned to the book-case.

Thus far I had assumed (without any sufficient reason) that the clew of which I was in search must necessarily reveal itself through a written paper of some sort. It now occurred to me—after the movement which I had detected on the part of the Major—that the clew might quite as probably present itself in the form of a book.

I looked along the lower rows of shelves, standing just near enough to them to read the titles on the backs of the volumes. I saw Voltaire in red morocco, Shakespeare in blue, Walter Scott in green, the “History of England” in brown, the “Annual Register” in yellow calf. There I paused, wearied and discouraged already by the long rows of volumes. How (I thought to myself) am I to examine all these books? And what am I to look for, even if I do examine them all?

Major Fitz-David had spoken of a terrible misfortune which had darkened my husband’s past life. In what possible way could any trace of that misfortune, or any suggestive hint of something resembling it, exist in the archives of the “Annual Register” or in the pages of Voltaire? The bare idea of such a thing seemed absurd The mere attempt to make a serious examination in this direction was surely a wanton waste of time.

And yet the Major had certainly stolen a look at the book-case. And again, the broken vase had once stood on the book-case. Did these circumstances justify me in connecting the vase and the book-case as twin landmarks on the way that led to discovery? The question was not an easy one to decide on the spur of the moment.

I looked up at the higher shelves.

Here the collection of books exhibited a greater variety. The volumes were smaller, and were not so carefully arranged as on the lower shelves. Some were bound in cloth, some were only protected by paper covers; one or two had fallen, and lay flat on the shelves. Here and there I saw empty spaces from which books had been removed and not replaced. In short, there was no discouraging uniformity in these higher regions of the book-case. The untidy top shelves looked suggestive of some lucky accident which might unexpectedly lead the way to success. I decided, if I did examine the book-case at all, to begin at the top.

Where was the library ladder?

I had left it against the partition wall which divided the back room from the room in front. Looking that way, I necessarily looked also toward the door that ran in grooves—the imperfectly closed door through which I heard Major Fitz-David question his servant on the subject of my personal appearance when I first entered the house. No one had moved this door during the time of my visit. Everybody entering or leaving the room had used the other door, which led into the hall.

At the moment when I looked round something stirred in the front room. The movement let the light in suddenly through the small open space left by the partially closed door. Had somebody been watching me through the chink? I stepped softly to the door, and pushed it back until it was wide open. There was the Major, discovered in the front room! I saw it in his face—he had been watching me at the book-case!

His hat was in his hand. He was evidently going out; and he dexterously took advantage of that circumstance to give a plausible reason for being so near the door.

“I hope I didn’t frighten you,” he said.

“You startled me a little, Major.”

“I am so sorry, and so ashamed! I was just going to open the door, and tell you that I am obliged to go out. I have received a pressing message from a lady. A charming person—I should so like you to know her. She is in sad trouble, poor thing. Little bills, you know, and nasty tradespeople who want their money, and a husband—oh, dear me, a husband who is quite unworthy of her! A most interesting creature. You remind me of her a little; you both have the same carriage of the head. I shall not be more than half an hour gone. Can I do anything for you? You are looking fatigued. Pray let me send for some more champagne. No? Promise to ring when you want it. That’s right! Au revoir, my charming friend—au revoir!”

I pulled the door to again the moment his back was turned, and sat down for a while to compose myself.

He had been watching me at the book-case! The man who was in my husband’s confidence, the man who knew where the clew was to be found, had been watching me at the book-case! There was no doubt of it now. Major Fitz-David had shown me the hiding-place of the secret in spite of himself!

I looked with indifference at the other pieces of furniture, ranged against the fourth wall, which I had not examined yet. I surveyed, without the slightest feeling of curiosity, all the little elegant trifles scattered on the tables and on the chimney-piece, each one of which might have been an object of suspicion to me under other circumstances. Even the water-color drawings failed to interest me in my present frame of mind. I observed languidly that they were most of them portraits of ladies—fair idols, no doubt, of the Major’s facile adoration—and I cared to notice no more. My business in that room (I was certain of it now!) began and ended with the book-case. I left my seat to fetch the library ladder, determining to begin the work of investigation on the top shelves.

On my way to the ladder I passed one of the tables, and saw the keys lying on it which Major Fitz-David had left at my disposal.

The smaller of the two keys instantly reminded me of the cupboards under the bookcase. I had strangely overlooked these. A vague distrust of the locked doors a vague doubt of what they might be hiding from me, stole into my mind. I left the ladder in its place against the wall, and set myself to examine the contents of the cupboards first.

The cupboards were three in number. As I opened the first of them the singing upstairs ceased. For a moment there was something almost oppressive in the sudden change from noise to silence. I suppose my nerves must have been overwrought. The next sound in the house—nothing more remarkable than the creaking of a man’s boots d............