For a time Norton lost himself in the stunning immensity of the life of New York. He made no effort to adjust himself to it. He simply allowed its waves to roll over and engulf him.
He stopped with mammy and the boy at a brown-stone boarding house on Stuyvesant Square kept by a Southern woman to whom he had a letter of introduction.
Mrs. Beam was not an ideal landlady, but her good-natured helplessness appealed to him. She was a large woman of ample hips and bust, and though very tall seemed always in her own way. She moved slowly and laughed with a final sort of surrender to fate when anything went wrong. And it was generally going wrong. She was still comparatively young—perhaps thirty-two—but was built on so large and unwieldy a pattern that it was not easy to guess her age, especially as she had a silly tendency to harmless kittenish ways at times.
The poor thing was pitifully at sea in her new world and its work. She had been reared in a typically extravagant home of the old South where slaves had waited her call from childhood. She had not learned to sew, or cook or keep house—in fact, she had never learned to do anything useful or important. So naturally she took boarders. Her husband, on whose shoulders she had placed every burden of life the day[Pg 175] of her marriage, lay somewhere in an unmarked trench on a Virginia battlefield.
She couldn\'t conceive of any human being enduring a servant that wasn\'t black and so had turned her house over to a lazy and worthless crew of Northern negro help. The house was never clean, the waste in her kitchen was appalling, but so long as she could find money to pay her rent and grocery bills, she was happy. Her only child, a daughter of sixteen, never dreamed of lifting her hand to work, and it hadn\'t yet occurred to the mother to insult her with such a suggestion.
Norton was not comfortable but he was lonely, and Mrs. Beam\'s easy ways, genial smile and Southern weaknesses somehow gave him a sense of being at home and he stayed. Mammy complained bitterly of the insolence and low manners of the kitchen. But he only laughed and told her she\'d get used to it.
He was astonished to find that so many Southern people had drifted to New York—exiles of all sorts, with one universal trait, poverty and politeness.
And they quickly made friends. As he began to realize it, his heart went out to the great city with a throb of gratitude.
When the novelty of the new world had gradually worn off a feeling of loneliness set in. He couldn\'t get used to the crowds on every street, these roaring rivers of strange faces rushing by like the waters of a swollen stream after a freshet, hurrying and swirling out of its banks.
At first he had found himself trying to bow to every man he met and take off his hat to every woman. It took a long time to break himself of this Southern instinct. The thing that cured him completely was when[Pg 176] he tipped his hat unconsciously to a lady on Fifth Avenue. She blushed furiously, hurried to the corner and had him arrested.
His apology was so abject, so evidently sincere, his grief so absurd over her mistake that when she caught his Southern drawl, it was her turn to blush and ask his pardon.
A feeling of utter depression and pitiful homesickness gradually crushed his spirit. His soul began to cry for the sunlit fields and the perfumed nights of the South. There didn\'t seem to be any moon or stars here, and the only birds he ever saw were the chattering drab little sparrows in the parks.
The first day of autumn, as he walked through Central Park, a magnificent Irish setter lifted his fine head and spied him. Some subtle instinct told the dog that the man was a hunter and a lover of his kind. The setter wagged his tail and introduced himself. Norton dropped to a seat, drew the shaggy face into his lap, and stroked his head.
He was back home again. Don, with his fine nose high in the air, was circling a field and Andy was shouting:
"He\'s got \'em! He\'s got \'em sho, Marse Dan!"
He could see Don\'s slim white and black figure stepping slowly through the high grass on velvet feet, glancing back to see if his master were coming—the muscles suddenly stiffened, his tail became rigid, and the whole covey of quail were under his nose!
He was a boy again and felt the elemental thrill of man\'s first work as hunter and fisherman. He looked about him at the bald coldness of the artificial park and a desperate longing surged through his heart to[Pg 177] be among his own people again, to live their life and feel their joys and sorrows as his own.
And then the memory of the great tragedy slowly surged back, he pushed the dog aside, rose and hurried on in his search for a new world.
He tried the theatres—saw Booth in his own house on 23d Street play "Hamlet" and Lawrence Barrett "Othello," listened with rapture to the new Italian Grand Opera Company in the Academy of Music—saw a burlesque in the Tammany Theatre on 14th Street, Lester Wallack in "The School for Scandal" at Wallack\'s Theatre on Broadway at 13th Street, and Tony Pastor in his variety show at his Opera House on the Bowery, and yet returned each night with a dull ache in his heart.
Other men who loved home less perhaps could adjust themselves to new surroundings, but somehow in him this home instinct, this feeling of personal friendliness for neighbor and people, this passion for house and lawn, flowers and trees and shrubs, for fields and rivers and hills, seemed of the very fibre of his inmost life. This vast rushing, roaring, impersonal world, driven by invisible titanic forces, somehow didn\'t appeal to him. It merely stunned and appalled and confused his mind.
And then without warning the blow fell.
He told himself afterwards that he must............