The croquet party to which the Princess Tverskaya had invited Anna was to consist of two ladies and their adorers. These two ladies were the chief representatives of a select new Petersburg circle, nicknamed, in imitation of some imitation, les sept merveilles du monde. These ladies belonged to a circle which, though of the highest society, was utterly hostile to that in which Anna moved. Moreover, Stremov, one of the most influential people in Petersburg, and the elderly admirer of Liza Merkalova, was Alexey Alexandrovitch's enemy in the political world. From all these considerations Anna had not meant to go, and the hints in Princess Tverskaya's note referred to her refusal. But now Anna was eager to go, in the hope of seeing Vronsky.

Anna arrived at Princess Tverskaya's earlier than the other guests.

At the same moment as she entered, Vronsky's footman, with side- whiskers combed out like a Kammerjunker, went in too. He stopped at the door, and, taking off his cap, let her pass. Anna recognized him, and only then recalled that Vronsky had told her the day before that he would not come. Most likely he was sending a note to say so.

As she took off her outer garment in the hall, she heard the footman, pronouncing his "r's" even like a Kammerjunker, say, "From the count for the princess," and hand the note.

She longed to question him as to where his master was. She longed to turn back and send him a letter to come and see her, or to go herself to see him. But neither the first nor the second nor the third course was possible. Already she heard bells ringing to announce her arrival ahead of her, and Princess Tverskaya's footman was standing at the open door waiting for her to go forward into the inner rooms.

"The princess is in the garden; they will inform her immediately. Would you be pleased to walk into the garden?" announced another footman in another room.

The position of uncertainty, of indecision, was still the same as at home--worse, in fact, since it was impossible to take any step, impossible to see Vronsky, and she had to remain here among outsiders, in company so uncongenial to her present mood. But she was wearing a dress that she knew suited her. She was not alone; all around was that luxurious setting of idleness that she was used to, and she felt less wretched than at home. She was not forced to think what she was to do. Everything would be done of itself. On meeting Betsy coming towards her in a white gown that struck her by its elegance, Anna smiled at her just as she always did. Princess Tverskaya was walking with Tushkevitch and a young lady, a relation, who, to the great joy of her parents in the provinces, was spending the summer with the fashionable princess.

There was probably something unusual about Anna, for Betsy noticed it at once.

"I slept badly," answered Anna, looking intently at the footman who came to meet them, and, as she supposed, brought Vronsky's note.

"How glad I am you've come!" said Betsy. "I'm tired, and was just longing to have some tea before they come. You might go"-- she turned to Tushkevitch--"with Masha, and try the croquet ground over there where they've been cutting it. We shall have time to talk a little over tea; we'll have a cozy chat, eh?" she said in English to Anna, with a smile, pressing the hand with which she held a parasol.

"Yes, especially as I can't stay very long with you. I'm forced to go on to old Madame Vrede. I've been promising to go for a century," said Anna, to whom lying, alien as it was to her nature, had become not merely simple and natural in society, but a positive source of satisfaction. Why she said this, which she had not thought of a second before, she could not have explained. She had said it simply from the reflection that as Vronsky would not be here, she had better secure her own freedom, and try to see him somehow. But why she had spoken of old Madame Vrede, whom she had to go and see, as she had to see many other people, she could not have explained; and yet, as it afterwards turned out, had she contrived the most cunning devices to meet Vronsky, she could have thought of nothing better.

"No. I'm not going to let you go for anything," answered Betsy, looking intently into Anna's face. "Really, if I were not fond of you, I should feel offended. One would think you were afraid my society would compromise you. Tea in the little dining room, please," she said, half closing her eyes, as she always did when addressing the footman.

Taking the note from him, she read it.

"Alexey's playing us false," she said in French; "he writes that he can't come," she added in a tone as simple and natural as though it could never enter her head that Vronsky could mean anything more to Anna than a game of croquet. Anna knew that Betsy knew everything, but, hearing how she spoke of Vronsky before her, she almost felt persuaded for a minute that she knew nothing.

"Ah!" said Anna indifferently, as though not greatly interested in the matter, and she went on smiling: "How can you or your friends compromise anyone?"

This playing with words, this hiding of a secret, had a great fascination for Anna, as, indeed, it has for all women. And it was not the necessity of concealment, not the aim with which the concealment was contrived, but the process of concealment ............