Princess Betsy drove home from the theater, without waiting for the end of the last act. She had only just time to go into her dressing room, sprinkle her long, pale face with powder, rub it, set her dress to rights, and order tea in the big drawing room, when one after another carriages drove up to her huge house in Bolshaia Morskaia. Her guests stepped out at the wide entrance, and the stout porter, who used to read the newspapers in the mornings behind the glass door, to the edification of the passers-by, noiselessly opened the immense door, letting the visitors pass by him into the house.

Almost at the same instant the hostess, with freshly arranged coiffure and freshened face, walked in at one door and her guests at the other door of the drawing room, a large room with dark walls, downy rugs, and a brightly lighted table, gleaming with the light of candles, white cloth, silver samovar, and transparent china tea things.

The hostess sat down at the table and took off her gloves. Chairs were set with the aid of footmen, moving almost imperceptibly about the room; the party settled itself, divided into two groups: one round the samovar near the hostess, the other at the opposite end of the drawing room, round the handsome wife of an ambassador, in black velvet, with sharply defined black eyebrows. In both groups conversation wavered, as it always does, for the first few minutes, broken up by meetings, greetings, offers of tea, and as it were, feeling about for something to rest upon.

"She's exceptionally good as an actress; one can see she's studied Kaulbach," said a diplomatic attache in the group round the ambassador's wife. "Did you notice how she fell down?..."

"Oh, please ,don't let us talk about Nilsson! No one can possibly say anything new about her," said a fat, red-faced, flaxen-headed lady, without eyebrows and chignon, wearing an old silk dress. This was Princess Myakaya, noted for her simplicity and the roughness of her manners, and nicknamed enfant terrible. Princess Myakaya, sitting in the middle between the two groups, and listening to both, took part in the conversation first of one and then of the other. "Three people have used that very phrase about Kaulbach to me today already, just as though they had made a compact about it. And I can't see why they liked that remark so."

The conversation was cut short by this observation, and a new subject had to be thought of again.

"Do tell me something amusing but not spiteful," said the ambassador's wife, a great proficient in the art of that elegant conversation called by the English, small talk. She addressed the attache, who was at a loss now what to begin upon.

"They say that that's a difficult task, that nothing's amusing that isn't spiteful," he began with a smile. "But I'll try. Get me a subject. It all lies in the subject. If a subject's given me, it's easy to spin something round it. I often think that the celebrated talkers of the last century would have found it difficult to talk cleverly now. Everything clever is so stale..."

"That has been said long ago," the ambassador's wife interrupted him, laughing.

The conversation began amiably, but just because it was too amiable, it came to a stop again. They had to have recourse to the sure, never-failing topic--gossip.

"Don't you think there's something Louis Quinze about Tushkevitch?" he said, glancing towards a handsome, fair-haired young man, standing at the table.

"Oh, yes! He's in the same style as the drawing room and that's why it is he's so often here."

This conversation was maintained, since it rested on allusions to what could not be talked on in that room--that is to say, of the relations of Tushkevitch with their hostess.

Round the samovar and the hostess the conversation had been meanwhile vacillating in just the same way between three inevitable topics: the latest piece of public news, the theater, and scandal. It, too, came finally to rest on the last topic, that is, ill-natured gossip.

"Have you heard the Maltishtcheva woman--the mother, not the daughter--has ordered a costume in diable rose color?"

"Nonsense! No, that's too lovely!"

"I wonder that with her sense--for she's not a fool, you know-- that she doesn't see how funny she is."

Everyone had something to say in censure or ridicule of the luckless Madame Maltishtcheva, and the conversation crackled merrily, like a burning faggot-stack.

The husband of Princess Betsy, a good-natured fat man, an ardent collector of engravings, hearing that his wife had visitors, came into the drawing room before going to his club. Stepping noiselessly over the thick rugs, he went up to Princess Myakaya.

"How did you like Nilsson?" he asked.

"Oh, how can you steal upon anyone like that! How you startled me!" she responded. "Please don't talk to me about the opera; you know nothing about music. I'd better meet you on your own ground, and talk about your majolica and engravings. Come now, what treasure have yo been buying lately at the old curiosity shops?"

"Would you like me to show you? But you don't understand such things."

"Oh, do show me! I've been learning about them at those--what's their names?...the bankers...they've some splendid engravings. They showed them to us."

"Why, have you been at the Schue............