As in the pre-Elizabethan days the public amusements consisted of performances by priests and monks on scaffolding set up before the church, mystery plays, “moralities,” and “miracles,” religious pageants through the village streets,—so in the Philippines, where they have not outlived the fourteenth century, the Church plays an important part in popular fiestas. The Christmas holidays are celebrated still by carol singing from house to house, and by the presentation of the old-time “mystery” by strolling bands of actors, with a wax-doll to represent the Sacred Child.
Each town, besides the regular church holidays—as indicated by innumerable red marks in the calendar—has a fiesta for its patron saint, which is of more importance even than the “Feast of Aguinaldo” (“Aguinaldo” is their word for [281]“Christmas present”), which is held annually in December. One of these fiestas is announced by the ringing of the church-bells—big bells and little bells all turning somersaults, and being banged as they go round. During the intermissions the municipal band discourses Spanish and Visayan music, coming to the end with a triumphant bang. Only on Holy Friday are the bells abandoned and tin pans and bamboo clappers, sticks and stones, resorted to for purposes of lamentation—functions for which these instruments are perfectly adapted.
People come in from far and near, riding in bancas or on ponies, often spending several nights upon the way. The great church at the morning mass is crowded; women faint; and, as the heat increases, it becomes a steaming oven. It is more spectacular at vespers, with the women kneeling among the goats and dogs; the men, uncovered, standing in the shadows of the gallery; the altar sparkling with a hundred candles; and the dying sunlight filtering through medi?val windows. As the resinous incense odor fills the house, through the wide-open doors the [282]sun can be seen setting in its tropical magnificence behind a grove of palms.
Then the procession, in a haze of dust—led by the band, the padre, and the acolytes; the sacred relics borne aloft on floats encircled by a blaze of candles; young men holding each other’s hands; children and old women following, holding their tapers and reciting prayers—files through the streets to the eternal clamor of the bells.
The afternoon is given up to tournaments—carabao races, pony races, banca races, cock-fights. Bamboo arches, decorated with red banners, are erected in the larger thoroughfares, and under these the horsemen ride together at full tilt, attempting to secure upon their lances the suspended rings which are the favors of the local se?oritas. On dropping in at that volcanic little town, Mambajo, one hot afternoon, I found a goose hung up upon the bamboo framework which became the property of the competitor who, riding under it ventre á terre, could seize the prize, regardless of the feelings of the goose. The village had turned out in holiday attire, as [283]the dense atmosphere of cocoanut-oil and perfumery proclaimed. The band, in white pith helmets and new linen uniforms, was playing under the mimosa-tree. Down the main road a struggling crowd of wheelmen came, and from a cloud of dust the winner of the mile bicycle-race shot past the tape. The difficulty in the carabao event was to stick on to the broad, clumsy animal, during the gallop around the course. One of the beasts, excited by the shouts, began to run amuck, and cut a swathe in the distracted crowd as clean as an ungovernable automobile might have made.
The ringing of a bell announced the cock-fight in the main beneath the cocoanut-trees. It was near the market-place, where venders of betel-nut, tobacco, cigarettes, and tuba squatted on the ground, their wares exposed for sale on mats. As the spectators crowded in, the gatekeeper would mark their bare feet with a red stamp, indicating that admission had been paid. On booths arranged within the last inclosure, se?oritas sold hot chocolate and raisin-cakes and beer. Tethered to little stakes, and straining at their leashes, the excited game-cocks, the descendants [284]of the jungle-fowl, screamed in exultant unison. The small boys, having climbed the cocoanut-palms, clung to the notches, and looked down upon the scene of conflict.
Little brown men, squatting around the birds, were critically hefting them, or matching couples of them in preliminary bouts, keeping a good hold of their tails. There was the wicked little Moro Bangcorong, the trainer of birds that never lost a fight. There was Manolo, the Visayan dandy, who on recent winnings in the main, supported a small stable of racing ponies at Cebu. The person entering a bird deposits a certain amount of money with the bank. This wager is then covered by the smaller bets of hoi poiloi. When a “dark” bird is victorious, and the crowd wins, an enthusiastic yell goes up. But just as in a public lottery, fortune is seldom with the great majority. As the bell rings, the spectators press close around the bamboo pit, or climb to points of vantage in adjacent scaffolding. A line is drawn in the damp earth, and on one side all the money wagered on the favorite is arranged, which must be balanced by the coin placed by opposing [285]betters on the other side. There is a frantic rushing around at the last moment to place bets. The Chinaman waves a ten-peso bill excitedly, and clamors “buenting! buenting!”—meaning that he puts his money on the speckled bird. Somebody on the other side cries out “guingan!” or “green,” and thus they both find takers for their “sapi.” Then the presidente, who referees the fight, sends two policemen to clear out the ring; the sheaths are removed from the razor-sharp steel spurs; the two cocks are held opposite each other, and are simultaneously launched into the arena. Ruffling, and facing each other with their necks outstretched, “blood in their eyes,” and realizing to the full extent the danger of the situation, they prepare to fight it out to death. A quick stab, and the victim, trembling violently, a stream of red blood trickling down its leg, drops at the first encounter, and the fight is over.
While no record has been kept of how the bets were placed,............