Hurrah! Hurrah! We are in the country—the glorious country! Outside of the thronged streets; away from piled up bricks and mortar; outside of the clank of machinery; the rumbling of carriages; the roar of the escape pipe; the scream of the steam whistle; the tramp, tramp of moving thousands on the stone sidewalks; away from the heated atmosphere of the city, loaded with the smoke and dust, and gasses of furnaces, and the ten thousand manufactories of villainous smells. We are beyond even the meadows and green fields. We are here alone with nature, surrounded by old primeval things. Tall forest trees, mountain and valley are on the right hand and on the left. Before us, stretching away for miles, is a beautiful lake, its waters calm and placid, giving back the bright heavens, the old woods, the fleecy clouds that drift across the sky, from away down in its quiet depths. Beyond still, are mountain ranges, whose castellated peaks stand out in sharp and bold relief, on whose tops the beams of the descending sun lie like a mantle of silver and gold. Glad voices are ringing; sounds of merriment make the evening joyous with the music of the wild things around us. Hark! how from away off over the water, the voice of the loon comes clear and musical and shrill, like the sound of a clarion; and note how it is borne about by the echoes from hill to hill. Hark! again, to that clanking sound away up in the air; metallic ringing, like the tones of a bell. It is the call of the cock of the woods as he flies, rising and falling, glancing upward and downward in his billowy flight across the lake. Hark! to that dull sound, like blows upon some soft, hollow, half sonorous substance, slow and measured at first, but increasing in rapidity, until it rolls like the beat of a muffled drum, or the low growl of the far-off thunder. It is the partridge drumming upon his log Hark! still again, to that quavering note, resembling somewhat the voice of the tree-frog when the storm is gathering, but not so clear and shrill. It is the call of the raccoon, as he clambers up some old forest tree, and seats himself among the lowest of its great limbs. Listen to the almost human halloo, the "hoo! hohoo, hoo!" that comes out from the clustering foliage of an ancient hemlock. It is the solemn call of the owl, as he sits among the limbs, looking out from between the branches with his great round grey eyes. Listen again and you will hear the voice of the catbird, the brown thrush, the chervink, the little chickadee, the wood robin, the blue-jay, the wood sparrow, and a hundred other nameless birds that live and build their nests and sing among these old woods.

But go a little nearer the lake, and you will have a concert that will drown all these voices in its tumultuous roar. Compared to these feeble strains, it is the crashing of Julien\'s hundred brazen instruments to the soft and sweet melody of Ole Bull\'s violin. Come with me to this rocky promontory; stand with me on this moss-covered boulder, which forms the point. On either hand is a little bay, the head of which is hidden around among the woods. See! over against us, on the limb of that dead fir tree, which leans out over the water, is a bald eagle, straightening with his hooked beak the feathers of his wings, and pausing now and then to look out over the water for some careless duck of which to make prey. See! he has leaped from his perch, has spread his broad pinions, and is soaring upward towards the sky. See! how he circles round and round, mounting higher and higher at every gyration. He is like a speck in the air. But see! he is above the mountains now, and how like an arrow he goes, straight forward, with no visible motion to his wings. He has laid his course for some lake, deeper in the wilderness, beyond that range of hills, and he is there, even while we are talking of his flight. A swift bird, the swiftest of all the birds, is the eagle, when he takes his descending stoop from his place away up in the sky. He cleaves the air like a bullet, and so swift is his career that the eye can scarcely trace his flight. But, hark! all is still now, save the piping notes of the little peeper along the shore. Wait, however, a moment. There, hear that venerable podunker off to the right, with his deep bass, like the sound of a brazen serpent. Listen! another deep voice on the left has fallen in. There, another right over against us! another and another still! a dozen! a hundred! a thousand! ten thousand! a million of them! close by us! far off! on the right hand and on the left! here! there! everywhere! until above, around us, all through the woods, all along the shore, all over the lake is a solid roar, impenetrable to any other sound, surging and swaying, rolling and swelling as if all the voices in the world were concentrated in one stupendous concert.

But, hark! the roar is dying away; voice after voice drops out; here and there is one laggard in the song, still dragging out the chorus. Now all is still again, save the note of the little peeper along the shore. In two minutes that band will strike up again. The roar will go bellowing over the lake through the woods, to be thrown from hill to hill, to die away into silence again; and so it will be through all the long night, and until the sun looks out from among the tree tops in the morning. Touch that solemn looking old croaker on yonder broad leaf of that pond lily, with the end of your fishing rod, while the music is at the highest, he will send forth a quick discordant and cracked cry, like that of a greedy dog choked with a bone, as he plunges for the bottom; and note how suddenly that sound will be repeated, and how quick the roar of the frogs will be hushed into silence. That is a cry of alarm, a note of danger, and every frog within hearing understands its import.

Is it asked where we are? I answer, we are on the Lower Saranac Lake, just on the south point, at the entrance of the romantic little bay, at the head of which stands Martin\'s Lake House, the only human dwelling in sight of this beautiful sheet of water. On the point where we now are, long ago, was the log shanty of a hunter and fisherman, surrounded by an acre or two of cleared land. But its occupant moved deeper into the wilderness, over on the waters of the Rackett, many years since; the log shanty has rotted away, and a vigorous growth of brush and small timber, now covers what once may have been called a field.

But the night shadows are beginning to gather over the forest, throwing a sort of spectral gloom among the old woods, giving a distorted look to the trunks of the trees, the low bushes, the turned up roots, and the boulders scattered over the ground. See what ogre shapes these things assume as the darkness deepens. Look at that cedar bush, with its dense foliage! It is a crouching lion, and as its branches wave in the gentle breeze, he seems preparing for his leap; and yonder boulder is a huge elephant! The root that comes out from the crevice is his trunk, and the moss and lichens which hang down on either side are his pendant ears; and see, he has a great tower on his back, wherein is seated a warrior in his ancient armor, grasping battle-axe and spear. Beyond, through that opening upon the bay, is a castle looming darkly against the sky, with massive towers and arched gateway. Such are the forms which fancy gives to these forest things, in the doubtful twilight of a summer evening. While we have been looking upon these unsubstantial shadows, the sunlight has left the mountain peaks, the stars have come out in the sky, and the moon has started on her course across the heavens.

Let us rest on our oars a moment, here in the bay, to view the scenery around us, as seen by the mellow moonlight. So calm, so still, so motionless are both air and water, that we seem suspended between the sky above, sparkling and glowing with millions of bright stars, and the moon riding gloriously on her course, and a sky beneath, sparkling and glowing with like millions of bright stars, and the same moon, or its counterpart, floating away down in fathomless depths below us. See, how the same hillside, the same line of forest trees, the same ranges and mountain peaks are reflected back from the stirless bosom of the lake. There, above, and just on the upper line of that tall peak, looming darkly and majestically in the distance, hangs a brilliant star, sparkling and twinkling, like the sheen of a diamond; and right beneath, away down just as far below the surface of the water as mountain peak and star are above it, is another mountain peak and bright star, twinned by the mirrored waters. See, away down the lake, that little island with its half dozen spruce trees, clustered together! How like a great war vessel it looks, with sails all set, as seen by the uncertain light of the moon. And that other island, off to the left, with the dead and barkless trees, how like a tall ship with bare masts riding at anchor it seems. That other island, away to the right, with its great boulders and bare rocks rising straight up out of the water, is a fortification, a stronghold surrounded by a wall of solid masonry, and bristling with cannon. We can almost see the sentinel, and hear his measured tramp as he travels his lonely rounds, keeping watch out over the waters. See all along the shore, as you look up the bay towards the Lake House, how the millions of fireflies flash their tiny torches, upward and downward, this way and that, mingling and crossing, and gyrating and whirling—a troubled and billowy sea of millions upon millions of glowing and sparkling gems.

Reader, were you and I gifted with the spirit of poetry, what inspiration would we not gather from the glories which surround us, as we float of a summer evening over these beautiful lakes, sleeping away out here, in all their virgin loveliness, among these old primeval things? But you ask, "what inspiration can there be in a moon and stars, that we see every night, when the sky is cloudless; in a desolate wilderness; the roar of the frogs; the hooting of owls; these useless waters; the phosphorescent flash of lightning bugs; these piled up rocks and barren mountains? Can you grow corn on these hills, or make pastures of these rocky lowlands? Can you harness these rivers to great waterwheels, or make reservoirs of these lakes? Can you convert these old forests into lumber or cordwood? Can you quarry these rocks, lay them up with mortar into houses, mills, churches, public edifices? Can you make what you call these \'old primeval things\' utilitarian? Can you make them minister to the progress of civilization, or coin them into dollars?"

Pshaw! You have spoiled, with your worldliness, your greed for progress, your thirst for gain, a pleasant fancy, a glorious dream, as if everything in the heavens, on the earth, or in the waters, were to be measured by the dollar and cent standard, and unless reducible to a representative of moneyed value, to be thrown, as utterly worthless, away. Let us row back to the Lake House.