Old Ben Westerveld was taking it easy. Every muscle taut, every nerve tense, his keen eyes vainly straining to pierce the blackness of the stuffy room—there lay Ben Westerveld in bed, taking it easy. And it was hard. Hard. He wanted to get up. He wanted so intensely to get up that the mere effort of lying there made him ache all over. His toes were curled with the effort. His fingers were clenched with it. His breath came short, and his thighs felt cramped. Nerves. But old Ben Westerveld didn\'t know that. What should a retired and well-to-do farmer of fifty-eight know of nerves, especially when he has moved to the city and is taking it easy?

If only he knew what time it was. Here in Chicago you couldn\'t tell whether it was four o\'clock or seven unless you looked at your watch. To do that it was necessary to turn on the light. And to turn on the light meant that he would turn on, too, a flood of querulous protest from his wife, Bella, who lay asleep beside him.

When for forty-five years of your life you have risen at four-thirty daily, it is difficult to learn to loll. To do it successfully, you must be a natural-born loller to begin with and revert. Bella Westerveld was and had. So there she lay, asleep. Old Ben wasn\'t and hadn\'t. So there he lay, terribly wide-awake, wondering what made his heart thump so fast when he was lying so still. If it had been light, you could have seen the lines of strained resignation in the sagging muscles of his patient face.

They had lived in the city for almost a year, but it was the same every morning. He would open his eyes, start up with one hand already reaching for the limp, drab work-worn garments that used to drape the chair by his bed. Then he would remember and sink back while a great wave of depression swept over him. Nothing to get up for. Store clothes on the chair by the bed. He was taking it easy.

Back home on the farm in southern Illinois he had known the hour the instant his eyes opened. Here the flat next door was so close that the bed-room was in twilight even at midday. On the farm he could tell by the feeling—an intangible thing, but infallible. He could gauge the very quality of the blackness that comes just before dawn. The crowing of the cocks, the stamping of the cattle, the twittering of the birds in the old elm whose branches were etched eerily against his window in the ghostly light—these things he had never needed. He had known. But here in the un-sylvan section of Chicago which bears the bosky name of Englewood, the very darkness had a strange quality.

A hundred unfamiliar noises misled him. There were no cocks, no cattle, no elm. Above all, there was no instinctive feeling. Once, when they first came to the city, he had risen at twelve-thirty, thinking it was morning, and had gone clumping about the flat, waking up everyone and loosing from his wife\'s lips a stream of acid vituperation that seared even his case-hardened sensibilities. The people sleeping in the bedroom of the flat next door must have heard her.

"You big rube! Getting up in the middle of the night and stomping around like cattle. You\'d better build a shed in the back yard and sleep there if you\'re so dumb you can\'t tell night from day."

Even after thirty-three years of marriage he had never ceased to be appalled at the coarseness of her mind and speech—she who had seemed so mild and fragile and exquisite when he married her. He had crept back to bed shamefacedly. He could hear the couple in the bedroom of the flat just across the little court grumbling and then laughing a little, grudgingly, and yet with appreciation. That bedroom, too, had still the power to appall him. Its nearness, its forced intimacy, were daily shocks to him whose most immediate neighbor, back on the farm, had been a quarter of a mile away. The sound of a shoe dropped on the hardwood floor, the rush of water in the bathroom, the murmur of nocturnal confidences, the fretful cry of a child in the night, all startled and distressed him whose ear had found music in the roar of the thresher and had been soothed by the rattle of the tractor and the hoarse hoot of the steamboat whistle at the landing. His farm\'s edge had been marked by the Mississippi rolling grandly by.

Since they had moved into town, he had found only one city sound that he really welcomed—the rattle and clink that marked the milkman\'s matutinal visit. The milkman came at six, and he was the good fairy who released Ben Westerveld from durance vile—or had until the winter months made his coming later and later, so that he became worse than useless as a timepiece. But now it was late March, and mild. The milkman\'s coming would soon again mark old Ben\'s rising hour. Before he had begun to take it easy, six o\'clock had seen the entire mechanism of his busy little world humming smoothly and sweetly, the whole set in motion by his own big work-callused hands. Those hands puzzled him now. He often looked at them curiously and in a detached sort of way, as if they belonged to someone else. So white they were, and smooth and soft, with long, pliant nails that never broke off from rough work as they used to. Of late there were little splotches of brown on the backs of his hands and around the thumbs.

"Guess it\'s my liver," he decided, rubbing the spots thoughtfully. "She gets kind of sluggish from me not doing anything. Maybe a little spring tonic wouldn\'t go bad. Tone me up."

He got a little bottle of reddish-brown mixture from the druggist on Halstead Street near Sixty-third. A genial gentleman, the druggist, white-coated and dapper, stepping affably about the fragrant-smelling store. The reddish-brown mixture had toned old Ben up surprisingly—while it lasted. He had two bottles of it. But on discontinuing it he slumped back into his old apathy.

Ben Westerveld, in his store clothes, his clean blue shirt, his incongruous hat, ambling aimlessly about Chicago\'s teeming, gritty streets, was a tragedy. Those big, capable hands, now dangling so limply from inert wrists, had wrested a living from the soil; those strangely unfaded blue eyes had the keenness of vision which comes from scanning great stretches of earth and sky; the stocky, square-shouldered body suggested power unutilized. All these spelled tragedy. Worse than tragedy—waste.

For almost half a century this man had combated the elements, head set, eyes wary, shoulders squared. He had fought wind and sun, rain and drought, scourge and flood. He had risen before dawn and slept before sunset. In the process he had taken on something of the color and the rugged immutability of the fields and hills and trees among which he toiled. Something of their dignity, too, though your town dweller might fail to see it beneath the drab exterior. He had about him none of the highlights and sharp points of the city man. He seemed to blend in with the background of nature so as to be almost undistinguishable from it, as were the furred and feathered creatures. This farmer differed from the city man as a hillock differs from an artificial golf bunker, though form and substance are the same.

Ben Westerveld didn\'t know he was a tragedy. Your farmer is not given to introspection. For that matter, anyone knows that a farmer in town is a comedy. Vaudeville, burlesque, the Sunday supplement, the comic papers, have marked him a fair target for ridicule. Perhaps one should know him in his overalled, stubble-bearded days, with the rich black loam of the Mississippi bottomlands clinging to his boots.

At twenty-five, given a tasseled cap, doublet and hose, and a long, slim pipe, Ben Westerveld would have been the prototype of one of those rollicking, lusty young mynheers that laugh out at you from a Frans Hals canvas. A roguish fellow with a merry eye; red-cheeked, vigorous. A serious mouth, though, and great sweetness of expression. As he grew older, the seriousness crept up and up and almost entirely obliterated the roguishness. By the time the life of ease claimed him, even the ghost of that ruddy wight of boyhood had vanished.

The Westerveld ancestry was as Dutch as the name. It had been hundreds of years since the first Westervelds came to America, and they had married and intermarried until the original Holland strain had almost entirely disappeared. They had drifted to southern Illinois by one of those slow processes of migration and had settled in Calhoun County, then almost a wilderness, but magnificent with its rolling hills, majestic rivers, and gold-and-purple distances. But to the practical Westerveld mind, hills and rivers and purple haze existed only in their relation to crops and weather. Ben, though, had a way of turning his face up to the sky sometimes, and it was not to scan the heavens for clouds. You saw him leaning on the plow handle to watch the whirring flight of a partridge across the meadow. He liked farming. Even the drudgery of it never made him grumble. He was a natural farmer as men are natural mechanics or musicians or salesmen. Things grew for him. He seemed instinctively to know facts about the kin ship of soil and seed that other men had to learn from books or experience. It grew to be a saying in that section that "Ben Westerveld could grow a crop on rock."

At picnics and neighborhood frolics Ben could throw farther and run faster and pull harder than any of the other farmer boys who took part in the rough games. And he could pick up a girl with one hand and hold her at arm\'s length while she shrieked with pretended fear and real ecstasy. The girls all liked Ben. There was that almost primitive strength which appealed to the untamed in them as his gentleness appealed to their softer side. He liked the girls, too, and could have had his pick of them. He teased them all, took them buggy riding, beaued them about to neighbor-hood parties. But by the time he was twenty-five the thing had narrowed down to the Byers girl on the farm adjoining Westerveld\'s. There was what the neighbors called an understanding, though perhaps he had never actually asked the Byers girl to marry him. You saw him going down the road toward the Byers place four nights out of the seven. He had a quick, light step at variance with his sturdy build, and very different from the heavy, slouching gait of the work-weary farmer. He had a habit of carrying in his hand a little twig or switch cut from a tree. This he would twirl blithely as he walked along. The switch and the twirl represented just so much energy and animal spirits. He never so much as flicked a dandelion head with it.

An inarticulate sort of thing, that courtship.

"Hello, Emma."

"How do, Ben."

"Thought you might like to walk a piece down the road. They got a calf at Aug Tietjens\' with five legs."

"I heard. I\'d just as lief walk a little piece. I\'m kind of beat, though. We\'ve got the threshers day after tomorrow. We\'ve been cooking up."

Beneath Ben\'s bonhomie and roguishness there was much shyness. The two would plod along the road together in a sort of blissful agony of embarrassment. The neighbors were right in their surmise that there was no definite understanding between them. But the thing was settled in the minds of both. Once Ben had said: "Pop says I can have the north eighty on easy payments if—when——"

Emma Byers had flushed up brightly, but had answered equably: "That\'s a fine piece. Your pop is an awful good man."

The stolid exteriors of these two hid much that was fine and forceful. Emma Byers\' thoughtful forehead and intelligent eyes would have revealed that in her. Her mother was dead. She kept house for her father and brother. She was known as "that smart Byers girl." Her butter and eggs and garden stuff brought higher prices at Commercial, twelve miles away, than did any other\'s in the district. She was not a pretty girl, according to the local standards, but there was about her, even at twenty-two, a clear-headedness and a restful serenity that promised well for Ben Westerveld\'s future happiness.

But Ben Westerveld\'s future was not to lie in Emma Byers\' capable hands. He knew that as soon as he saw Bella Huckins. Bella Huckins was the daughter of old "Red Front" Huckins, who ran the saloon of that cheerful name in Commercial. Bella had elected to teach school, not from any bent toward learning but because teaching appealed to her as being a rather elegant occupation. The Huckins family was not elegant. In that day a year or two of teaching in a country school took the place of the present-day normal-school diploma. Bella had an eye on St. Louis, forty miles from the town of Commercial. So she used the country school as a step toward her ultimate goal, though she hated the country and dreaded her apprenticeship.

"I\'ll get a beau," she said, "who\'ll take me driving and around. And Saturdays and Sundays I can come to town."

The first time Ben Westerveld saw her she was coming down the road toward him in her tight-fitting black alpaca dress. The sunset was behind her. Her hair was very golden. In a day of tiny waists hers could have been spanned by Ben Westerveld\'s two hands. He discovered that later. Just now he thought he had never seen anything so fairylike and dainty, though he did not put it that way. Ben was not glib of thought or speech.

He knew at once this was the new schoolteacher. He had heard of her coming, though at the time the conversation had interested him not at all. Bella knew who he was, too. She had learned the name and history of every eligible young man in the district two days after her arrival. That was due partly to her own bold curiosity and partly to the fact that she was boarding with the Widow Becker, the most notorious gossip in the county. In Bella\'s mental list of the neighborhood swains Ben Westerveld already occupied a position at the top of the column.

He felt his face redden as they approached each other. To hide his embarrassment he swung his little hickory switch gaily and called to his dog Dunder, who was nosing about by the roadside. Dunder bounded forward, spied the newcomer, and leaped toward her playfully and with natural canine curiosity.

Bella screamed. She screamed and ran to Ben and clung to him, clasping her hands about his arm. Ben lifted the hickory switch in his free hand and struck Dunder a sharp cut with it. It was the first time in his life that he had done such a thing. If he had had a sane moment from that time until the day he married Bella Huckins, he never would have forgotten the dumb hurt in Dunder\'s stricken eyes and shrinking, quivering body.

Bella screamed again, still clinging to him. Ben was saying: "He won\'t hurt you. He won\'t hurt you," meanwhile patting her shoulder reassuringly. He looked down at her pale face. She was so slight, so childlike, so apparently different from the sturdy country girls. From—well, from the girls he knew. Her helplessness, her utter femininity, appealed to all that was masculine in him. Bella, the experienced, clinging to him, felt herself swept from head to foot by a queer electric tingling that was very pleasant but that still had in it something of the sensation of a wholesale bumping of one\'s crazy bone. If she had been anything but a stupid little flirt, she would have realized that here was a specimen of the virile male with which she could not trifle. She glanced up at him now, smiling faintly. "My, I was scared!" She stepped away from him a little—very little.

"Aw, he wouldn\'t hurt a flea."

But Bella looked over her shoulder fearfully to where Dunder stood by the roadside, regarding Ben with a look of uncertainty. He still thought that perhaps this was a new game. Not a game that he cared for, but still one to be played if his master fancied it. Ben stooped, picked up a stone, and threw it at Dunder, striking him in the flank.

"Go on home!" he commanded sternly. "Go home!" He started toward the dog with a well-feigned gesture of menace. Dunder, with a low howl, put his tail between his legs and loped off home, a disillusioned dog.

Bella stood looking up at Ben. Ben looked down at her. "You\'re the new teacher, ain\'t you?"

"Yes. I guess you must think I\'m a fool, going on like a baby about that dog."

"Most girls would be scared of him if they didn\'t know he wouldn\'t hurt nobody. He\'s pretty big."

He paused a moment, awkwardly. "My name\'s Ben Westerveld."

"Pleased to meet you," said Bella. "Which way was you going? There\'s a dog down at Tietjens\' that\'s enough to scare anybody. He looks like a pony, he\'s so big."

"I forgot something at the school this afternoon, and I was walking over to get it." Which was a lie. "I hope it won\'t get dark before I get there. You were going the other way, weren\'t you?"

"Oh, I wasn\'t going no place in particular. I\'ll be pleased to keep you company down to the school and back." He was surprised at his own sudden masterfulness.

They set off together, chatting as freely as if they had known one another for years. Ben had been on his way to the Byers farm, as usual. The Byers farm and Emma Byers passed out of his mind as completely as if they had been whisked away on a magic rug.

Bella Huckins had never meant to marry him. She hated farm life.

She was contemptuous of farmer folk. She loathed cooking and drudgery. The Huckinses lived above the saloon in Commercial and Mrs. Huckins was always boiling ham and tongue and cooking pigs\' feet and shredding cabbage for slaw, all these edibles being destined for the free-lunch counter downstairs. Bella had early made up her mind that there should be no boiling and stewing and frying in her life. Whenever she could find an excuse she loitered about the saloon. There she found life and talk and color. Old Red Front Huckins used to chase her away, but she always turned up again, somehow, with a dish for the lunch counter or with an armful of clean towels.

Ben Westerveld never said clearly to himself, "I want to marry Bella." He never dared meet the thought. He intended honestly to marry Emma Byers. But this thing was too strong for him. As for Bella, she laughed at him, but she was scared, too. They both fought the thing, she selfishly, he unselfishly, for the Byers girl, with her clear, calm eyes and her dependable ways, was heavy on his heart. Ben\'s appeal for Bella was merely that of the magnetic male. She never once thought of his finer qualities. Her appeal for him was that of the frail and alluring woman. But in the end they married. The neighborhood was rocked with surprise.

Usually in a courtship it is the male who assumes the bright colors of pretense in order to attract a mate. But Ben Westerveld had been too honest to be anything but himself. He was so honest and fundamentally truthful that he refused at first to allow himself to believe that this slovenly shrew was the fragile and exquisite creature he had married. He had the habit of personal cleanliness, had Ben, in a day when tubbing was a ceremony in an environment that made bodily nicety difficult. He discovered that Bella almost never washed and that her appearance of fragrant immaculateness, when dressed, was due to a natural clearness of skin and eye, and to the way her blond hair swept away in a clean line from her forehead. For the rest, she was a slattern, with a vocabulary of invective that would have been a credit to any of the habitues of old Red Front Huckins\' bar.

They had three children, a girl and two boys. Ben Westerveld prospered in spite of his wife. As the years went on he added eighty acres here, eighty acres there, until his land swept down to the very banks of the Mississippi. There is no doubt that she hindered him greatly, but he was too expert a farmer to fail. At threshing time the crew looked forward to working for Ben, the farmer, and dreaded the meals prepared by Bella, his wife. She was notoriously the worst cook and housekeeper in the county. And all through the years, in trouble and in happiness, her plaint was the same—"If I\'d thought I was going to stick down on a farm all my life, slavin\' for a pack of menfolks day and night, I\'d rather have died. Might as well be dead as rottin\' here."

Her schoolteacher English had early reverted. Her speech was as slovenly as her dress. She grew stout, too, and unwieldy, and her skin coarsened from lack of care and from overeating. And in her children\'s ears she continually dinned a hatred of farm life and farming. "You can get away from it," she counseled her daughter, Minnie. "Don\'t you be a rube like your pa," she cautioned John, the older boy. And they profited by her advice. Minnie went to work in Commercial when she was seventeen, an overdeveloped girl with an inordinate love of cheap finery. At twenty, she married an artisan, a surly fellow with roving tendencies. They moved from town to town. He never stuck long at one job. John, the older boy, was as much his mother\'s son as Minnie was her mother\'s daughter. Restless, dissatisfied, emptyheaded, he was the despair of his father. He drove the farm horses as if they were racers, lashing them up hill and down dale. He was forever lounging off to the village or wheedling his mother for money to take him to Commercial. It was before the day of the ubiquitous automobile. Given one of those present adjuncts to farm life, John would have ended his career much earlier. As it was, they found him lying by the roadside at dawn one morning after the horses had trotted into the yard with the wreck of the buggy bumping the road behind them. He had stolen the horses out of the barn after the help was asleep, had led them stealthily down the road, and then had whirled off to a rendezvous of his own in town. The fall from the buggy might not have hurt him, but evidently he had been dragged almost a mile before his battered body became somehow disentangled from the splintered wood and the reins.

That horror might have served to bring Ben Westerveld and his wife together, but it did not. It only increased her bitterness and her hatred of the locality and the life.

"I hope you\'re good an\' satisfied now," she repeated in endless reproach. "I hope you\'re good an\' satisfied. You was bound you\'d make a farmer out of him, an\' now you finished the job. You better try your hand at Dike now for a change."

Dike was young Ben, sixteen; and old Ben had no need to try his hand at him. Young Ben was a born farmer, as was his father. He had come honestly by his nickname. In face, figure, expression, and manner he was a five-hundred-year throwback to his Holland ancestors. Apple-cheeked, stocky, merry of eye, and somewhat phlegmatic. When, at school, they had come to the story of the Dutch boy who saved his town from flood by thrusting his finger into the hole in the dike and holding it there until help came, the class, after one look at the accompanying picture in the reader, dubbed young Ben "Dike" Westerveld. And Dike he remained.

Between Dike and his father there was a strong but unspoken feeling. The boy was cropwise, as his father had been at his age. On Sundays you might see the two walking about the farm, looking at the pigs—great black fellows worth almost their weight in silver; eying the stock; speculating on the winter wheat showing dark green in April, with rich patches that were almost black. Young Dike smoked a solemn and judicious pipe, spat expertly, and voiced the opinion that the winter wheat was a fine prospect Ben Westerveld, listening tolerantly to the boy\'s opinions, felt a great surge of joy that he did not show. Here, at last, was compensation for all the misery and sordidness and bitter disappointment of his married life.

That married life had endured now for more than thirty years. Ben Westerveld still walked with a light, quick step—for his years. The stocky, broad-shouldered figure was a little shrunken. He was as neat and clean at fifty-five as he had been at twenty-five-a habit that, on a farm, is fraught with difficulties. The community knew and respected him. He was a man of standing. When he drove into town on a bright winter morning, in his big sheepskin coat and his shaggy cap and his great boots, and entered the First National Bank, even Shumway, the cashier, would look up from his desk to say:

"Hello, Westerveld! Hello! Well, how goes it?"

When Shumway greeted a farmer in that way you knew that there were no unpaid notes to his discredit.

All about Ben Westerveld stretched the fruit of his toil; the work of his hands. Orchards, fields, cattle, barns, silos. All these things were dependent on him for their future well-being—on him and on Dike after him. His days were full and running over. Much of the work was drudgery; most of it was backbreaking and laborious. But it was his place. It was his reason for being. And he felt that the reason was good, though he never put that thought into words, mental or spoken. He only knew that he was part of the great scheme of things and that he was functioning ably. If he had expressed himself at all, he might have said:

"Well, I got my work cut out for me, and I do it, and do it right."

There was a tractor, now, of course; and a sturdy, middle-class automobile in which Bella lolled red-faced when they drove into town.

As Ben Westerveld had prospered, his shrewish wife had reaped her benefits. Ben was not the selfish type of farmer who insists on twentieth-century farm implements and medieval household equipment. He had added a bedroom here, a cool summer kitchen there, an icehouse, a commodious porc............