By business and disposition Schavinsky was a collector of human documents, of rare and strange manifestations of the human spirit. Often for weeks, sometimes for months together, he watched an interesting type, tracking him down with the persistence of a passionate sportsman or an eager detective. It would happen that the prize was found to be, as he called it, ‘a knight of the black star’—a sharper, a notorious plagiarist, a pimp, a souteneur, a literary maniac, the terror of every editor, a plunging cashier or bank messenger, who spends public money in restaurants and gambling hells with the madness of a man rushing down the steep; but no less the objects of his sporting passion were the lions of the season—pianists, singers, littérateurs, gamblers with amazing luck, jockeys, athletes, and cocottes coming into vogue. By hook or crook Schavinsky made their acquaintance and then, enveloping them in his spider’s toils, tenderly and gently secured his victim’s attention. Then he was ready for anything. He would sit for whole sleepless nights with vulgar, stupid people, whose mental equipment, like the Hottentots’, consisted of a dozen or two animal conceptions and clichés; he stood drinks and dinners to damnable fools59 and scoundrels, waiting patiently for the moment when in their drunkenness they would reveal the full flower of their villainy. He flattered them to the top of their bent, with his eyes open; gave them monstrous doses of flattery, firmly convinced that flattery is the key to open every lock; he lent them money generously, knowing well that he would never receive it back again. In justification of this precarious sport he could say that the inner psychological interest for him considerably surpassed the benefits he subsequently acquired as a realistic writer. It gave him a subtle and obscure delight to penetrate into the mysterious inaccessible chambers of the human soul, to observe the hidden springs of external acts, springs sometimes petty, sometimes shameful, more often ridiculous than affecting—as it were, to hold in his hand for a while, a live, warm human heart and touch its very pulse. Often in this inquisitive pursuit it seemed to him that he was completely losing his own ‘ego,’ so much did he begin to think and feel with another’s soul, even speaking in his language with his peculiar words until at last he even caught himself using another’s gesture and tone. But when he had saturated himself in a man he threw him aside. It is true that sometimes he had to pay long and heavily for a moment’s infatuation.
But no one for a long time had so deeply interested him, even to agitation, as this hoarse, tippling infantry captain. For a whole day Schavinsky did not let him go. As he sat by60 his side in the cab and watched him surreptitiously, Schavinsky resolved:
‘No, I can’t be mistaken;—this yellow, squinting face with the cheekbones, these eternal bobs and bows, and the incessant hand washing; above all this strained, nervous, uneasy familiarity.... But if it’s all true, and Captain Ribnikov is really a Japanese spy, then what extraordinary presence of mind the man must have to play with this magnificent audacity, this diabolically true caricature of a broken-down officer in broad daylight in a hostile capital. What awful sensations he must have, balanced every second of the day on the very edge of certain death!’
Here was something completely inexplicable to Schavinsky—a fascinating, mad, cool audacity—perhaps the very noblest kind of patriotic devotion. An acute curiosity, together with a reverent fear, drew the journalist’s mind more and more strongly towards the soul of this amazing captain.
But sometimes he pulled himself up mentally: ‘Suppose I’ve forced myself to believe in a ridiculous preconceived idea? Suppose I’ve just let myself be fooled by a disreputable captain in my inquisitive eagerness to read men’s souls? Surely there are any number of yellow Mongol faces in the Ural or among the Oremburg Cossacks.’ Still more intently he looked into every motion and expression of the captain’s face, listened intently to every sound of his voice.
Ribnikov did not miss a single soldier who61 gave him a salute as he passed. He put his hand to the peak of his cap with a peculiarly prolonged and exaggerated care. Whenever they drove past a church he invariably raised his hat and crossed himself punctiliously with a broad sweep of his arm, and as he did it he gave an almost imperceptible side-glance to his companion—is he noticing or not?
Once Schavinsky could hold out no longer, and said: ‘But you’re pious, though, Captain.’
Ribnikov threw out his hands, hunched his shoulders up funnily, and said in his hoarse voice: ‘Can’t be helped, old man. I’ve got the habit of it at the Front. The man who fights learns to pray, you know. It’s a splendid Russian proverb. You learn to say your prayers out there, whether you like it or not. You go into the firing line. The bullets are whirring, terribly—shrapnel, bombs ... those cursed Japanese shells.... But it can’t be helped—duty, your oath, and off you go! And you say to yourself: “Our Father, which art in heaven, hallowed be Thy name. Thy kingdom come. Thy Will be done in earth, as it is in heaven....”’
And he said the whole prayer to the end, carefully shaping out each sound.
‘Spy!’ Schavinsky decided.
But he would not leave his suspicion half-way. For hours on end he went on watching and goading the captain. In a private room of a restaurant at dinner he bent right over62 the table and looked into Ribnikov’s very pupils.
‘Listen, Captain. No one can hear us now.... What’s the strongest oath I can give you that no one will ever hear of our conversation?... I’m convinced, absolutely and beyond all doubt, that you’re a Japanese.’
Ribnikov banged himself on the chest again.
‘I am Capt——’
‘No, no. Let’s have done with these tricks. You can’t hide your face, however clever you are. The line of your cheekbones, the cut of your eyes, your peculiar head, the colour of your skin, the stiff, straggling growth on your face—everything points beyond all shadow of doubt to you belonging to the yellow race. But you’re safe. I shan’t tell on you, whatever offers they make me, however they threaten me for silence. I shan’t do you any harm, if it’s only because I’m full of admiration for your amazing courage. I say more—I’m full of reverence, terror if you like. I’m a writer—that’s a man of fancy and imagination. I can’t even imagine how it’s possible for a man to make up his mind to it: to come thousands of miles from your country to a city full of enemies that hate you, risking your life every second—you’ll be hanged without a trial if you’re caught, I suppose you know? And then to go walking about in an officer’s uniform, to enter every possible kind of company, and hold the most dangerous conversations. The least mistake, one slip will ruin you in a second. Half63 an hour ago you used the word “holograph” instead of “manuscript.” A trifle, but very characteristic. An army captain would never use this word of a modern manuscript, but only of an archive or a very solemn document. He wouldn’t even say “manuscript,” but just a “book”—but these are trifles. But the one thing I don’t understand is the incessant strain of the mind and will, the diabolical waste of spiritual strength. To forget to think in Japanese, to forget your name utterly, to identify yourself completely with another’s personality—no, this is surely greater than any heroism they told us of in school. My dear man, don’t try to play with me. I swear I’m not your enemy.’
He said all this quite sincerely, for his whole being was stirred to flame by the heroic picture of his imagination. But the captain would not let himself be flattered. He listened to him, and stared with eyes slightly closed at his glass, which he quietly moved over the tablecloth, and the corners of his blue lips twisted nervously. And in his face Schavinsky recognised the same hidden mockery, the same deep, stubborn, implacable hatred, the peculiar hatred that a European can perhaps never understand, felt by a wise, cultured, civilised beast, made man, for a being of another species.
‘Keep your kindness in your pocket,’ replied Ribnikov carelessly. ‘Let it go to hell. They teased me in the regiment too with being a Jap. Chuck it! I’m Captain Ribnikov. You know64 there’s a Russian proverb, “The face of a beast with the soul of a man.” I’ll just tell you there was once a case in our regiment——’
‘What was your regiment?’ Schavinsky asked suddenly.
But the captain seemed not to have heard. He began to tell the old, threadbare dirty stories that are told in camp, on man?uvres, and in barracks, and in spite of himself Schavinsky began to feel insulted. Once during the evening as they sat in the cab Schavinsky put his arm round his waist, and drew him close and said in a low voice:
‘Captain ... no, Colonel, at least, or you would never have been given such a serious mission. Let’s say Colonel, then. I do homage to your daring, that is to the boundless courage of the Japanese nation. Sometimes when I read or think of individual cases of your diabolical bravery and contempt of death, I tremble with ecstasy. What immortal beauty, what divine courage there is, for instance, in the action of the captain of the shattered warship who answered the call to surrender by quietly lighting a cigarette, and went to the bottom with a cigarette in his lips! What titanic strength, what thrilling contempt for the enemy! And the naval cadets on the fireships who went to certain death, delighted as though they were going to a ball! And do you remember how a lieutenant, all by himself, towed a torpedo in a boat at night to make an end of the mole at Port Arthur? The searchlights65 were turned on and all there remained of the lieutenant and his boat was a bloody stain on the concrete wall. But the next day all the midshipmen and lieutenants of the Japanese Fleet overwhelmed Admiral Togo with applications, offering to repeat the exploit. What amazing heroes! But still more magnificent is Togo’s order that the officers under him should not so madly risk their lives, which belong to their country and not to them. It’s damnably beautiful, though!’
‘What’s this s............