On the first of March, Conway Dalrymple\'s easel was put up in Mrs. Dobbs Broughton\'s boudoir upstairs, the canvas was placed upon it on which the outlines of Jael and Sisera had been already drawn, and Mrs. Broughton and Clara Van Siever and Conway Dalrymple were assembled with the view of steady art-work. But before we see how they began their work together, we will go back for a moment to John Eames on his return to his London lodgings. The first thing every man does when he returns home after an absence, is to look at his letters, and John Eames looked at his. There were not very many. There was a note marked immediate, from Sir Raffle Buffle, in which Sir R. had scrawled in four lines a notification that he should be driven to an extremity of inconvenience if Eames were not at his post at half-past nine on the following morning. "I think I see myself there at that hour," said John. There was a notification of a house dinner, which he was asked to join, at his club, and a card for an evening gathering at Lady Glencora Palliser\'s,—procured for him by his friend Conway,—and an invitation to dinner at the house of his uncle, Mr. Toogood; and there was a scented note in the handwriting of a lady, which he did not recognize. "My nearest and dearest friend, M. D. M.," he said, as he opened the note and looked at the signature. Then he read the letter from Miss Demolines.
 

    My dear Mr. Eames,

    Pray come to me at once. I know that you are to be back to-morrow. Do not lose an hour if you can help it. I shall be at home at half-past five. I fear what you know of has been begun. But it certainly shall not go on. In one way or another it must be prevented. I won\'t say another word till I see you, but pray come at once.

    Yours always,

    M. D. M.

    Thursday.

    Poor mamma isn\'t very well, so you had better ask for me.
    

"Beautiful!" said Johnny, as he read the note. "There\'s nothing I like so much as a mystery,—especially if it\'s about nothing. I wonder why she is so desperately anxious that the picture should not be painted. I\'d ask Dalrymple, only I should spoil the mystery." Then he sat himself down, and began to think of Lily. There could be no treason to Lily in his amusing himself with the freaks of such a woman as Miss Demolines.

At eleven o\'clock on the morning of the 1st of March,—the day following that on which Miss Demolines had written her note,—the easel was put up and the canvas was placed on it in Mrs. Broughton\'s room. Mrs. Broughton and Clara were both there, and when they had seen the outlines as far as it had been drawn, they proceeded to make arrangements for their future operations. The period of work was to begin always at eleven, and was to be continued for an hour and a half or for two hours on the days on which they met. I fear that there was a little improper scheming in this against the two persons whom the ladies were bound to obey. Mr. Dobbs Broughton invariably left his house soon after ten in the morning. It would sometimes happen, though not frequently, that he returned home early in the day,—at four perhaps, or even before that; and should he chance to do so while the picture was going on, he would catch them at their work if the work were postponed till after luncheon. And then again, Mrs. Van Siever would often go out in the morning, and when she did so, would always go without her daughter. On such occasions she went into the City, or to other resorts of business, at which, in some manner quite unintelligible to her daughter, she looked after her money. But when she did not go out in the morning, she did go out in the afternoon, and she would then require her daughter\'s company. There was some place to which she always went of a Friday morning, and at which she stayed for two or three hours. Friday therefore was a fitting day on which to begin the work at Mrs. Broughton\'s house. All this was explained between the three conspirators. Mrs. Dobbs Broughton declared that if she entertained the slightest idea that her husband would object to the painting of the picture in her room, nothing on earth would induce her to lend her countenance to it; but yet it might be well not to tell him just at first, perhaps not till the sittings were over,—perhaps not till the picture was finished; as, otherwise, tidings of the picture might get round to ears which were not intended to hear it. "Poor dear Dobbs is so careless with a secret." Miss Van Siever explained her motives in a very different way. "I know mamma would not let me do it if she knew it; and therefore I shall not tell her." "My dear Clara," said Mrs. Broughton with a smile, "you are so outspoken!" "And why not?" said Miss Van Siever. "I am old enough to judge for myself. If mamma does not want to be deceived, she ought not to treat me like a child. Of course she\'ll find it out sooner or later; but I don\'t care about that." Conway Dalrymple said nothing as the two ladies were thus excusing themselves. "How delightful it must be not to have a master," said Mrs. Broughton, addressing him. "But then a man has to work for his own bread," said he. "I suppose it comes about equal in the long run."

Very little drawing or painting was done on that day. In the first place it was necessary that the question of costume should be settled, and both Mrs. Broughton and the artist had much to say on the subject. It was considered proper that Jael should be dressed as a Jewess, and there came to be much question how Jewesses dressed themselves in those very early days. Mrs. Broughton had prepared her jewels and raiment of many colours, but the painter declared that the wife of Heber the Kenite would have no jewels. But when Mrs. Broughton discovered from her Bible that Heber had been connected by family ties with Moses, she was more than ever sure that Heber\'s wife would have in her tent much of the spoilings of the Egyptians. And when Clara Van Siever suggested that at any rate she would not have worn them in a time of confusion when soldiers were loose, flying about the country, Mrs. Broughton was quite confident that she would have put them on before she invited the captain of the enemy\'s host into her tent. The artist at last took the matter into his own hand by declaring that Miss Van Siever would sit the subject much better without jewels, and therefore all Mrs. Broughton\'s gewgaws were put back into their boxes. And then on four different times the two ladies had to retire into Mrs. Broughton\'s room in order that Jael might be arrayed in various costumes,—and in each costume she had to kneel down, taking the hammer in her hand, and holding the pointed stick which had been prepared to do duty as the nail, upon the forehead of a dummy Sisera. At last it was decided that her raiment should be altogether white, and that she should wear, twisted round her head and falling over her shoulder, a Roman silk scarf of various colours. "Where Jael could have gotten it I don\'t know," said Clara. "You may be sure that there were lots of such things among the Egyptians," said Mrs. Broughton, "and that Moses brought away all the best for his own family."

"And who is to be Sisera?" asked Mrs. Broughton in one of the pauses in their work.

"I\'m thinking of asking my friend John Eames to sit."

"Of course we cannot sit together," said Miss Van Siever.

"There\'s no reason why you should," said Dalrymple. "I can do the second figure in my own room." Then there was a bargain made that Sisera should not be a portrait. "It would never do," said Mrs. Broughton, shaking her head very gravely.

Though there was really very little done to the picture on that day, the work was commenced; and Mrs. Broughton, who had at first objected strongly to the idea, and who had said twenty times that it was quite out of the question that it should be done in her house, became very eager in her delight about it. Nobody should know anything of the picture till it should be exhibited. That would be best. And it should be the picture of the year! She was a little heart-broken when Dalrymple assured her that it could not possibly be finished for exhibition in that May; but she came to again when he declared that he meant to put out all his strength upon it. "There will be five or six months\' work in it," he said. "Will there, indeed? And how much work was there in \'The Graces\'?" "The Graces," as will perhaps be remembered, was the triple portrait of Mrs. Dobbs Broughton herself. This question the artist did not answer with absolute accuracy, but contented himself with declaring that with such a model as Mrs. Broughton the picture had been comparatively easy.

Mrs. Broughton, having no doubt that ultimate object of which she had spoken to her friend Conway steadily in view, took occasion before the sitting was over to leave the room, so that the artist might have an opportunity of speaking a word in private to his model,—if he had any such word to speak. And Mrs. Broughton, as she did this, felt that she was doing her duty as a wife, a friend, and a Christian. She was doing her duty as a wife, because she was giving the clearest proof in the world,—the clearest at any rate to herself,—that the intimacy between herself and her friend Conway had in it nothing that was improper. And she was doing her duty as a friend, because Clara Van Siever, with her large expectations, would be an eligible wife. And she was doing her duty as a Christian, because the whole thing was intended to be moral. Miss Demolines had declared that her friend Maria Clutterbuck,—as Miss Demolines delighted to call Mrs. Broughton, in memory of dear old innocent days,—had high principles; and the reader will see that she was justified in her declaration. "It will be better so," said Mrs. Broughton, as she sat upon her bed and wiped a tear from the corner of her eye. "Yes; it will be better so. There is a pang. Of course there\'s a pang. But it will be better so." Acting upon this high principle, she allowed Conway Dalrymple five minutes to say what he had to say to Clara Van Siever. Then she allowed herself to indulge in some very savage feelings in reference to her husband,—accusing her husband in her thoughts of great cruelty,—nay, of brutality, because of certain sharp words that he had said as to Conway Dalrymple. "But of course he can\'t understand," said Mrs. Broughton to herself. "How is it to be expected that he should understand?"

But she allowed her friend on this occasion only five minutes, thinking probably that so much time might suffice. A woman, when she is jealous, is apt to attribute to the other woman with whom her jealousy is concerned, both weakness and timidity, and to the man both audacity and strength. A woman who has herself taken perhaps twelve months in the winning, will think that another woman is to be won in five minutes. It is not to be supposed that Mrs. Dobbs Broughton had ever been won by any one except by Mr. Dobbs Broughton. At least, let it not be supposed that she had ever acknowledged a spark of love for Conway Dalrymple. But nevertheless there was enough of jealousy in her present mood to make her think poorly of Miss Van Siever\'s capacity for standing a siege against the artist\'s eloquence. Otherwise, having left the two together with the object which she had acknowledged to herself, she would hardly have returned to them after so very short an interval.

"I hope you won\'t dislike the trouble of all this?" said Dalrymple to his model, as soon as Mrs. Broughton was gone.

"I cannot say that I like it very much," said Miss Van Siever.

"I\'m afraid it will be a bore;—but I hope you\'ll go through with it."

"I shall if I am not prevented," said Miss Van Siever. "When I\'ve said that I\'ll do a thing, I like to do it."

There was a pause in the conversation which took up a considerable portion of the five minutes. Miss Van Siever was not holding her nail during these moments, but ............