The Daly brood departed with their booty, Honor next bustled about to get their own meal ready. Grania meanwhile had promptly dumped herself down upon her two small heels and sat doing nothing, except staring sulkily at the fire. The child was thoroughly cross. She wanted her playfellow, and poor Honor by no means filled the blank. An old hen, sitting upon a clutch of eggs in a hole in the wall a little to the left of the fire, put its head out, and uttered a friendly interrogative cluck, by way of suggestion that it was there and would not object to a handful of oatmeal if it came in its way. Grania, however, took no notice, but sat, with her small brows{74} drawn close together, staring at the ash-covered heap of turf, below which a dull red glow still smouldered.

Inside the cabin everything was warm, turf-scented, chocolate-tinted. Walls, roof, hearth, furniture—what furniture there was—all was dim and worn, blackened with time, smoke, and much friction. Little light came in at the small, closely-puttied windows; much smoke down the wide, imperfectly-fashioned chimney. It suited its inmates, however, and that, after all, is the main thing. To them, as to the old speckled hen, it was home—the one spot on earth that was theirs, which made the difference between warmth, self-respect, comfort, and a desolate, windy world without. Solid at least it was. There was no scamped work about it: no lath and plaster in the walls; no dust and rubble in the foundations. Had there been it would not have stood out against the first of the{75} ten thousand storms that had beat against its solid little walls since the first day that they were planted in the mouth of that wicked, squally gully.

Supper over, Grama watched her opportunity. With a sudden slide, a run, a quick scramble, and a dart through the open door, she managed, while Honor was scouring out the black pot, to escape and run off at the top of her speed to a spot where she knew she would be safe, for some time at least, from pursuit.

This retreat of hers was a stone fort known as the Mothar dun, one of seven or eight so-called Cyclopean forts which stud the islands. This one, which was only a few hundred yards from their own door, was small, as Cyclopean forts go—not towering in air like a great natural cliff, as Dun Aengus does, nor yet covering the whole top of the island, like Dun Connor or Conchobhair,{76} but forming a comparatively modest circle, set half-way up the slope—an absurd position, if you reflect on it from a military point of view, since it must have been dominated by any enemy who happened to stand above it. Nobody on Inishmaan troubled themselves, however, about such matters, and little Grania O’Malley naturally least of all.

Clambering over the big blocks, excited with the sense of escape, and breathless from her run up the perpendicular, ladderlike face of the slope, she had just reached the innermost enclosure when, out of the darkest part of it, a figure bounced against her so roughly as to cause her to spring backwards, striking her foot, as she did so, against one of the sharp-pointed stones.

It was a big, red-headed lad of fourteen or, perhaps, fifteen years old, extremely, almost painfully, ugly, possessing one of those faces{77} which confront one now and then in the west of Ireland, and which seem to verge to a cruel degree upon the grotesque. So freckled was he that his face seemed all freckle; an utterly shapeless, and at the same time ridiculously inconspicuous, nose; a shock head, tangled enough to suggest the historic ‘glibbe’ of his remote progenitors; with all that, a harmless, amiable, not even particularly stupid face, but so dull, and at the same time apprehensive-looking, that its very amiability seemed to provoke and invite attack. Attack was certainly not spared on this occasion.

‘Auch, and is it you then, Teige O’Shaughnessy! And why must you be sticking there in the dark, knocking me down for nothing at all—yes, indeed, for nothing at all?’ the child exclaimed as soon as she had recovered her breath. ‘Augh, but it is yourself, Teige O’Shaughnessy, that is the ugly, awkward boy!{78} the ugliest and awkwardest in all Inishmaan! My word, just wait till Murdough Blake comes back from the sea, till I tell him how you run out at me in the dark and I doing nothing! It is Murdough Blake will give you the real good beating, so he will!—yes, indeed, the best good beating ever you got in your life, just to learn you manners! That he will, and more too, you ugly, clumsy omadhaun!’

She stopped, breathless, exhausted by her own volubility.

The boy so belaboured with words only stood still, his poor ugly face growing redder and uglier in his confusion.

‘Arrah, is it hurt you are, Grania O’Malley?’ he stammered sheepishly at last.

‘And if it is hurt I am or not hurt, it is not to you I will be telling it, Teige O’Shaughnessy,’ she replied haughtily. ‘And I will be glad for you to go away, so I will,{79} for I do not want to be looking at your ugly face, nor at your red hair, nor at any piece of you, so I do not!’ And she flung herself face downwards upon the nearest stone.

Poor Teige found apparently no effective rejoinder to these observations, for, after staring stupidly at her for about a minute, he turned and proceeded obediently to depart, his heavy feet—heavy even in their soft cow’s skin pampooties—lumbering along over the rocks, the sound growing fainter and fainter as he disappeared down the stony hillside.

Little Grania waited where she was till he was out of sight, then she jumped up from the stone upon which she had thrown herself and clambered nimbly up, till she had reached her favourite perch on the top of the fort, where a small portion of the parapet still existed. Seating herself upon this she let{80} her feet dangle out over the smooth flagged platform which stretched for some distance beyond.

She was still sobbing, from anger, however, rather than pain, her suffering being of the kind known in nursery parlance as a pain in the temper, the previous vexation about Murdough having been deepened and brought into fresh prominence by the recent encounter.

Teige O’Shaughnessy was an orphan, and lived with an uncle and aunt, an old brother and sister who inhabited a cabin upon one of the outlying rocks, one which became an island at high tide and therefore was then unapproachable. The two were twins, and earned their bread, or rather the old man earned it for both of them, by weaving. Apparently it was a sorry trade, for the cabin in which they lived was so twisted, sea-battered, brine-encrusted, and generally miserable that,{81} by comparison, most of the other houses upon the island might have been regarded by their owners as quite architectural and dignified domiciles. This, one would say, ought to have been a source of popularity, but, for several reasons, the O’Shaughnessys were rather pariahs upon Inishmaan. This was not on account of their poverty, which is never a really damning reproach in Ireland, and probably, therefore, was due partly to the fact that, compared to most of its inhabitants, they were new-comers—at least, there were several very old people on Inishmaan who pretended to remember a time when there were no O’Shaughnessys there—partly to their extreme ill-favouredness, and, still more, to the fact that the two old people were deaf and dumb, and could therefore only communicate with their neighbours and the rest of the world by signs—a sufficient reason surely in a much less superstitious{82} community than that of Inishmaan for regarding them as lying peculiarly under the disfavour of Heaven, and likely enough to bring that contagion or blight of disfavour upon other, and more fortunate, people if unduly encouraged and associated with.

Grania, a born aristocrat—all children are born aristocrats—shared this feeling in the strongest degree, and was well aware that Teige was in some way or other immensely inferior to herself, and therefore a person only to be tolerated when no more attractive company was to be had. She sat for some time longer with her feet dangling over the top of the fort, a quaint little red-petticoated figure, the solitary spot of colour in all that desolate greyness. Immediately beneath her the ridged platforms of rock showed their upturned edges, one below the other, fluted, worn, and grooved into every variety of furrow. Hardly a speck{83} of green to be seen anywhere. Here and there an adventurous spray of honeysuckle or bryony, grown deep in the hollows, showed perhaps a few inches of foliage above the wrinkled surface of the rocks, but that was all.

The winds were all hushed for that evening, but their power and prowess was written at large upon every worn crag, torn fissure, and twisted stump; upon the whole battered, wind-tormented scene. Inishmaan might from this point have suggested some weather-beaten old vessel, a raft or hulk given over to the mercy of winds and waves, keeping afloat still, but utterly scarred and defaced, a derelict, past all possibility of recovery.

After sitting for about a quarter of an hour upon the same spot, the child began to tire of her solitary perch. A new impulse seized her, and, leaving the rath, she clam{84}bered down the wall, over the loose blocks scattered outside—remains of a still discernible chevaux de frise—ran across the level slabs of rock, till she reached the end of the one she was upon, when she dropped suddenly down-hill, over, as it were, a single gigantic stair, thereby attaining the one below.

This brought her to a totally different aspect of the island, and, comparatively speaking, a cheerful and sheltered one. A narrow coose, or horseshoe-shaped bay, running some little way inshore, had created a sort of small sea-facing amphitheatre, backed by a semicircle of rocks, at the bottom and sides of which mountain ash, holly, and fuchsia—the latter still red with flower—grew and flourished, enclosing and sheltering a small, perfectly level green stage or platform.

At the end of thi............